Showbiz Sandbox 450: Once Upon A Time… in Cannes
May 28, 2019
This year’s Cannes Film Festival will be remembered for presenting a selection of titles from around the world that were, for the most part, really good movies. The premiere of Quentin Tarantino’s ninth film, “Once Upon A Time… in Hollywood,” was one of the highlights, but it was “Parasite” from Korean director Bong Joon-ho that stole the show, as well as the festival’s top prize, the Palme d’Or. We take you to the Croisette in the French Riviera to cover the entire festival and all the films to look out for over the coming months.
Harvey Weinstein used to be one of the movie moguls that showed up in Cannes each May, but these days he’s busy negotiating a reported $44 million settlement with those accusing him of sexual harassment and assault.
Meanwhile, when some of those films from Cannes make it to cinemas, audiences will likely check Rotten Tomatoes to see what critics and moviegoers have to say about them. We give a 95% Fresh Rating to how Rotten Tomatoes plans on protecting their website from being manipulated in the future.
Of course we also cover the week’s top entertainment headlines including a new name for Warner Bros. Records, why film and television productions are boycotting the state of Georgia and Lil Nas X cuts a deal for a new pair of Wranglers.
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Showbiz Sandbox 449: Staying Up Late In Cannes
May 20, 2019
Stories about women empowerment and a growing discontent among the middle or working class have taken center stage at this year’s Cannes Film Festival. A spotlight has also been given to diversity with the 2019 program filled with titles by filmmakers from all over the world, as well as a number of women, including the first female African director. Some selections from legendary filmmakers such as Pedro Almodovar and Terrence Malick are being hailed as masterpieces, despite any dissenting minority.
Keep in mind we are only half-way through the 2019 Cannes Film Festival, which is always a marathon, more than a sprint. Attendees watch hundreds of movies across more than four different categories and, as of this year, the press no longer gets to see the films ahead of their premiere. We discuss what that means for the filmmakers and why journalists may be losing sleep over the new protocol.
Meanwhile, it seems that some talent agencies have begun to sign the Writers Guild of America’s new code of conduct contract, albeit none of them are firms that package television shows or are even in the Association of Talent Agents. Are the agencies going to crack or are writers beginning to realize that maybe agents aren’t as important as they once were.
Of course we also cover the week’s top entertainment headlines including Disney takes full control of Hulu, the entertainment industry continues to work out how or whether to shoot their productions in Georgia and ITV cancels the Jeremy Kyle Show after one of its guests commits suicide.
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Showbiz Sandbox 448: Georgia Is On Hollywood’s Mind
May 13, 2019
After the governor of Georgia signed a controversial and restrictive anti-abortion bill, many Hollywood productions are grappling over whether to boycott filming in the state. Heavyweights such as J.J. Abrams and Jordan Peele whose HBO drama series begins production in Georgia next week say they are donating their proceeds to organizations fighting the new law. It has gotten to a point where actress Alyssa Milano is calling for women to hold a “sex strike.”
Meanwhile, for three weeks now “Avengers: Endgame” has dominated the worldwide box office in every country around the world. Well, every country except Japan where a new ‘Detective Conan’ movie has beat it out.
It’s also the time of year when television networks reveal which series are being canceled, renewed or picked up for next season. In an unusual move, NBC announced it would renew the hit show “This Is Us” for three more seasons, before the series comes to an end.
Of course we also cover the week’s top entertainment headlines including Rolling Stone magazine launches its own music charts to take on Billboard, Steve Harvey’s loses his talk show and even though it may not be up for Best Play at the Tony Awards, “To Kill A Mockingbird” has become the highest grossing American play in history.
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Showbiz Sandbox 445: Is Netflix Leaving Money On The Table?
April 22, 2019
There is no arguing that Netflix is doing quite well these days. Even the announcement of heavyweight competition from the likes of Disney and Apple hasn’t affected its stock price nor, more importantly, hampered its subscriber growth. The company added 10 million new subscribers in the first quarter of 2019 alone.
Even so, Netflix may want to rethink their approach to how they monetize their television shows. While their big hits such as “House of Cards” may not be appropriate or too exclusive to syndicate on traditional linear networks, others such as “One Day At A Time” may be a missed opportunity for the streamer to do what it’s never done before: seek more outside revenue.
Meanwhile, this year’s Cannes Film Festival lineup features longtime favorites like Ken Loach and Pedro Almodovar, new favorites like Xavier Dolan and more female filmmakers than in the past. Just don’t look for any movies from Netflix.
Of course we also cover the week’s top entertainment headlines including the continuing dispute between the WGA and talent agents, MoviePass loses 90% of its 3 million subscribers and director Roman Polanski wants back into the Academy.
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Showbiz Sandbox 410: In a Global Landscape the Cannes Film Festival Remains as Relevant as Ever
May 21, 2018
Despite all the griping over the lack of glitz and glamour, or at the very least big movie stars, at this year’s Cannes Film Festival, the event lived up to its reputation for programming some of the most artistic movies currently being made around the world. When the Palm d’Or was handed out over the weekend it went to Japanese director Hirokazu Kore-eda for his touching family drama “Shoplifters.” Spike Lee’s “BlacKkKlansman” won the Grand Jury Prize and the Lebanese filmmaker Nadine Labaki was awarded the Jury Prize for her movie “Capernaum,” about a scrappy young boy dealing with the hardships of life ont he street in Beirut.
China too is becoming more diverse when it comes to the movies it is allowing in multiplexes. While Hollywood was quick to dominate the market with big blockbusters, Chinese distributors showed up in Cannes to acquire mid-budget titles from around the world.
Meanwhile, the mounting number of mergers and acquisitions of global media companies have begun to cause a chain reaction where each deal may affect the next. The latest merger has caused CBS to sue its parent company to prevent a merger with Viacom.
Of course we also cover the week’s top entertainment news including a movie deal for a Lin Manuel Miranda musical, YouTube tweaks its music subscription service and Congress looks to extend copyright protections.
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Showbiz Sandbox 409: The Cannes Film Festival Has Its #MeToo Moment
May 14, 2018
Only three films by female directors are competing for the top prize at the 71st edition of the Cannes Film Festival, but that hasn’t stopped women from raising their voices. In fact, a red carpet protest was held by 82 female filmmakers and actresses, representing the number of films made by women that have appeared in the festival over its seven decade span. That said, the nine-member Cannes jury this year has five women on it and is headed up by actress Cate Blanchett.
As always, we’re in Cannes for the festival and will fill you in on all the noteworthy films and events. Though media reports may be saying the event has lost its luster, and indeed it has been very low-key this year, one should never underestimate Cannes for being able to find the next great auteur.
Meanwhile in China, western theme parks are flourishing while the 2,700 homegrown parks are collapsing, almost literally. Will the future of theme parks in the Middle Kingdom predict how Hollywood movies will ultimately fare?
Of course we also cover the week’s top entertainment news including why the Nobel Prize in Literature will not be handed out this year, questions over the legitimacy of a Chinese box office hit and why Spotify is distancing itself from R. Kelly.
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Showbiz Sandbox 408: CinemaCon Shrugs Off Unwanted Disruptions
April 30, 2018
Movie theater owners from around the world descended upon Las Vegas for CinemaCon last week. Studios wooed exhibitors with clips from upcoming film releases while industry manufacturers lured attendees with the latest technology, including high-resolution LED screens as a method of showing movies to the masses. Much like the subscription service MoviePass, the screens left cinema operators wondering if they were just one more “innovation” nobody had asked for.
Meanwhile “Avengers: Infinity War” broke box office records both in North America and globally when it opened over the weekend. The latest Marvel superhero movie earned over $640 million in just three days, putting it on track to pass the billion dollar mark.
Speaking of “war,” one is brewing between the Writers Guild of America and talent agencies. The WGA wants to cancel their current agency agreements and rewrite them to prevent franchised agents from profiting off of packaging deals with television networks. Such arrangements currently allow agents to double dip and at times earn more than their clients for a project.
Of course we also cover the week’s top entertainment news including Steven Spielberg signing on to direct the movie adaptation of DC Comic’s “Blackhawk,” the next “Star Trek” film lands a female director and Bill Cosby is found guilty of sexual assault.
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Showbiz Sandbox 407: Beyoncé Delivers A Higher Education To Coachella
April 17, 2018
Though Beyoncé was unable to headline Coachella last year due to being pregnant with twins, she more than made up for it this year with a performance that music critics are rightly hailing as the best live music event in decades. In a two hour set that included more than 100 performers from dancers to musicians, even a full marching band, Beyoncé put on a spectacular show that managed to be technically brilliant as well as socially relevant to the times. We were there and provide first hand reporting from this year’s Coachella.
Another festival making news is Cannes, which announced the films in this year’s competition, leaving out many of the event’s favorite auteurs. The festival also parted ways with Netflix, not inviting films produced by the streaming giant since they won’t be released in movie theaters.
Speaking of Netflix, a shareholder has sued the company for what they allege to a scheme which assured senior management and board members performance bonuses. The complaint accuses Netflix of using the performance bonuses to avoid paying taxes, rather than for any actual performance gains.
Of course we also cover the week’s top entertainment news including the kurfuffle over Apu, an Indian character on “The Simpsons,” Kendrick Lamar wins a Pulitzer Prize for his latest album and Fleetwood Mac parts ways with its longstanding guitarist Lindsey Buckingham.
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Showbiz Sandbox 405: Hollywood Adopts A Queer Gaze as LGBTQ Films Go Mainstream
March 26, 2018
Hollywood studios are no strangers to coming-of-age romantic comedies (see any John Hughes film), but never before has a mainstream film centered around a gay teenager. Even so, Twentieth Century Fox didn’t cover up the subject matter of “Love, Simon” and instead used it in their marketing campaign.
What’s more, such films are now being made by members of the LGBTQ community lending them a sense of credibility through what Los Angeles Times film reporter Tre’vell Anderson calls the “queer gaze”. Anderson joins us to discuss the present state of queer films and the future of a genre that is becoming more prominent.
Meanwhile the music industry has something to celebrate as 2017 marked the second year in a row with double digit revenue growth. Streaming services accounted for more than half the year’s total earnings, which are finally back at 2008 levels.
Of course we also cover the week’s top entertainment news including some of the changes taking place at this year’s Cannes Film Festival, Bruce Springsteen extends his stay on Broadway and online piracy continues to grow.
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Showbiz Sandbox 368: Virtual Reality is a Big Winner at the Cannes Film Festival
May 29, 2017
This year’s Cannes Film Festival came to an end over the weekend with the Palm d’Or being awarded to “The Square”, a comedy with socio-political overtones directed by Sweden’s Ruben Östlund. Sofia Coppola won the award for Best Director for “The Beguiled”, only the second time in the festival’s 70-year-history the prize went to a woman.
Though critics found the films selected by Cannes programmers to be underwhelming this year, there was unanimous praise for a virtual reality project created by director Alejandro González Iñárritu which was installed at the festival. We’ll take you inside the unique VR experience and tell you why the fuss being made over it is legitimate.
Meanwhile, this year’s upfronts were held over the past two weeks giving us a pretty good picture about the state of modern television. Here’s the question, if we are presently in the era of peak TV, how come all the new shows networks are trotting out seem so boring.
Of course, we also cover the week’s top entertainment news including the controversy over a women-only screening of “Wonder Woman,” Katy Perry signs on to judge the “American Idol” reboot and Steven Soderbergh returns to the directing movies… as we predicted.
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