Showbiz Sandbox 417: On-Demand Surpasses Live TV Viewing
July 23, 2018
It seems as if we’ve been talking for a decade or more about how television viewing patterns are shifting. Audiences have eschewed live broadcasts for on-demand programming and in the United Kingdom, more households now subscribe to streaming services than traditional pay TV. Maybe that’s why niche sports like arm wrestling, archery and bull riding are all conducting their own streaming experiments.
In China, parents are requesting the government set up a ratings system for movies so they know what releases are appropriate for their children. Meanwhile, a new report claims of the 271 local movies released in China this year only 12 have made a profit.
And in the United Kingdom book sales were up last year which is good news for publishers. Unfortunately, authors didn’t see much in the way of a bump in pay. In fact, as the publishing industry’s profits rise, author’s incomes have declined to record lows.
Of course we also cover the week’s top entertainment news including why Hollywood is so stressed out lately, the “Rugrats” movie and why Disney fired the director of their “Guardians of the Galaxy” franchise.
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Showbiz Sandbox 416: Superheroes Have Never Been More Popular, Just Not In Comic Books
July 16, 2018
Meanwhile the Emmy nominations were announced last week and despite expanding their Best Drama and Best Comedy categories to eight nominees, there were still complaints about shows being left off the list. Welcome to Peak TV! With 400 shows to choose from, there’s no way to please everyone.
Subscription movie ticket service MoviePass has instituted its peak pricing policy which seems to apply to the first weekend of any movie, no matter how popular. And we’ll give you a first hand account of what happens when the company thinks you’re breaking their terms of service.
Of course we also cover the week’s top entertainment news including how Drake has claimed seven of the top 10 singles on Billboard’s Hot 100 chart, why Scarlett Johansson won’t be playing a transgender person in a new movie and plans for “Downtown Abbey” movie have officially been announced.
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Showbiz Sandbox 383: The Fall of Harvey Weinstein
October 9, 2017
When The New York Times reported that movie mogul Harvey Weinstein has been paying off women accusing him of sexual harassment for decades, it didn’t come as much of a surprise to many in Hollywood. Many of those that worked in and around the legendary indie movie producer, including a number of movie stars, were victims of Weinstein’s behavior, had direct knowledge of it, or had been warned about his reputation.
Reporters spent years trying to uncover the story, but only recently was enough evidenced gathered to conclusively document the repeated harassment. Within days of the story being published, and with more actresses leveling accusations, Weinstein was fired from his position as head of The Weinstein Company. Whether Weinstein could ever work in Hollywood again is difficult to fathom and the future of his former company is tenuous at best.
Meanwhile, the much anticipated sequel to the classic sci-fi movie “Blade Runner” was finally released to disappointing box office returns. Was it the 35-year wait between movies, the nearly three hour running time or simply a confusing marketing campaign that kept audiences away?
Of course we also cover the week’s top entertainment news including who won the Nobel Prize for literature, Netflix raises its prices and the this year’s nominees for the Rock and Roll Hall of Fame.
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Showbiz Sandbox 320: Is Comcast the New Disney?
May 2, 2016
Comcast announced last week that it would acquire Dreamworks Animation for $3.8 billion, taking another step toward transforming themselves from a cable giant into a full fledged media conglomerate. Meg James, a corporate media reporter for the Los Angeles Times, join us to discuss how, though the deal may not have been anticipated, it makes a lot of sense for both companies.
The purchase is the most recent in a string of acquisitions that have closely mirrored the strategy Disney has executed over the past decade as they gobbled up companies such as Pixar, Marvel and Lucasfilm. Comcast has proven quite adept at turning undervalued assets such as NBCUniversal and Universal Studios theme parks into profitable entities.
Meanwhile, as the Tony Awards season officially kicks off, Broadway is suffering from what is being referred to as The Hamilton Effect. This is a condition in which you open a musical that blends hip-hop and history in a way that not only makes the show a cultural phenomenon, but the inevitable winner of this year’s much coveted Best Musical Tony.
Of course we also cover the week’s top entertainment news including the Daytime Emmy winners, why Fox is pulling out of this year’s Comic-Con convention and how French law enforcement is preparing for the Cannes Film Festival.
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Showbiz Sandbox 287: The Unofficial Line On This Year’s Comic-Con
July 13, 2015
Pop-culture fans from around the world made their annual pilgrimage to San Diego over the weekend for this year’s Comic-Con. More than 130,000 attendees turned up to a show where the largest auditorium has a capacity of 6,000. Alex Billington, editor of FirstShowing, explains how some fans had to wait in line for days (literally) to get into popular panel discussions such as the one for “Star Wars: Episode VII”.
Billington waited out the neverending lines so he could fill us in on all the events, panels, trailers and collectibles designed to build hype for upcoming films and television shows like “Hateful Eight”, “Batman v Superman: Dawn of Justice” and “Deadpool”. In fact, so many movie studios and television networks showed up at Comic-Con, and with so much content, one has to wonder if their marketing messages weren’t ultimately lost in all the noise.
Meanwhile, the Minions spinoff from the “Despicable Me” franchise opened to record box office in North America giving Universal Pictures yet another big hit this year. Surely the studio will want the animated film to stick around cinemas for as long as possible, whereas Paramount Pictures has teamed up with two theater chains in an experiment to shorten the release window on certain films.
Of course we also cover the week’s top entertainment news including a request from publishing groups for an antitrust investigation targeting Amazon, “South Park” continues to redefine television thanks to a new deal with Hulu and the Rolling Stones continue their reign as the concert industry’s top earner.
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Showbiz Sandbox 253: Nielsen Is Rating TV Shows By The (Wrong) Numbers
October 14, 2014
The method by which television ratings are collected and tabulated has long been criticized as imperfect. Now Nielsen, the research firm which provides the ratings, admitted this past week it had been reporting inaccurate audience figures to broadcast networks for the past seven months. Turns out viewership of this year’s season premieres was lower than originally thought. We’ll try and explain what the heck is going on here?
Comedian Adam Sandler is back in the news, though this time it’s for a movie which isn’t being made… even by Netflix. And just as she hits her stride as an action star, actress Scarlett Johansson (temporarily) gives up movies to appear in a television mini-series.
Even the world of live theater is a bit bizarre lately, at least according to composer Stephen Sondheim who is working on a new musical based on two surreal movies by the late Spanish filmmaker Luis Buñuel. If that’s not crazy enough, the biggest box office winner on Broadway this fall has been “The Lion King”, a musical that has been running for 17 years.
Of course, we also cover the week’s top entertainment news stories including Katy Perry books a trip to the Super Bowl, e-book software that spies on you and the fifth season of “The Walking Dead” premieres to record numbers… or so we’ve been told.
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Showbiz Sandbox 244: Hollywood Faces An Epic Struggle Over the Future of Entertainment Distribution
July 29, 2014
Whether it’s movies streaming online before they premiere in theaters, the never-ending retransmission dispute between television networks and cable companies or the dwindling number of book retailers, how media companies are distributing their content has never been more in flux.
The Weinstein Company released their critically acclaimed release “Snowpiercer” on VOD just two weeks after the film opened in cinemas. Then they agreed to let “One Chance”, a biopic of talent show winner Paul Potts, stream free on Yahoo! ten days before the movie opens in the United States.
Meanwhile, rather than sell you books, Amazon is hoping you’ll be willing to pay a monthly fee for their new e-book subscription service. The only problem is the service’s limited selection (not to mention the company’s inability to make a profit), making us wonder whether such a business model is viable.
Of course, we also cover the week’s top entertainment news stories including how Weird Al Yankovic’s album wound up at the top of the sales charts, the Emmy’s snub broadcast networks and Garth Brooks comes out of retirement.
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Showbiz Sandbox 199: Comic-Con and Hollywood Is A Match Made In Nerdvana
July 22, 2013
Hollywood movie studios are no stranger to Comic-Con, the world largest pop-culture convention attracting 140,000 fans to San Diego each summer. For years they have showed up with new titles hoping to drum up pre-release buzz, though at times such calculated marketing moves have backfired in spectacular fashion. Even so, Entertainment Weekly’s Geoff Boucher says audiences always welcome Hollywood back to the Con with open arms.
Boucher gives us an inside look at this year’s event, filling us in on which movies, television shows and events were huge hits (or misses) with fans. Did the announcement of a film pairing of Superman and Batman go over well with the crowd? Was everyone surprised to see a trailer for the “Veronica Mars” movie.
Last week also saw the Television Academy announce their nominations for this year’s Emmy Awards. The big news was the Netflix series “House of Cards” which earned 14 nominations and marked the first time a show will vie for an Emmy without having aired on broadcast or cable networks.
Of course we also cover the week’s top entertainment news including a public spat over Spotify streaming royalty rates, Keith Olbermann’s return to ESPN and a summer of big box office flops.
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Showbiz Sandbox 154: Understanding Comic-Con’s Tribe Mentality
July 17, 2012
Last weekend self-professed geeks made their annual pilgrimage to San Diego for Comic-Con. There’s no better person to speak with about the world’s largest pop-culture convention than Los Angeles Times writer Geoff Boucher. His Hero Complex blog has become a must-read for those attending “the Con” and he fills us in on all the big news coming out of this year’s show.
Boucher also had a professional and somewhat personal relationship with producer Richard Zanuck who unexpectedly passed away last week at the age of 77. The executive behind such films as “The Sound of Music” and the producer of movies like “Driving Miss Daisy”, Boucher provides a unique perspective on what Zanuck was really like.
Meanwhile in the world of television, the war over carriage fees has heated up once again. This time Viacom has pulled its 26 networks from DirecTV and AMC has yanked its programming from Dish.
We also cover the week’s top entertainment headlines including Bruce Springsteen’s curfew, the exodus of judges from “American Idol” and why you should see the “The Dark Knight Rises” in Imax.
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Showbiz Sandbox 113: Hollywood Studios Think Twice About Comic-Con
July 25, 2011
Attendance at this year’s Comic-Con was higher than ever. Geoff Boucher of the Los Angeles Times and Alex Billington of First Showing were in San Diego last weekend sitting in on, if not moderating, panel discussions with the likes of Steven Spielberg, Peter Jackson, Francis Coppola and “Game of Thrones” cast members. In filling us in on all the highlights they explain why some studios skipped this year’s festivities and why next year’s convention is set to be the biggest Comic-Con yet.
There was also some sad news this past weekend as we learned about the untimely death of soul singer Amy Winehouse at the age of 27. The troubled young singer battled with drug addiction since rising to stardom in 2006 and her death raises the question over what responsibility the entertainment industry has in helping artists with drug or alcohol problems.
There was better news on Broadway where at least three recent shows turned a profit with even more shows about to follow suit. Even the much-hyped disaster “Spider-Man: Turn Off The Dark” is shaping up to be a financial success.
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