March 31, 2014
Every spring movie theater operators from around the world converge on Las Vegas to attend CinemaCon. During the week-long convention cinema owners are bombarded with industry facts, attendance figures, educational seminars and endless footage from upcoming releases. Over the years advances in digital projection have become an increasingly important topic at the show.
It’s no secret that cinemas have been slowly converting their facilities from traditional 35mm projection to digital. There was no better indication that the days of celluloid film prints are definitely over than the number of vendors at CinemaCon demonstrating the next generation of digital technology, including immersive sound and laser projectors.
When it comes to live theater, there is no doubt that New York’s Broadway and London’s West End are the leaders of the pack. Our own Michael Giltz reviews his previous predictions and investment advice by recapping the past year’s biggest money making productions, as well as a few financial losers.
Of course, we also cover the week’s top entertainment news stories including the fall of “Duck Dynasty”, a decline in paid cable subscribers and Oprah Winfrey’s plans for a national tour.
November 11, 2013
There is no disputing the financial success of “Thor: The Dark World”, a sequel in the franchise based on the Marvel Comics superhero. What’s less clear is what the film’s box office grosses say about the adoption of 3D. During opening weekend 700 2D screens in North America accounted for 60% of tickets sales, as opposed to the 40% earned by 3,100 3D screens. Is this yet another sign audiences have given up on 3D movies?
Netflix doesn’t care how you see a superhero movie, so long as you’re watching it through their service. Last week the on-demand video powerhouse cut a deal with Disney to produce four new original series based on Marvel superheroes, all of which will lead up to a crossover miniseries.
As if competing with Netflix wasn’t bad enough, television broadcasters are still figuring out how to deal with DVRs and the growing number of audiences who time shift their content. One major broadcast network is pushing for advertisers to pay for increased viewership on DVRs for up to seven days after a show originally airs.
Of course, we also cover the week’s top entertainment news stories including the death of Blockbuster Video, the official release date for “Star Wars: Episode VII” and Richard Branson brings reality television into space.
January 14, 2013
In an age where audiences have grown used to the brevity of YouTube clips and 140 character updates, Hollywood is instead serving up super sized movies. Six of the top ten movies from 2012 were over two hours, including comic book movies like “The Avengers”. Even comedies such as “This Is 40” crossed the 120 minute mark and don’t even get us started on “The Hobbit”.
Rebecca Keegan of the Los Angeles Times explains the increase in movie running times has a lot to do with the creative control marquee directors have over their films as well as digital tools that allow them to shoot more footage. Surprisingly, Keegan found that most moviegoers appreciate longer running times since it makes them feel they are getting a more value for the price of admission.
Also from the Los Angeles Times is Glenn Whipp, who joins us to discuss some of the surprise Academy Award nominations announced last week and whether the Golden Globes might affect who wins Oscars this year.
Of course, we also cover the week’s top entertainment headlines including a resolution in Superman’s court case, the return of daytime soap operas and whether the film adaption of “Fifty Shades of Grey” will be rated NC-17.