Showbiz Sandbox 268: Going Backstage At The Grammys With David Wild
February 8, 2015
The Grammy Awards were held last weekend to honor the year’s best music. David Wild, one of the producers and writers of the Grammys telecast (not to mention a contributing editor at Rolling Stone), takes us behind the scenes at the ceremony. He explains what it’s like to get Madonna, Miley Cyrus and Nikki Minaj on the same page and the difficulty of describing Sia’s unique stage performance to Stevie Wonder.
Meanwhile, a couple of big media conglomerates announced significant management changes over the past week; Amy Pascal will be stepping down as head of Sony Pictures due in no small part to the recent cyber attack against the company and Tom Staggs is anointed as the most likely candidate to take over for Disney CEO, Bob Iger when the latter steps down in 2018.
Speaking of big name execs, FCC chairman Tom Wheeler finally submitted his proposal for net neutrality, which would regulate ISPs to enforce open internet protections.
Of course, we also cover the week’s top entertainment news stories including why actor Michael Gambon is retiring from the stage, the uproar over news anchor Brian Williams and how Kodak is keeping film stock alive.
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Showbiz Sandbox 252: Crouching Netflix, Hidden IMAX and the Myth of Broken Release Windows
October 6, 2014
The Weinstein Co. stunned the entertainment industry last week by announcing they would distribute the sequel to “Crouching Tiger, Hidden Dragon” simultaneously on Netflix and IMAX. As Brooks Barnes of the New York Times explains, the plan only has one problem; movie theaters refuse to show any film that opens day-and-date on home video or video-on-demand. This begs the question, if a movie never opens theatrically, was it’s release window really broken?
Netflix continued to make additional headlines later in the week by signing a deal with actor Adam Sandler to make four original movies for the streaming service. We discuss whether Netflix is changing the Hollywood paradigm or simply becoming one more buyer of premium content.
While Netflix is leaning into the future, director Christopher Nolan is taking a more old fashioned approach by releasing his upcoming movie on actual film. Select theaters showing “Interstellar” on analogue celluloid will get the film two days early. But will theater owners, who recently converted to digital cinema, still know how to thread a 35mm projector?
Of course, we also cover the week’s top entertainment news stories including the death of Saturday morning cartoons, why U2 released their latest album on vinyl and how Facebook is helping “Twilight” live on through a series of short films.
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Showbiz Sandbox 245: Guardians of the Celluloid – Hollywood Big Shots Rally Around Film Stock
August 4, 2014
With the entertainment industry having fully embraced digital technology, the world’s only remaining motion picture film supplier was preparing to cease manufacturing 35mm stock. However, a group of influential filmmakers, Christopher Nolan and Quentin Tarantino among them, have convinced studios to enter into an agreement with Kodak that will keep celluloid alive for a few more years.
Digital technology was actually supposed to simplify the production and distribution of movies, music and television. Yet as the industry adapts to new tools and workflows the learning curve has been long and steep. The most recent example occurred when a digital content file was mislabeled and caused cinemas to play the wrong movie.
Meanwhile, the television streaming service Aereo can’t seem to catch a break. Even after tge U.S. Supreme Court ruled they are acting as a cable operator the U.S. Copyright Office refuses to issue Aereo a compulsory license claiming they are not a cable company.
Of course, we also cover the week’s top entertainment news stories including some controversial comments about the current conflict in Gaza, Alvin and the Chipmunks head to Broadway and the pop star Lorde curates music for the next “Hunger Games” movie.
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