Showbiz Sandbox 146: High Frame Rate Hijinks On “The Hobbit”

Movie theater owners were abuzz after seeing the first extended footage of “The Hobbit” a few weeks ago at CinemaCon. Most however didn’t have anything positive to say about Peter Jackson’s highly anticipated prequel to his “Lord of the Rings” franchise. The filmmaker decided to shoot the film at 48 frames per second, twice the speed of traditional 35mm film, and many who saw the clips felt they looked like a cheap soap opera. Jackson claims the footage was from unfinished scenes, though it left many wondering if high frame rate films are really worth all the hype.

Meanwhile, two months after Disney took a bath on “John Carter” when it bombed at the box office, the studio is raking in the dough on “Marvel’s The Avengers”. While the film may go on to be the highest grossing film of the year (so far), it wasn’t enough to save the job of Disney chairman Rich Ross.

Movies are even making news on Broadway. Leading the pack of Tony Award nominees last week were two musicals adapted from films; “Once” and “Newsies”.

We also cover some of the top entertainment news stories from the past two weeks including James Bond’s new publisher, Jack White’s first number one album and a Amazon’s plans to crowd source good television shows.

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Showbiz Sandbox 145: Rise of Playlisters Marks The Death of Music Blogs

Last week Doug Freeman, a music critic for the Austin Chronicle, wrote an opinion piece in response to a Hypebot interview in which Sean Adams, the founder of Drowned In Sound, suggested music blogs are no longer influential. Freeman joins us to explain that if blogs were simply gateways to new music discovery, then the streaming playlister is the new music blogger. New influencers and kingmakers will emerge in a shifting editorial landscape.

We also take you to the first weekend of this year’s Coachella Music Festival where more than 150 acts strutted their stuff to an more than 100,000 attendees. Headliners such as Radiohead and The Black Keys proved to be big hits, but Dr. Dre and Snoop Dogg stole the show by performing with a picture perfect hologram of the late Tupac Shakur.

“The Hunger Games” continues to feast on the North American box office, but the number one movie in the world this past weekend was “Titanic 3D” thanks to a record breaking opening in China.

We also cover the week’s top entertainment headlines including Mel Gibson’s public fight with a screenwriter, an extended run for “Game of Thrones” and an anti-trust lawsuit against major publishing houses.

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Showbiz Sandbox 140: Nollywood Love – Inside The Booming Nigerian Film Industry

Oil rich Nigeria may be best known for political upheavals and brutal civil wars, though over the past twenty years the country has given birth to a thriving film industry. New York Times Magazine contributing writer Andrew Rice explains that what started out as a surplus of blank VHS tapes has grown into what is now called Nollywood; the world’s third largest movie business.  Nollywood films now suffer from the same issues faced by Hollywood and Bollywood; piracy and escalating production costs.

The budget for Disney’s “John Carter” was about five thousand times that of the average Nollywood film, which is probably why a $100 million worldwide opening is seen as a bit of a disappointment. Directing his first live-action film, Pixar veteran Andrew Stanton seems to be getting most of the blame for the movie’s lack of success, though it just as easily could be pinned on a studio full of senior executives that lacked experience producing big blockbusters.

Speaking of pricey failures, Fox canceled its sci-fi series “Terra Nova”. Producers hope the show will be picked up by another network, though at $4 million per episode few can afford it.

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Showbiz Sandbox 138: Lessons Learned At This Year’s Oscars

Predicting who will win Academy Awards each year isn’t as easy as it looks. Just ask IndieWire’s Anne Thompson. She managed to pick 19 out of 24 winner’s at this past weekend’s Oscar ceremony, but there were a few categories which had everyone guessing. Thompson takes us backstage on Oscar night and explains how easy it is for someone covering the awards season, like herself, to over think how Academy voters will respond when ballots are cast.

Meanwhile, Google filed applications last week to become a cable television provider in Kansas City. What remains to be seen is whether the tech giant can obtain enough programming to attract customers.

Maybe Hollywood will welcome Google with open arms as they have with the glut of streaming video providers all vying to license premium content. Ironically, the industry seems to be ahead of the curve on a new technology they hope will make up for falling DVD sales.

We also cover the week’s top entertainment headlines including a new book from J.K. Rowling, Barbara Streisand’s new record deal and how advertising at movie theaters is being taken more seriously.

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Showbiz Sandbox 136: Crafting A Story For The Grammys Through Triumph and Tragedy

Los Angeles Times entertainment reporter Geoff Boucher was on assignment at the Grammy Awards when he heard about the the sudden death of pop star Whitney Houston over the weekend. While still covering music’s biggest night, Boucher was given two hours to write Houston’s obituary for the Sunday paper.

At the same time, David Wild was backstage at the Grammys putting the finishing touches on his script for the telecast. A contributing editor at Rolling Stone and best-selling author, Wild had less than 24-hours to work with Grammys producer Ken Ehrlich and revise the awards in the wake of Houston’s passing.

After an exhausting weekend Boucher and Wild join us to discuss how this year’s Grammys focused on two voices; one looking to the future with Adele winning six awards and one honoring the past by mourning the fresh tragedy of Houston’s death.

A whopping 40 million people watched this year’s Grammys telecast, though if we were to believe Nielsen few of them were under the age of 24. Brian Stelter of the New York Times stops by to explain why young people are watching television less often.

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Showbiz Sandbox 134: Video-On-Demand Rides To The Rescue At Sundance

This year’s Sundance Film Festival came to a close last weekend awarding top prizes to a wide range of movies. Independent film industry veteran Michael Tuckman sizes up this year’s festival and highlights some of its most noteworthy movies. Tuckman explains how video-on-demand has become a big part of the distribution strategy for such films, providing them with a wider audience than traditional art houses.

IFPI also showed up with some good news last week reporting that global digital music sales were up eight percent in 2011. Subscription services such as Pandora and Spotify are helping increase revenue, though they are also eating into the advertising dollars usually reserved for local radio stations.

Meanwhile, Broadway is gearing up for its spring season with a glut of hot new productions, making it difficult to pick a front-runner for Best Musical (the most valuable – if not the only valuable – Tony Award). Best Play is also up for grabs and none of the newcomers are slam dunks.

We also cover the week’s top entertainment news stories including, Simon Cowell retooling the “X-Factor” with new hosts and judges, an upbeat earnings report from Netflix and how Ticketmaster bungled the sale of tickets to Bruce Springsteen’s latest tour… again.

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Showbiz Sandbox 131: Broadway Flops Find New Life On The Road

Even the worst Broadway flops can wind up turning a profit once they begin touring in cities throughout the world. Patrick Healy, the theater news and features reporter for the New York Times, explains how sometimes it doesn’t matter if you make it big on the Great White Way, provided you’re a hit in Buffalo. He also provides a glimpse at what we might see at this year’s Tony awards.

Speaking of awards, the Director’s Guild, Writer’s Guild and Producer’s Guild announced their nominations for end-of-year accolades, helping to further define which films might be in the running for this year’s Oscars. Still, there doesn’t seem to be a front runner for Best Picture.

Music sales were up in 2011 for the first time since 2004. As expected, the sale of digital albums rose significantly as CD’s and other physical copies continued to decline.

Of course, we cover all the week’s top entertainment news including Van Halen’s reunion tour, new trouble for Netflix and the resignation of Disney’s marketing head.

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Showbiz Sandbox 130: It’s The Data, Stupid (or Why Live Nation Bought BigChampagne)

As 2011 comes to an end mainstream media companies continue to struggle with how to distribute their content through the Internet. That was never more apparent than this week as concert promoter Live Nation acquired BigChampagne, a media tracking and technology company. Joe Fleischer, Big Champgne’s chief marketing officer, explains why a live-event company is interested in staying on top of the latest music industry data and how the acquisition will help Live Nation better understand their customers.

Meanwhile, as SOPA and PIPA make their way through Congress, Universal Music Group caused a stir when they tried to squash news reports of their copyright infringement lawsuit against MegaUpload. Then there was comedian Louis C.K. who used digital convergence to his benefit by selling a video of his most recent stand-up show directly to fans, making a huge profit in the process.

Matt Damon was also muddying the waters last week by revealing the in-fighting going on behind the scenes of the”Bourne” franchise. Of course, we also cover the top entertainment news stories of the week including the Golden Globe and SAG award nominations, Howard Stern’s new television gig on “America’s Got Talent” and Madonna’s new record contract.

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Showbiz Sandbox 126: Foot In Mouth Disease Sweeps Through Hollywood

Getting publicity in Hollywood can be a very difficult task. If you are an A-list director like Brett Ratner or a hot actor like Ashton Kutcher however, all you need to do is make a bigoted statement or fire off an ignorant Twitter post and you’ll get more ink than you ever wanted. Ratner’s homophobic slur forced him to resign as producer of next year’s Oscars, while Kutcher’s uninformed opinion on current events caused him to rethink his social media participation. Has the entertainment industry become overly sensitive or do its inhabitants just have no class? We try to figure out what all the fuss is about.

The other big news of the week was the sale of record label EMI to Universal Music Group and Sony. EMI’s owner, Citibank, decided to split the record label from its publishing arm in an effort to get the deal passed antitrust regulators. As the music industry contracts from four major record companies to three, what will it mean for indie artists and their fans?

Broadway may also be undergoing some changes soon. Long running musicals such as “Mamma Mia!”, “Chicago” and “Mary Poppins” seem to be fading fast and may need to make way for new productions such as a revival of “Porgy & Bess”, “Evita” featuring Ricky Martin and a stage version of “Bonnie & Clyde”.

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Showbiz Sandbox 125: Are Radio D.J.’s A Thing Of The Past?

Radio listenership has eroded over the past several years as consumers have adopted streaming music services such as Spotify and Pandora.  To stay competitive and survive, Clear Channel, the nation’s largest radio station operator, shocked the industry this past week by firing dozens of local D.J.’s and replacing them with a national programming team.  Indie-label artists and music fans are sure to suffer as radio playlists become more homogenized and less relevant.

Google has no plans to get into radio, however rumors have surfaced that they might be trying to add a cable television operation to their broadband project in Kansas.  Launching and maintaining a cable television service is not exactly like running a search engine; it can be expensive, take years and ultimately lead to a lot of red ink.

Comedian Louis C.K. has shunned traditional cable altogether.  He’s decided to broadcast his upcoming comedy concert directly to fans via the Internet, bypassing traditional television distribution.

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