August 22, 2016
We keep hearing that cord-cutting is going to destroy the U.S. cable industry. But SNL Kagan analyst Ian Olgeirson says the economic outlook for the business over the next decade is actually quite solid. Olgeirson joins us to explain how cable companies are turning cord-cutters into more profitable cord-swappers and what that means for their long-term health.
Meanwhile, for the 2016 Summer Olympics in Rio you didn’t need to have a cable subscription since so much of the action was streamed live online. In fact, while television viewership may not have reached the levels some networks around the world had hoped, a record number of hours were streamed over the Internet from this year’s games.
We also launch a new segment that tells you the one new book worth reading out of the thousands that are published each week, as listed on BookFilter, a book lover’s best friend.
Of course we also cover the week’s top entertainment news including the dispute over Tom Cruise’s salary for “Mission: Impossible 6”, the power struggle at Viacom nears a resolution and Barbara Streisand tells Apple’s Siri how to pronounce her name properly.
April 18, 2016
Movie theater operators from around the world gathered at CinemaCon in Las Vegas last week to see what Hollywood studios have to offer over the next 12 months; from big budget tentpole releases to potential awards contenders. The loudest buzz at this year’s event was caused by The Screening Room, a company that hopes to bring current movie releases into the home, day-and-date with cinemas. Following a year of record theatrical box office grosses, studios, exhibitors and filmmakers alike spoke out en masse against such an idea.
Meanwhile, the first weekend of this year’s Coachella Music and Arts Festival took place over the weekend and we’ll fill you in on some of the highlights and musical acts as we debate whether big festivals have become too pricey and elitist.
During Inside Baseball, we’ll tackle the growing controversy over acting workshops; the “educational” courses where actors get pointers on how to audition. After a top casting director lost their job over the practice, there is a sense that such workshops feel like scams where struggling actors are conned into paying to audition in front of industry players.
Of course we also cover the week’s top entertainment news including the executive disarray at Disney, how Twitter will stream NFL games next season and why the Golden Globes are tweaking their rules.
January 20, 2015
While debating Oscar nomination snubs has become an annual tradition, the criticism over this year’s list of nominees had to do with racial bias and a lack of diversity. Specifically, a film about civil rights activist Martin Luther King Jr. was nominated for Best Picture, but its female director and lead actor, both black, were surprisingly overlooked.
Yet few seemed to notice is that “Selma”, the film in question, is only the twelfth film directed by a woman to receive a Best Picture nomination in the 86 year history of the Academy Awards. On only four occasions has the filmmaker also been nominated for Best Director. And six of these movies were nominated during the last 10 years, pointing towards a positive trend for female helmers.
Also under represented in the Best Picture category at this year’s Oscars are hit movies. Sure, all of the nominees were successful, but only “American Sniper” earned big bucks at the box office. If only Legos were eligible to vote… maybe they’re film would have been nominated for Best Animated Feature.
Of course, we also cover the week’s top entertainment news stories including Barbara Streisand’s latest platinum album, Amazon’s move into theatrical film distribution and why James Cameron is delaying the “Avatar” sequels to 201.
February 27, 2012
Predicting who will win Academy Awards each year isn’t as easy as it looks. Just ask IndieWire’s Anne Thompson. She managed to pick 19 out of 24 winner’s at this past weekend’s Oscar ceremony, but there were a few categories which had everyone guessing. Thompson takes us backstage on Oscar night and explains how easy it is for someone covering the awards season, like herself, to over think how Academy voters will respond when ballots are cast.
Meanwhile, Google filed applications last week to become a cable television provider in Kansas City. What remains to be seen is whether the tech giant can obtain enough programming to attract customers.
Maybe Hollywood will welcome Google with open arms as they have with the glut of streaming video providers all vying to license premium content. Ironically, the industry seems to be ahead of the curve on a new technology they hope will make up for falling DVD sales.
We also cover the week’s top entertainment headlines including a new book from J.K. Rowling, Barbara Streisand’s new record deal and how advertising at movie theaters is being taken more seriously.
July 18, 2011
You would have thought the world was coming to an end last week after popular movie streaming service Netflix raised its prices by 60%. The company’s customers took to blogs and social networks in revolt, threatening to cancel their subscriptions. However, between the cost of mailing DVDs and paying increased licensing fees for content, a Netflix rate hike was inevitable. Is Netflix still one of the best movie bargains available today, and if not, are there any alternatives?
Speaking of subscription offerings, one of Europe’s hottest music streaming services is finally available in the United States. Will Spotify be able to displace some of the entrenched players in the space like Spotify and Rdio? You can find out for yourself since we have some Spotify invitations to give away to a few lucky listeners.
Over in television-land the Emmy nominations were announced and as usual, there were a few noticeable omissions. Just ask “Sons of Anarchy” producer Kurt Sutter who chastised the Academy via Twitter for not recognizing the show’s star Katey Sagal (who also happens to be his wife).
January 10, 2011
It seems as if this year’s supporting actress awards are being overrun by a handful of horrible mothers. “The Fighter” and “Animal Kingdom” feature just the kind of evil matriarchs Oscar voters have reward in the past. Stephen Farber of the Daily Beast and Hollywood Reporter discusses the evolution of flawed movie mommies from “Mildred Pierce” to “Precious”.
Ben Fritz of the Los Angeles Times tells us that Hollywood studios are hoping to make selling films online a bit easier and explains how Academy members may soon be able to download awards screeners from iTunes .
Last week during the Consumer Electronics Show in Las Vegas it seemed as if television manufacturers were on the defensive over the lackluster sales of 3D televisions. The music industry isn’t fairing much better as Nielsen reported album sales Fell 12.8% in 2010 and digital downloads were flat.
Of course we also review the week’s top entertainment headlines including a new film version of Gypsy starring Barbara Streisand, the return of “Jersey Shore”, Quentin Tarantino’s flawed top 20 list and Broadway’s record setting box office.
October 12, 2009
Our special guest this week is Geoff Boucher, full time entertainment writer for the Los Angeles Times and part time Wookiee. Geoff began the popular L.A. Times blog, Hero Complex, devoted to caped crusaders, zombies, wizards and all things superhero. With a tag line that reads “for your inner fanboy”, Hero Complex has quietly become a huge hit and recently won the award for best online commentary among large websites from the Online News Association.
Over the last week, Geoff wrote a series of posts on the blog that look at film franchises entering their fourth turn on the silver screen, including “Lord Of The Rings”, “Pirates of the Caribbean”, “Spider-Man”, and “X-Men”. (Check out the reader poll: ‘The Hobbit’ Will Triumph But ‘X-Men’ and ‘Pirates’ Franchises Should Quit Now)
Meanwhile, at this weekend’s North American box office, moviegoers made “Couples Retreat” the number one film, followed by “Zombieland” and “Cloudy with a Chance of Meatballs”. The big surprise of the weekend was the little indie film “Paranormal Activity”. Made for peanuts, the film is now raking in millions based solely off a social networking marketing campaign. That might be why Michael Giltz and Karen Woodward are dying to see the movie. . . no pun intended. (See the movie, you’ll get the joke). Read more