Showbiz Sandbox 124: UltraViolet Is A Solution In Search Of A Problem
October 31, 2011
More than 75 companies have teamed up to form UltraViolet, a new service that promises to give consumers the freedom to watch movies and television shows wherever and whenever they want. However, early adopters have discovered that untethering content from physical media such as DVDs can be a tedious and confusing process. As the entertainment industry experiments with rapidly evolving technologies, viewers seem hard pressed to find any benefits in moving to the cloud.
When it comes to music though, fans have already migrated to online services such as Pandora, iTunes and Amazon. Now Google is preparing to launch its own music offering which is rumored to allow users to share music with their friends and family.
And if you thought digital technology was a tough racket, so is trying to copy the success of the hit television series “Mad Men”. NBC failed with it’s 1960s drama “The Playboy Club” and ABC isn’t fairing much better with “Pan Am”, a similar knock-off. They could have picked up Charlie Sheen’s new sitcom, “Anger Management” as a replacement, but FX scooped it up before anyone had a chance.
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Showbiz Sandbox 123: DVR Data Can Save TV Shows From Cancellation
October 17, 2011
It turns out your DVR can be helpful beyond just recording your favorite television shows. Examining which commercials you skip past might be able to help predict box office flops and monitoring which shows you watch can save a borderline series from being canceled. We’ll debate whether television networks and movie studios can benefit from the data being collected from your DVR.
Apple however may be trying to make your DVR obsolete. The long standing rumors that Apple might be working on a next generation television set have heated up once again. Would you welcome Apple into your living room?
Dozens of entries make up this year’s Best Foreign Language Oscar list, though all of them will ultimately be nominated. We’ll explain how the list ultimately gets whittled down to just five movies.
We also cover the week’s top entertainment headlines including why Hulu is no longer for sale, why Jonny Depp’s “Lone Ranger” is back in production and how Amazon plans to make publishers unnecessary.
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Showbiz Sandbox 122: The Real Story Behind Steve Jobs And Pixar
October 10, 2011
Millions mourned the loss of Apple co-founder Steve Jobs this past week when the innovator behind the Macintosh computer, the iPod and others died at the age of 56. Though the endless eulogies of Jobs always mention Jobs Pixar tenure, they rarely provided any real detail. Truth is Jobs lost money with Pixar for ten years trying to turn the company into a successful computer hardware business. We’ll dive into the story of how Jobs came to own Pixar and how the company stumbled upon success in computer animation.
Of course, there has never been a Pixar film that didn’t make money. However, we often blithely dismiss one movie as being a box office loser and another as a hit even though they might seem similar in budgets and box office. When we consider a film a hit or a flop, we’re making numerous assumptions on various factors. It’s always a judgment call, but to try and explain what sort of judgments we’re making, we’ve decided to look at several different movies and explain why we consider them a hit or miss.
It’s not as hard to tell when a new television series is a flop, especially after the network cancels it. A number of new shows (“Playboy Club”) got axed this past week, while others (“New Girl”) were picked up for an entire season. One series which nearly didn’t make the cut was “The Simpsons”. After its 23rd season the animated show was nearly canceled over a contract dispute with the cast providing voices for its lovable characters.
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Showbiz Sandbox 121: Why 3D Movie Tickets Are About To Get More Expensive
October 3, 2011
As moviegoers grow more skeptical over paying premiums to see 3D movies you would think now would be a bad time to raise ticket prices yet again. However, if Sony Pictures has their way that’s just what may happen. Last week the studio told exhibitors they would no longer pay for 3D glasses after May 2012 triggering the start of a war between studios and cinemas that may wind up hitting movie audiences right in the wallet. We take a deeper look at the history and reasons behind this ongoing dispute.
Maybe movie buffs should forego the multiplex altogether and choose to stay home with a hot new independent film. Prescreen is an innovative new movie marketing and distribution platform for filmmakers and distributors that can help you find just the right one. Shawn Bercuson, the company’s CEO, joins us to explain what Prescreen is all about.
Facebook has also gotten into the discovery game with Open Graph, a new features which allows users to share experiences with friends in realtime. Now whenever a Facebook user is listening to music on Pandora or watching a movie on Netflix it will broadcast to everyone they are connected with on Facebook. What does Facebook’s entry into media recommendation mean for existing players such as Last.fm, Spotify and Pandora?
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Showbiz Sandbox 120: Netflix Must Adapt To A Hollywood It Helped Create
September 26, 2011
Ryan Lawler has spent the last two years writing about online video and digital media trends for GigaOm, a beat he’s covered for a number of publications. Who better to help us sort out what’s been going on with Netflix over the past two weeks? Despite a plunging stock price, slower subscriber growth and increased competition from the likes of Dish Network, Lawler says we shouldn’t be too worried about Netflix. He discusses what the future holds for the company during an in-depth interview.
Meanwhile, the fall television season was jumpstarted by “Two and a Half Men” as more than 28 million viewers tuned in to see Ashton Kutcher replace Charlie Sheen. Don’t feel too bad for Sheen though; he had 6.4 million people watching him get roasted over on Comedy Central and it appears he’s settling his lawsuit with Warner Bros. for a cool $25 million.
“The Lion King 3D” continues to dominate the worldwide box office, despite the fact that it’s a 17 year old movie that most have already seen. “Titanic” and “Top Gun” are already getting 3D makeovers, and it’s likely we’ll see studios reaching back into their archives to find even more titles.
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Showbiz Sandbox 119: Thompson On Toronto and Telluride
September 19, 2011
The Toronto International Film Festival has become a mandatory stop for studios opening awards contenders in the fall. The last four best picture winners at the Academy Awards, including The King’s Speech, all played in Toronto. Along with the smaller, cozier Telluride Film Festival, Toronto is where some films first start picking up awards buzz. Anne Thompson, editor of IndieWire’s Thompson on Hollywood, just returned from both festivals and provides a few details to those of us who weren’t lucky enough to go.
The Emmy Awards were held on Sunday evening and once again “Mad Men” and “Modern Family” won top honors. Though many of the award winners were predictable, there were still a few surprises, such as Melissa McCarthy from the sitcom “Mike & Molly” walking off with lead actress in a comedy. The Emmy telecast itself however was a bit of a “train wreck”.
Netflix continued to top headlines this past week after their stock price plunged 19 percent upon lowering their subscriber projections. Apparently their higher prices have scared off potential customers and caused a few to abandon the video rental service. Now Netflix has announced they will split their business in two, renaming the DVD-by-mail service Qwikster.
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Showbiz Sandbox 118: Mr. Television Rates This Year’s New Shows
September 12, 2011
There’s a good reason Marc Berman is known as Mr. Television. As the man behind MediaWeek’s daily television newsletter The Programming Insider his commentary on the medium reached more than 50,000 readers per day. Berman recently launched TV Media Insights, a new online destination for television and media with its own newsletter, forum and podcast. Berman handicaps this year’s Emmy Awards and also tells us which new shows are worth watching in the upcoming season.
We also continue our discussion on the publishing industry, which due to the dramatic changes in how they do business, is becoming one of the more fascinating parts of the entertainment industry. As e-book sales increase, popular authors are beginning to announce plans to release new work directly to readers and Amazon plans on creating a Netflix fof books.
Meanwhile, a The Hollywood Reporter served a cease and desist order on Deadline.com which sparked a war of words between the two trade outlets. Is the Reporter in financial trouble, and if so, should Deadline staff be spreading the word to potential advertisers?
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Showbiz Sandbox 117: Crunching The Numbers Behind Summer’s New Box Office Records
September 6, 2011
Big budget sequels and super hero movies helped push the bar on summer box office records slightly higher. North American grosses rose to $4.4 billion as overseas markets improved to $8.2 billion in receipts. But how much did all those blockbusters actually cost to produce and market? After all the money is counted, how profitable will the latest installments of “Pirates of the Caribbean” and “Transformers” truly be? We sharpen our pencils and do the math to answer all these questions and more.
One future blockbuster that was recently axed by Disney may actually get made after all. The studios is lowering the budget on “The Lone Ranger” by asking star Johnny Depp and filmmaker Gore Verbinski to take a pay cut.
The publishing world also seems to be doing quite well lately thanks to strong sales of digital titles. Even though the e-books may be getting all the love in mainstream media stories, Random House wants everyone to know that print books aren’t dead. In fact, the sale of hardcover and paperback books still outpaces their digital counterparts.
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Showbiz Sandbox 116: Will Hollywood Miss Steve Jobs?
August 30, 2011
Last week’s news that Steve Jobs was stepping down as the CEO of Apple caused headline writers all over the world to work overtime. Sure Jobs became a household name by helping revolutionize personal computing, but he also helped shape the modern entertainment industry with products such as iTunes, the iPod and the iPad. And we shouldn’t forget his role in founding a little animation company called Pixar. We discuss what Jobs departure from Apple means to Hollywood and why some entertainment execs may be secretly relieved to see him exit the stage.
On the other hand, news that filmmaker Ridley Scott was working on a sequel to his sci-fi masterpiece “Blade Runner” didn’t seem to please anyone. Some showbiz pundits went so far as to call the idea “catastrophically bad”. We’ll explain why.
Over in the world of television, one of the husbands on “The Real Housewives of Beverly Hills” committed suicide causing Bravo to re-edit episodes for the upcoming season. Will the death of Russell Armstrong cause networks to rethink how they handle reality television?
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Showbiz Sandbox 115: Record Industry Wages A Quiet War Over Song Rights
August 15, 2011
When the United States copyright law was revised in the mid-1970′s a little-known provision was included that lets musicians and songwriters reclaim ownership of their recordings after 35 years. Artists such as Bryan Adams, Bob Dylan, Loretta Lynn, Tom Petty and Tom Waits are set to regain control of their recordings starting in 2013 thanks to these “termination rights”. Rather than lose control of works worth millions of dollars, New York Times culture reporter Larry Rohter discusses how record labels plan to fight the provision in court.
Also picking a fight is Disney, which halted production of “The Lone Ranger” which was to star Johnny Depp and be directed by Gore Verbinski. Does pulling the plug on Jerry Bruckheimer’s latest blockbuster mean that Depp will refuse participate in another “Pirates of the Caribbean” sequel?
AMC has had its fair share of scuffles lately. After numerous disputes with the creators of their hit shows, AMC has become not only one of the most acclaimed cable networks in recent memory, but also one of the most troubled.
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