Showbiz Sandbox 393: Disney Acquisition of Fox Underscores Hollywood’s Digital Transition

December 18, 2017

In one of the largest deals Hollywood has ever seen, the Walt Disney Company announced it had agreed to buy most of 21st Century Fox in a transaction valued at $66.1 billion. Disney will scoop up Fox assets that include 20th Century Fox film and TV studios, 300 cable channels, 22 regional sports networks, control over the Hulu streaming service and a stake in Sky. Fox will keep its news, sports and broadcast networks, as well as its publishing empire.

The move underscores how movie studios have become an intellectual property business where scale matters. Rupert Murdoch feared Fox never scaled properly to compete in the age of digital on-demand consumption of content and that his company was at the peak of its value. Selling a portion of his empire also avoids a family power struggle over who would take control of the company once he steps down.

Meanwhile, the first award nominations from a guild have arrived courtesy of the Screen Actors Guild. And the Library of Congress added 25 new works to the National Film Registry, including fiction and documentaries, features and shorts. We’ll discuss what significant works they’ve enshrined.

Of course we also cover the week’s top entertainment news including the FCC officially ditches net neutrality regulation, the Rock and Roll Hall of Fame announces this year’s entries and why Norway is switching off FM radio.

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Showbiz Sandbox 242: Supreme Court Fumbles Aereo Ruling

July 1, 2014

Last week the United States Supreme Court ruled that the television streaming service Aereo violated copyright laws by using mini-antennas to deliver broadcast signals to paying subscribers. Denise Howell, an intellectual property lawyer and host of “This Week in Law”, outlines a decision that will have long term and wide-ranging effects for the entertainment and technology industries.

The Academy of Motion Picture Arts and Sciences are attempting to alter their demographics by inviting younger, more ethnically diverse artists to join the ranks of those who nominate and vote for the Oscars each year. What’s truly remarkable is some of the legendary veterans who are just now receiving invites.

Meanwhile, as the publishing industry watches Hachette Book Group go to war with Amazon over the price of their books, the country of France is trying to protect its bookstores by passing a law meant to combat the online retailers influence.

Of course, we also cover the week’s top entertainment news stories including the gigantic opening of “Transformers: Age of Extinction”, why this summer’s domestic box office is considered anemic and “Community” heads to Yahoo for its sixth season.

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Showbiz Sandbox 164: Geoff Boucher Knows More About Nothing Than Anyone

September 25, 2012

Geoff Boucher shocked the entertainment and media industries when he announced his resignation from the Los Angeles Times in mid-September. After all, Boucher has been credited with pioneering a new model for entertainment writers by melding print publications with both an online brand and live events; a format he’s dubbed “tradigital”. Why wouldn’t the Times want to keep him around. (They actually did).

Boucher spent 21 years at the paper, earning a stellar reputation as an entertainment feature writer and ultimately the editor of the Hero Complex, a blog covering all aspects of pop culture. In a wide ranging interview Boucher, who says he knows more about nothing than anyone, discusses his departure from the Times, how he landed at Entertainment Weekly less than a week later, and what his future plans are.

Meanwhile, the best and brightest talent on North American television was honored this past weekend at the 64th Annual Prime Time Emmy Awards. We’ve got a rundown of all the winners and a recap of the awards ceremony.

Of course, we also cover the week’s top entertainment headlines including an update on Universal Music’s purchase of EMI, electronic voting at the Oscars and how Major League Baseball is selling off its television rights for billions of dollars.

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Showbiz Sandbox 154: Understanding Comic-Con’s Tribe Mentality

July 17, 2012

Last weekend self-professed geeks made their annual pilgrimage to San Diego for Comic-Con. There’s no better person to speak with about the world’s largest pop-culture convention than Los Angeles Times writer Geoff Boucher. His Hero Complex blog has become a must-read for those attending “the Con” and he fills us in on all the big news coming out of this year’s show.

Boucher also had a professional and somewhat personal relationship with producer Richard Zanuck who unexpectedly passed away last week at the age of 77. The executive behind such films as “The Sound of Music” and the producer of movies like “Driving Miss Daisy”, Boucher provides a unique perspective on what Zanuck was really like.

Meanwhile in the world of television, the war over carriage fees has heated up once again. This time Viacom has pulled its 26 networks from DirecTV and AMC has yanked its programming from Dish.

We also cover the week’s top entertainment headlines including Bruce Springsteen’s curfew, the exodus of judges from “American Idol” and why you should see the “The Dark Knight Rises” in Imax.

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Showbiz Sandbox 137: A Revealing Look At Who Votes For The Oscars

February 20, 2012

The Academy of Motion Picture Arts and Sciences has never published a complete list of the 5,765 members who cast ballots for their annual Oscars. Despite the secrecy surrounding the Academy’s membership, Nicole Sperling worked for months with her colleagues at the Los Angeles Times to confirm 5,100 members. Sperling explains the method behind the Times’ research and some of the details they uncovered. Did you know only 2% of members are under the age of 40? Neither did we.

While the Academy Awards may celebrate some of the big critical and financial successes of the past year, Aaron Rich, the gentleman blogger behind All The Movies I Watch joins us to discuss some of his top movies of 2011, many of which were overlooked by Oscar voters.

If you watch the Oscars telecast this weekend you’ll probably be doing so through a cable or satellite signal. Aero, a new company backed by the likes of Barry Diller, hopes to change that by providing those wishing to cut their cable cord with a special antenna capable of receiving broadcast television. That is if the inevitable law suits don’t shut them down first.

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