Showbiz Sandbox 186: Bill Carter of the NY Times on Cable Ratings, Jay Leno and the Shifting Television Landscape
March 18, 2013
Bill Carter of the New York Times has been reporting on the television industry for over 30 years. Who better to ask about why nothing seems to make any sense about this year’s television season? For example, cable shows have been pulling in more viewers than any of the networks. Broadcast networks that were topping the ratings just months ago, are now struggling at the back of the pack. As if that wasn’t enough, it looks as if the battle over late night programming is heating up again.
In a wide-ranging conversation, Carter touches on everything from the reason networks have been cutting back their original programming to why ratings have become so complicated to tabulate (hint: it has to do with DVRs). He explains all the troubles NBC is having not only in primetime, but also with their morning news programming. Carter literally wrote the book on late night television (actually two of them), so his thoughts about which of the ever growing list of hosts is most dominant, and why, is rather insightful.
Meanwhile, the Cannes Film Festival announced the selection of Baz Luhrmann’s adaptation of “The Great Gatsby” as their opening night film. What stunned many Cannes veterans is that the festival would choose a film which will open theatrically in North America just five days before it premieres on the Croisette this May.
Of course, we also cover the week’s top entertainment headlines, including “Django” in China, “Veronica Mars” on Kickstarter and David Bowie’s return to the music sales charts.
March 4, 2013
When Soren Kaplan’s “Leapfrogging” was published last summer it immediately appeared on the Wall Street Journal’s list of best-selling business books, a position that would be maintained for only a week. That was more than enough time for Kaplan to cement his status as a best-selling author which, in-turn, helps him land lucrative speaking and consulting gigs.
That is precisely why Kaplan hired a marketing firm to purchase copies of the book upon publication to assure it would appear on bestseller lists. During an interview with the Journal, Kaplan reveals how authors buying their way onto the bestseller list is a dirty little secret the publishing industry would prefer you not know about.
Dreamworks Animation is not being completely honest either. They took huge write-downs on their most recent release “Rise of the Guardians” and faulted the film’s weak performance as the reason for laying of 400 employees. However many question whether the company’s decision to move some of their production to China may have more to do with it.
Of course we also cover the week’s top entertainment headlines including the best yearly music sales since 1999, the end of Daily Variety and whether NBC is looking to part ways with Jay Leno (again).
February 18, 2013
For the past four years blogger Aaron Rich has been reviewing the movies he sees on his blog All The Movies I Watch, with a strong emphasis on independent and international titles. Last year he saw more than 500 films and says it was a good year for movies, as long as you ignored what Hollywood had to offer. Rich joins us to discuss some of his best (and worst) movies of 2012, many of which may be unfamiliar to you.
As we roll towards another Oscars ceremony, it looks as if Ben Affleck’s “Argo” is poised to take home the year’s biggest prize; Best Picture. This past weekend it topped the Writers Guild Awards, along with “Zero Dark Thirty”. We have a few last minute predictions for who might be picking up this year’s Academy Awards.
At some point all of this year’s movies will wind up on video services such as Netflix. Yet we’ll never know how popular they are on Netflix because the company won’t divulge viewership numbers. This is making it very difficult to determine whether its own original programming, such as “House of Cards”, is a success.
Of course we also cover the week’s top entertainment headlines including how movie ticket prices went up in 2012, how Universal Music Publishing Group hopes to capitalize cover versions of its songs on YouTube, and why rock legend Chubby Checker is suing a software developer for stealing his name.