October 18, 2016
When Bob Dylan was awarded the Nobel Prize for Literature last week there were cries of joy and jeers of contempt over the decision. Music Journalist Sal Nunziato joins us to ponder whether Dylan’s work is in fact literature. He explains why, out of all the musicians that could have received such an award, it had to be Dylan.
Nunziato explains who out of this year’s 19 nominees to the Rock and Roll Hall of Fame should actually get in. Will Kraftwerk finally make the cut? Joan Baez seems like a no-brainer and nobody would be shocked if Pearl Jam makes it through on their first attempt, but what about bands like Depeche Mode and hip-hop stars such as Tupac Shakur?
Meanwhile, there’s never been more ways to listen to music thanks to streaming services like Spotify and Apple Music. Now Amazon has entered the world of music streaming and hopes that soon every song request begins with the word “Alexa.”
Of course we also cover the week’s top entertainment news including an expansion of the latest Harry Potter franchise, Billy Bush reaches a settlement to depart “Today” and Netflix gives comedian Chris Rock a huge payday.
October 10, 2016
With its racially charged themes striking a timely chord, “The Birth of a Nation” garnered acclaim and a $17.5 million distribution deal at this year’s Sundance Film Festival. However after it became known that its director and star was once accused (though acquitted) of rape, a question was raised over whether art can be separated from its creator. Many will argue that the answer lies in the movie’s poor critical reception and tepid box office.
What was touted as a contender for multiple Oscar nominations this year, “The Birth of a Nation” may ultimately break even in theatres before going on to earn most of its money in ancillary markets. If it were up to Reed Hastings though, the film would have been released on VOD and in cinemas at the same time. The Netflix CEO claims theater owners are strangling the movie industry with their insistence on release windows.
Meanwhile, there are calls by some in Congress for the Justice Department to review the growing number of business acquisitions being made by Wanda, a Chinese conglomerate. Having purchased multiple movie theater chains and at least one Hollywood production company, some legislators believe the U.S. is allowing Chinese state-controlled companies to gain too much soft power
Of course we also cover the week’s top entertainment news including why executives are disappearing from BBC’s Radio 1, how Disney cast a sequel to “Mary Poppins” without a script and what the future may hold for celebrity newscaster Billy Bush.
May 2, 2016
Comcast announced last week that it would acquire Dreamworks Animation for $3.8 billion, taking another step toward transforming themselves from a cable giant into a full fledged media conglomerate. Meg James, a corporate media reporter for the Los Angeles Times, join us to discuss how, though the deal may not have been anticipated, it makes a lot of sense for both companies.
The purchase is the most recent in a string of acquisitions that have closely mirrored the strategy Disney has executed over the past decade as they gobbled up companies such as Pixar, Marvel and Lucasfilm. Comcast has proven quite adept at turning undervalued assets such as NBCUniversal and Universal Studios theme parks into profitable entities.
Meanwhile, as the Tony Awards season officially kicks off, Broadway is suffering from what is being referred to as The Hamilton Effect. This is a condition in which you open a musical that blends hip-hop and history in a way that not only makes the show a cultural phenomenon, but the inevitable winner of this year’s much coveted Best Musical Tony.
Of course we also cover the week’s top entertainment news including the Daytime Emmy winners, why Fox is pulling out of this year’s Comic-Con convention and how French law enforcement is preparing for the Cannes Film Festival.