Showbiz Sandbox 511: The Emmys and TIFF Pull Off the Virtual

When COVID-19 shut down the worldwide entertainment industry many wondered how it would affect annual events such as awards shows as well as film and music festivals. While the pandemic led to the cancelation of the Cannes Film Festival, the Emmy Awards honoring excellence in television and the Toronto International Film Festival both managed to hold virtual events that were received quite positively.

Anne Thompson, Indiewire’s Editor at Large, has been attending and covering TIFF for decades, though this year she didn’t have to leave her home to do so. She fills us in on what it was like to attend TIFF virtually, what the standout films were, how they will likely get released in theaters and which ones will be up for (a virtual) Oscars next year.

Of course we also cover some of the week’s top entertainment headlines including complete coverage of the Emmy Awards, a new music video for a beloved Louis Armstrong song and Madonna will direct her own biopic.

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Showbiz Sandbox 343: Teamsters Play a Big Role on Broadway

The theater world is presently embroiled in major contractual battles over pay, benefits and credits. The last group you’d ever think would be leading the charge is the Teamsters, who represent a large number of theater, television and film workers, including casting directors. Turns out, if you want to produce entertainment in the United States, you probably have to deal with the Teamsters.

Those working off-Broadway however, are represented by the Actors Equity Association and they are negotiating with the League of Off Broadway Theaters and Producers. Actors are pushing for a historic pay increase claiming their weekly minimum has never kept pace with inflation, let alone the cost of living in the major metropolitan cities where live theater is produced.

Meanwhile the Justice Department has filed an antitrust lawsuit against AT&T-DirecTV and other pay television providers for colluding in their refusal to carry SportsNet LA, a channel owned by Time Warner Cable. This comes in the wake of AT&T’s bid to acquire the media company Time Warner, which some fear might consolidate to much media power in too few hands.

Of course we also cover the week’s top entertainment news including the noteworthy ratings for this year’s World Series, who was named producers of next year’s Oscar ceremony and a “The Simpsons” is set up to make television history.

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Showbiz Sandbox 223: The 2013 Worldwide Box Office – Who Won, Who Lost and Why

Thanks to surging theatrical grosses in countries such as Brazil, China, India, Mexico and Russia, the international box office more than doubled North American earnings in 2013, topping out at a record $25 billion. Though Hollywood studio content continues to dominate globally, receipts for local productions are beginning to play a more significant role in many markets. We provide a breakdown of the annual box office for of all the major territories and explain why some fared better than others.

Speaking of breaking records, the telecast of this year’s Super Bowl between the Seattle Seahawks and the Denver Broncos had an audience of 112 million viewers. That makes it the most watched television show in U.S. history. As is often the case, the commercials proved more interesting than the game.

Last week the industry also mourned the tragic death of Oscar winning actor Philip Seymour Hoffman from what appears to be a drug overdose. Unfortunately, obit writers were also kept busy with the passing of folk musician Pete Seeger, studio executive Tom Sherak and legendary animator Arthur Rankin Jr.

Of course, we also cover the week’s top entertainment news stories including an Oscar nomination for Best Song gets rescinded, “Back to the Future” is being turned into a Broadway musical and Disney plans to reboot Chip ‘n Dale.

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