June 2, 2014
Even though subtitles appear more often in mainstream movies like “Avatar”, “Inglorious Basterds” and “Slumdog Millionaire”, North American audiences aren’t any more comfortable with them than they had been historically. In a detailed piece for Indiewire, Anthony Kaufman reports that foreign language films are struggling at both the U.S. box office and in ancillary distribution channels. Kaufman joins us for an in-depth discussion about the endangered state of world cinema.
We’ve just returned from this year’s Book Expo America, the largest annual book trade show in the U.S. The good news is that the publishing industry is actively engaging in digital instead of being frightened by out. Unfortunately, everyone was concerned that an ongoing contract dispute between publishing giant Hachette and online book retailer Amazon is a sign of a contentious future.
Meanwhile the Tony Awards will be held next weekend honoring the best productions and brightest talent to emerge from Broadway over the past year. Hugh Jackman is hosting the ceremony which will feature performances from Neil Patrick Harris, Idina Menzel and even Sting. The real money however, will be earned by whoever takes home the trophies for Best Musical and Best Musical Revival.
Of course, we also cover the week’s top entertainment news stories including a movie poster that’s a little too risqué for the MPAA, director James Cameron teams up with Cirque du Soleil and the record price NBC is charging for a 30-second ad during next year’s Super Bowl.
May 12, 2014
As rumors began to circulate that Apple was purchasing Beats Electronics for $3.2 billion everyone from music industry executives to stock market analysts all asked the same simple question – why? The lucrative deal makes perfect sense from Beats perspective, but what does Apple see in the high-end headphone manufacturer that made them spend so much money to acquire the company.
Speculation has centered on two possible reasons, both of which are probably accurate. The first hypothesis is that since Apple already heavily promotes Beats products through their retail stores, they may as well make them a part of the family and keep all the profits. The second theory is that Apple is hoping Beats streaming subscription service can help them with their own streaming music offerings.
With digital music sales first plateauing and now declining, Apple may be predicting that more consumers are wanting to stream their music rather than purchase it. We discuss Apple’s big purchase and provide in-depth analysis on what it means for the company and the state of the music business.
Of course, we also cover the week’s top entertainment news stories including the renewal of “American Idol” for a 14th season, NBC pays billions for the rights to broadcast the Olympics over the next 20 years and Comedy Central finds a replacement for Stephen Colbert.
March 11, 2013
HitBliss is a new streaming video service that enables users to earn credit toward popular movies and television shows simply by watching advertising. The catch is all the targeted ads are shown up-front, and viewers must be paying attention or they won’t get the credits needed to purchase or rent videos.
Sharon Peyer is the co-founder of HitBliss and spent four years helping launch the company. In this interview she explains how the service originated, how it works and what the future of HitBliss might look like. Peyer believes consumers are actually willing to watch ads so long as the messages are relevant and they can get something out of it.
It’s no secret that streaming media services are all the rage these days, yet it remains to be seen whether they can be profitable too. Pandora’s latest earnings (or lack thereof) beat analysts expectations sending its stock price soaring. Unfortunately, the royalties they pay for music might start rising, along with the number of competitors like YouTube and Apple looking to enter the market.
Of course we also cover the week’s top entertainment headlines including Pink Flloyd’s 40 year presence in the music charts, Rupert Murdoch’s plans for a television sports network and the Daily Show’s Jon Stewart takes a crack at making a movie.
July 10, 2012
Fearing that it would restrict freedom of speech, basic civil rights and an open Internet, the European Parliament voted down the Anti-Counterfeiting Trade Agreement (ACTA) last week. The move effectively kills the international anti-piracy legislation that the Motion Picture Association of America (MPAA) and the Recording Industry Association of America (RIAA) have lobbied so hard for. We explain what ACTA’s defeat means for Hollywood and what anti-piracy measures you may be hearing about next.
It’s hard to believe piracy is affecting the entertainment industry. Music sales, which have been in a slow decline over the past decade, are actually up this year thanks to digital sales. Movie box office is also up with studios such as Disney having already earned $1 billion in North America alone.
Billion was also a number subscription movie service Netflix has been using a lot lately. Their customers watched more than a billion hours of content in June. That’s not only a new record for the company, but it would make them more popular than any U.S. cable network.
We also cover the week’s top entertainment headlines including Hollywood’s highest-paid actor, Charlie Sheen’s slipping ratings and why we won’t be seeing “Raging Bull 2” anytime soon.