Showbiz Sandbox 201: Why CBS Is Winning The Battle (And The War) Over Cable Television

August 12, 2013

For the past two weeks Time Warner Cable has been blacking out CBS networks in New York, Los Angeles and other major markets over a retransmission dispute. Despite losing more than 3 million households ratings on CBS have remained steady giving the network no reason to back down from its demands. With the new television and football seasons set to begin in September Time Warner Cable may have no choice but to cave in to CBS’ terms.

Meanwhile, this summer’s blockbuster movies continue to underperform at the box office with Disney announcing they may have to take a $190 million write down on losses from “The Lone Ranger”. Actor Johnny Depp and producer Jerry Bruckheimer have figured out who to blame for the movie’s failure; vengeful American film critics.

After being publicly trashed by George Clooney, activist investor Daniel Loeb was unable to convince Sony to spin-off its entertainment divisions. Even so, Loeb says he’s pleased since the company’s stock price is up and its management more accountable to shareholders.

Of course we also cover the week’s top entertainment news including a lost film from Orson Welles, a new ending for the “Finding Nemo” sequel and the surprising new owner of The Washington Post.

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Showbiz Sandbox 178: Sex Sells At Sundance

January 21, 2013

The Sundance Film Festival has a reputation of programming edgy, independent films that often reflect the spirit and sentiment of the country. The festival must think the nation is in a lascivious mood since many of the films at this year’s event are rather racy.

In fact, at least three films at this year’s festival focus on pornography, including “Lovelace” a biopic of the world’s first pornstar. Whether it’s suburban lesbian mothers turning into prostitutes or two best friends having affairs with each other’s sons, Sundance has been hot and steamy.

If the number of distribution deals at this year’s festival is any indication however, Sundance is surely on the right track.

Of course, we also cover the week’s top entertainment headlines including controversial action figures for “Django Unchained”, Hanks and Spielberg head to war again, and Robert Iger’s big salary raise.

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Showbiz Sandbox 175: Fixing Electronic Oscar Voting In One Easy Step

December 31, 2012

When the Academy of Motion Picture Arts and Sciences announced it would allow electronic voting for this year’s Oscar nominations many industry insiders felt it was long overdue.  However with a median age of 62, the Academy’s membership may not be ready to cast ballots online.  Heck, some members don’t even have computers.

Now reports have emerged that the Academy’s electronic voting procedure has hit a few speed bumps.  Members have had password problems and those that were able to log into the voting system found it difficult and complicated.  Some fear that voting for the Oscars will reach an all-time low.  Yet there may be a very simple way to overcome some of the security concerns the Academy and its members have in casting online ballots.

The National Film Registry cast a vote of their own last week, adding 25 films to its archives in the Library of Congress, declaring them culturally, historically or aesthetically significant.  Unfortunately this doesn’t necessarily mean these films will actually be preserved.

Of course, we cover the week’s top entertainment headlines, including a lucrative holiday box office, big changes for “The Walking Dead” and a historical court ruling for screenwriters.

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Showbiz Sandbox 169: How TV Networks Learned To Stop Worrying And Love The DVR

October 29, 2012

Major networks used to bemoan the use of DVRs out of fear that audiences would use them to skip over commercials. However, with DVRs in almost half of all US homes, they have begun touting the big audience increases some of their shows get after factoring in time shifted viewing. Scott Collins, a television reporter with the Los Angeles Times, discusses modern-day TV ratings and how the industry is coping as viewing habits change.

And if you thought television networks were in trouble, they’ve got nothing on the film industry. If you were to believe folks like film critic David Denby and a recent New York Times article, movies may not even be relevant anymore.

Talent agencies aren’t immune from all the changes affecting the industry. Last week the longtime head of ICM Partners, one of the world’s largest ten percenteries, announced he’d be leaving to start a new agency.

Of course, we also cover the week’s top entertainment news including how a child sex abuse scandal at the BBC, the merger of publishing giants Penguin and Random House, and an Amy Winehouse musical.

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Showbiz Sandbox 168: Why TV Audiences Abandoned Broadcast Networks

October 22, 2012

The start of the new television season has been a huge disappointment for broadcast networks with ratings down as much as 28% on Fox. Only NBC has seen an increase in viewership in key demos and after years of coming in fourth among networks, now finds itself bouncing back. Why have audiences abandoned broadcast television? Here’s a hint; it has to do with zombies.

Industry analysts fault lackluster new series and strong programming alternatives on cable for broadcast networks latest woes. We provide a rundown of which new shows might stick around for a while, those that might be put on hiatus and which have already gotten the ax.

If you paid to download any of this season’s new TV shows you may be interested to know that you are only licensing the right to view them and don’t actually own them outright. Two upcoming court cases may help resolve the issue, if they don’t wind up muddying the waters further.

Of course, we also cover the week’s top entertainment news including the new agreement between Dish and AMC, Beyonce’s new Super Bowl gig, and the end of Newsweek as a print magazine.

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Showbiz Sandbox 154: Understanding Comic-Con’s Tribe Mentality

July 17, 2012

Last weekend self-professed geeks made their annual pilgrimage to San Diego for Comic-Con. There’s no better person to speak with about the world’s largest pop-culture convention than Los Angeles Times writer Geoff Boucher. His Hero Complex blog has become a must-read for those attending “the Con” and he fills us in on all the big news coming out of this year’s show.

Boucher also had a professional and somewhat personal relationship with producer Richard Zanuck who unexpectedly passed away last week at the age of 77. The executive behind such films as “The Sound of Music” and the producer of movies like “Driving Miss Daisy”, Boucher provides a unique perspective on what Zanuck was really like.

Meanwhile in the world of television, the war over carriage fees has heated up once again. This time Viacom has pulled its 26 networks from DirecTV and AMC has yanked its programming from Dish.

We also cover the week’s top entertainment headlines including Bruce Springsteen’s curfew, the exodus of judges from “American Idol” and why you should see the “The Dark Knight Rises” in Imax.

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Showbiz Sandbox 152: Rupert Murdoch Shows Off His Split Personality

July 3, 2012

Last week, in-between sending Twitter posts about the break-up of Tom Cruise and Katie Holmes, News Crop. chairman Rupert Murdoch announced he would be splitting one of the world’s biggest media conglomerates into two different companies; one for the publishing entities, the other for the much more profitable film and television operations. Could the tycoon be trying to focus attention on something other than the ongoing phone hacking scandal he is embroiled in?

Speaking of scandals, Charlie Sheen returned to television with a bang (no pun intended). His new series, “Anger Management” set viewership records for a scripted comedy series. If the first 10 episodes prove to be a ratings hit, FX has promised to produce another 90 episodes.

The Academy of Motion Picture Arts and Sciences invited 176 professionals to become members and it looks like they’re becoming more of an equal opportunity group. In fact, they have finally included hair dressers in the makeup category at the Oscars, renaming it Best Makeup and Hairstyling.

We also cover the week’s top entertainment news, the “Today” show’s continuing troubles, Arsenio Hall’s return to late night television and the record breaking ratings for Eurocup 2012.

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Showbiz Sandbox 115: Record Industry Wages A Quiet War Over Song Rights

August 15, 2011

When the United States copyright law was revised in the mid-1970’s a little-known provision was included that lets musicians and songwriters reclaim ownership of their recordings after 35 years. Artists such as Bryan Adams, Bob Dylan, Loretta Lynn, Tom Petty and Tom Waits are set to regain control of their recordings starting in 2013 thanks to these “termination rights”. Rather than lose control of works worth millions of dollars, New York Times culture reporter Larry Rohter discusses how record labels plan to fight the provision in court.

Also picking a fight is Disney, which halted production of “The Lone Ranger” which was to star Johnny Depp and be directed by Gore Verbinski. Does pulling the plug on Jerry Bruckheimer’s latest blockbuster mean that Depp will refuse participate in another “Pirates of the Caribbean” sequel?

AMC has had its fair share of scuffles lately. After numerous disputes with the creators of their hit shows, AMC has become not only one of the most acclaimed cable networks in recent memory, but also one of the most troubled.

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Showbiz Sandbox 114: Hollywood Overflows With Streaming Content Deals

August 1, 2011

Digital distribution of television shows, movies and music has become quite trendy in Hollywood. Not a week goes by that companies such as Netflix, Spotify, Hulu and others aren’t in the news cutting some sort of deal with a big studio, television network or record label. This past week retail giant Amazon and online video portal YouTube made big additions to their streaming content libraries while Fox decided to limit those who could view their shows online. We provide a rundown of all the recent announcements and what they might mean for you, the consumer.

We are also joined by Roger Goff, an entertainment attorney with Wolf, Rifkin, Shapiro, Schulman & Rabkin. He helps us understand a few recent lawsuits filed by television producers, especially one in which the producer of “American Idol” is suing Fox over not being made an executive producer on the upcoming reality series “X-Factor”.

Speaking of legal issues, it turns out the NBCUniversal Comcast merger wasn’t as much of a done deal as everyone thought. A federal judge is threatening to hold up approving the union claiming it may not be in the “public interest”.

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Showbiz Sandbox 98: Why New Distribution Models Terrify Hollywood

April 4, 2011

Movie studios, television networks and record labels still haven’t updated their business models to account for video and music streaming services like Netflix and Spotify. Now companies such as Amazon, Google and Apple plan on introducing a whole new group of media subscription services. With premium video-on-demand on the horizon it’s no surprise the entertainment industry is concerned about all these disruptive distribution methods.

One of the biggest players in the current content licensing wars has been Netflix. Showtime and Starz began pulling shows from the video rental giant, while Fox and Paramount offered up popular series and hit movies. Cable operators have also entered the fray by allowing viewers to watch live television on mobile device apps.

The creator of “Mad Men” was embroiled in his own fight with AMC and Lionsgate over the future of the series. In the end, Matthew Weiner was able to reach an agreement on a new contract, though new episodes won’t air until 2012.

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