Showbiz Sandbox 542: TV Networks Are Upfront About Streaming Plans
May 25, 2021
Last week all the big television networks in the United States went through the old fashioned ritual of inviting advertisers to big presentations of their fall programming. Besides being virtual a lot has changed for the networks, including primetime scheduling, which is now an afterthought. Instead they emphasized streaming and the range of content available through numerous platforms including network, broadcast and their new subscription services.
Meanwhile, the global box office is revving its engines with “F9” opening to huge numbers internationally, pushing the “Fast & Furious” franchise over the $6 billion mark. Movie theaters in Europe are reopening just in time to show the movie.
Of course we also cover some of the week’s top entertainment headlines including why Amazon may purchase MGM, this year’s Eurovision contest and the return of music festivals.
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Showbiz Sandbox 541: AT&T Hangs Up On WarnerMedia
May 18, 2021
Not even three years after AT&T spent $85 billion to purchase Time Warner and form WarnerMedia, the telecom giant is calling it quits, agreeing to merge the content side of its business with Discovery. The deal would create a new media company positioned well to compete in the streaming market and a management team that is well versed in the entertainment business. The original acquisition of Time Warner always seemed questionable for AT&T, and ultimately left Warner Bros. in a bit of a mess.
Meanwhile, some music streaming services are adding hi-def audio to their offerings and, perhaps more importantly, not increasing the cost to subscribers. Since most new music can be found on all the streaming platforms, will high quality audio become a differentiator that attracts new customers or causes them to switch providers?
Of course we also cover some of the week’s top entertainment headlines including why Ellen DeGeneres is leaving her daytime television show, Disney’s new theatrical release strategy and this year’s entrants into the Rock and Roll Hall of Fame.
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Showbiz Sandbox 533: Behind The Scenes At The Most Challenging Grammys Ever
March 16, 2021
Working within strict health and safety guidelines the producers of the 63rd Annual Grammy Awards telecast were uncertain how the show would come together or even when it would take place. David Wild knows this first hand. He was the lead writer and one of the producers on this year’s show. Wild joins us to detail all the challenges of pulling off music’s biggest night amidst a global pandemic.
Meanwhile, nods for outstanding achievements in motion pictures were announced en masse over the past week with the BAFTAs, Cesars, Directors Guild, American Society of Cinematographers and many more leading up to, finally, this year’s Oscar nominations.
Of course we also cover some of the week’s top entertainment headlines including a trip to this year’s Berlin Film Festival, how Drake is dominating the music charts and Disney+ continues its staggering growth.
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Showbiz Sandbox 527: Sundance Film Festival Overcomes Pandemic Hurdle
February 4, 2021
How do you hold a film in the midst of an infectious health crisis such as the COVID-19 pandemic? Just ask the Sundance Film Festival who managed to pull off a virtual film festival that felt quite similar to the real deal right down to the blockbuster acquisition deals for this year’s most popular titles. There was even a virtual bar for attendees to hang out and network with one another. We’ll fill you in on all the movies from this year’s festival that you’ll be hearing about throughout 2021.
Meanwhile, last year’s noteworthy movies and television shows are heading into a delayed awards season with the Hollywood Foreign Press Association announcing their Golden Globe Nominees. If the Globes are any indication, which is not always the case, then streaming services may dominate this year’s round of awards.
Of course we also cover some of the week’s top entertainment headlines including the AMC stock price surge, Warner Music goes solo and we may finally have seen the end of Peak TV.
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Showbiz Sandbox 512: Pandemic Drives New York Film Festival to Push Boundaries
September 30, 2020
Over the last twenty years the annual fall film festival circuit has become the unofficial launching pad for movies looking to be seriously considered during awards season. Nobody was certain, however, how such festivals could be held amidst a global pandemic. Especially those whose jobs it is to produce and program such major events.
As the director of the New York Film Festival Eugene Hernandez had to not only watch movies and convince filmmakers to show them, he also had to research digital platforms for a virtual festival and prove to everyone from Disney to Apple that they could trust a new digital platform to do virtual screenings for critics and audiences, all while figuring out a safe way to show movies – at drive ins – and ultimately decide whether the festival should actually happen.
Of course we also cover some of the week’s top entertainment headlines including the Hollywood Reporter and Variety now share owners, which new musical is planning to open on the shuttered West End in London and why CBS is licensing certain shows to Netflix.
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Showbiz Sandbox 496: Hollywood Jumps On the TikTok Bandwagon
June 3, 2020
Even after the platform helped Lil Nas X turn “Old Town Road” into one of the most successful popular songs of all time, there are some (mostly older) demographics that are unfamiliar with the explosive popularity of the social media platform. Natalie Jarvey, the Senior Digital Media Editor at the Hollywood Reporter, joins us to discuss how TikTok is doing YouTube one better as a launching pad for new talent.
In fact, TikTokers with tens of millions of followers, many of whom are still teenagers, have begun to attract Hollywood talent agencies, record labels and major brands, ultimately leading to big paydays. However, as fast as TikTok became the social media flavor of the moment, could its star fade just as fast.
Of course we also cover some of the week’s top entertainment headlines including which major entertainment conglomerates are backing #BlackLivesMatters during recent civic protests, the Writers Guild of America takes aim at international residuals and “It’s Always Sunny In Philadelphia” sets a new record for a sitcom.
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Showbiz Sandbox 494: Broadway Productions Remain In The Dark About Reopening
May 19, 2020
Broadway theaters and their equivalent in the West End and local communities around the world face a much huge hurdle in reopening after being closed for months due to the COVID-19 pandemic. Productions now face challenges such as paying rent for theaters which aren’t holding performances, houses that don’t accommodate social distancing, an aging audience, a lack of tourists, canceled shows and more.
The list of delayed productions is too long to cover, but even shows on hold, shows that were touring or playing on Broadway are calling it quits. Last week, the Donna Summer touring musical shut down for good along with Disney’s “Frozen.” The musical was suffering from falling grosses, but even so, the move sent shivers through the Broadway community.
Of course we also cover some of the week’s top entertainment headlines including why the Hollywood Bowl is going dark for the first time in 98 years, bull riding competitions get the green light and which North American network topped the rating last season.
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Showbiz Sandbox 483: China Presents Hollywood With A Trillion Dollar Dilemma
March 2, 2020
Between intellectual property theft, forced joint ventures and strict government regulation, the entertainment industry has come to learn that doing business in China is difficult at best, complicated at worst. Chris Fenton, the CEO of Media Capital Technologies, knows a thing or two about doing film industry business in China, having worked in the Middle Kingdom on various project for decades. He joins us to explain the dilemma facing Hollywood in China as well as his upcoming memoir “Feeding the Dragon.”
China is, in fact, where the coronavirus originated before it spread to other countries throughout the world. Now, movie theaters in Italy and South Korea are joining their Chinese counterparts in shutting down, hoping to prevent further spread of the virus, and leading to what could be billions in box office losses.
Meanwhile, the CEO of Disney, Bob Iger, decided to suddenly step down last week and instead take on the role of Chairman. Disney theme park head Bob Chapek will be the company’s new CEO. We cover all the reasons for the executive shuffle.
Of course we also cover the week’s top entertainment headlines including the winners of this year’s Berlin Film Festival, Placido Domingo apologizes for past behavior (sort of) and why YouTube can’t censor content.
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Showbiz Sandbox 480: “Parasite” Infects the Oscars With Historic Win
February 10, 2020
Though many Academy Awards pundits believed that “1917” would win the Oscar for Best Picture, the prize went to filmmaker Bong Joon-ho’s “Parasite.” Anne Thompson of Indiewire joins us to explain how the industry united behind the South Korean film, giving it four top Oscars, in a historic win; the first foreign language film to ever win the Best Picture Oscar.
Surely none of the Oscar winners will be getting a bump at the box office in China, even if they managed to get a release date. Movie theaters have been closed for the past three weeks due to a coronavirus which has completely upended which films will get into cinemas and when in a tight calendar they’ll reach audiences.
Meanwhile, the WGA overwhelmingly approved their demands for the upcoming contract talks with producers and studios. The existing contract is set to expire in the middle of this year and just about everyone in Hollywood is expecting and gearing up for another writers’ strike.
Of course we also cover the week’s top entertainment headlines including why manufacturing vinyl records might get a lot harder, how YouTube is raking in revenue and Disney plans on bringing the Broadway musical “Hamilton” to movie theaters.
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Showbiz Sandbox 479: Are Streamers Ruining Sundance?
February 2, 2020
About every five years a new group of deep-pocketed players shows up at the Sundance Film Festival and spends a small fortune acquiring a handful of films causing fear that the industry has been forever changed. This year, some of the world’s largest media and tech companies have invaded Park City, Utah and are picking up movies for amounts far in excess of what makes fiscal sense or what theatrical distributors are willing to pay.
Such companies don’t have to worry about box office results because they are more concerned with a different metric; the number of subscribers they can attract to their streaming service. Now some industry veterans are worried about whether indie distributors will be able to stay afloat with the leftover titles the streaming giants don’t gobble up.
Meanwhile, in China the film industry is down for the count with cinemas shuttered for the second week in a row due to the rapid spread of a coronavirus. Flights to and from the country have been suspended, as has all film and television production. When movie theaters finally do open for business the ripple effect on the Chinese release schedule will be felt around the world as films jockey for new playdates.
Of course we also cover the week’s top entertainment headlines including this year’s BAFTA award winners, Apple and Netflix may be chasing MGM’s film library and MoviePass officially files for bankruptcy.
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