February 16, 2016
With nominees representing a wide range of genres including pop, country, hip-hop, R&B and rock, this year’s Grammy Awards had a little something for everyone. David Wild, one of the writers responsible for this year’s Grammy telecast and a contributing editor at Rolling Stone, takes a few minutes from his busy schedule to discuss Rihanna’s no-show, Kendrick Lamar’s electric performance and more.
It would seem that anyone who wasn’t watching the Grammys was at the movie theater watching “Deadpool”. The R-rated superhero movie that transformed from a comeback vehicle for Ryan Reynolds to a box office hit to a phenomenon, all in the space of five days.
Meanwhile China was also breaking box office records thanks to the Golden Week holiday associated with Chinese New Years. Plus, the Oscars are getting closer and we’ll report on the latest buzz generated by the BAFTAs and the WGA Awards.
Of course we also cover the week’s top entertainment news including an autobiography from rocker Bruce Springsteen, Disney is sending “Frozen” to Broadway and why media stocks have suddenly taken a nosedive.
February 8, 2015
The Grammy Awards were held last weekend to honor the year’s best music. David Wild, one of the producers and writers of the Grammys telecast (not to mention a contributing editor at Rolling Stone), takes us behind the scenes at the ceremony. He explains what it’s like to get Madonna, Miley Cyrus and Nikki Minaj on the same page and the difficulty of describing Sia’s unique stage performance to Stevie Wonder.
Meanwhile, a couple of big media conglomerates announced significant management changes over the past week; Amy Pascal will be stepping down as head of Sony Pictures due in no small part to the recent cyber attack against the company and Tom Staggs is anointed as the most likely candidate to take over for Disney CEO, Bob Iger when the latter steps down in 2018.
Speaking of big name execs, FCC chairman Tom Wheeler finally submitted his proposal for net neutrality, which would regulate ISPs to enforce open internet protections.
Of course, we also cover the week’s top entertainment news stories including why actor Michael Gambon is retiring from the stage, the uproar over news anchor Brian Williams and how Kodak is keeping film stock alive.
January 28, 2014
Whether it was Hunter Hayes belting out an anti-bullying song or Queen Latifah performing a mass-marriage ceremony for 32 couples to the hip-hop beats of Macklemore & Lewis, this years Grammys’ ceremony was more upbeat than ever. David Wild, a contributing editor at Rolling Stone, wrote the telecast that attracted a whopping 28.5 million viewers, as well as the Beatles tribute concert the very next night. He stops by to discuss what it was like helping put both shows together.
Awards were also handed out for movies this past week. The Directors Guild of America shook up the Oscar race by giving its top prize to Alfonso Cuaron for “Gravity” and the Sundance Film Festival came to an end by handing out more than two dozen awards to indie movies.
Meanwhile, a number of companies are locked in a heated battle to provide an online alternative to cable and satellite television. The biggest hurdle for the likes of Amazon, Sony and Verizon in helping audiences cut the cord may turn out to be the erosion of net neutrality.
Of course, we also cover the week’s top entertainment news stories including shorter movie trailers, Quentin Tarantino’s latest screenplay gets leaked and Bill Cosby returns to NBC with a new sit-com.
February 11, 2013
While winning a Grammy Award can boost a musician’s record sales temporarily, a knockout performance during the widely viewed ceremony can launch a career. Simply ask Mumford & Sons who stole the show during the 2011 telecast and on Sunday took home the 2013 Grammy for Album of the Year. Will the Lumineers, who performed at this year’s ceremony, follow in their footsteps?
David Wild, a contributing editor for Rolling Stone magazine, helped write the Grammy telecast as he has for the past 12 years. He joins us to discuss how the show was put together, working with host LL Cool J and some of the elements that came off without a hitch (projecting images onto Carrie Underwood’s dress comes to mind). Wild even reveals John Mayer’s secret life as a joke writer.
Meanwhile, digital downloads are already outpacing physical sales in music and will surely do so with books and movies in the not too distant future. But what happens when you want to sell off all those media downloads in the now non-existent digital secondhand market? Amazon is trying to patent technology that will make such sales possible.
Of course we cover the week’s top entertainment headlines including how “The Walking Dead” continues to increase viewership, an end to Don Johnson’s lawsuit over “Nash Bridges” and why some concerts may be sold out before tickets ever go on sale.
February 13, 2012
Los Angeles Times entertainment reporter Geoff Boucher was on assignment at the Grammy Awards when he heard about the the sudden death of pop star Whitney Houston over the weekend. While still covering music’s biggest night, Boucher was given two hours to write Houston’s obituary for the Sunday paper.
At the same time, David Wild was backstage at the Grammys putting the finishing touches on his script for the telecast. A contributing editor at Rolling Stone and best-selling author, Wild had less than 24-hours to work with Grammys producer Ken Ehrlich and revise the awards in the wake of Houston’s passing.
After an exhausting weekend Boucher and Wild join us to discuss how this year’s Grammys focused on two voices; one looking to the future with Adele winning six awards and one honoring the past by mourning the fresh tragedy of Houston’s death.
A whopping 40 million people watched this year’s Grammys telecast, though if we were to believe Nielsen few of them were under the age of 24. Brian Stelter of the New York Times stops by to explain why young people are watching television less often.
August 30, 2010
Host Jimmy Fallon helped pump some energy into this year’s Emmy Awards where a lot of new names and shows walked away with trophies. Rick Porter, staff editor at Zap2it, provides some details about who won and who lost. And the Emmy telecast received rave reviews. One of the shows writers was David Wild, a contributing editor at Rolling Stone, and he gives us all the dirt on what went on behind-the-scenes.
In the future, the shows that win Emmys may not air on television, but instead be found online. Alex Ben Block, a senior editor for the Hollywood Reporter and author of “George Lucas’s Blockbusting” fills us in on how we’ll be watching television in the future. . . that is if Google and Apple have their way.
As always, we review the week’s top entertainment headlines during Big Deal or Big Whoop. Our Inside Baseball topic focuses on the news that video retailer Blockbuster may soon file for bankruptcy.
February 1, 2010
The highlights of this week’s entertainment news were the Grammys and Sundance. First though, there was “Avatar”, “Avatar”, and more “Avatar”. The 3D wunderkind was number one at the box office again and has sold roughly 56 million tickets in North America so far. “Titanic” sold roughly 128 million admissions in North America, so if “Avatar” did that, it would gross about $1.2 billion in the U.S alone.
But there is more going on in the entertainment world besides “Avatar”. The music world gathered for the Grammys on Sunday, January 31. Geoff Boucher from the Los Angeles Times and David Wild, one of the writers on the Grammy telecast, join us to discuss the hits (Pink’s performance), the misses (Taylor Swift and Stevie Nicks) and what was going on backstage (Alice Cooper hangs with Smokey Robinson).
The Grammys weren’t the only prizes handed out over the weekend. Sundance announced its festival winners and Alison Willmore, a senior editor at IFC.com, stops by to talk about her favorite festival films and a few she recommends skipping. Read more
December 7, 2009
Rolling Stone contributing editor David Wild joins us this week to talk about the 52nd Annual Grammy nominations, a subject he knows a lot about since he’s one of the writers on the awards show. If music isn’t your thing than maybe independent film is. Eugene Hernandez, editor of indieWIRE drops by to discuss the Spirit Award nominees as well as the official selections of the 2010 Sundance Film Festival.
In other news, Sandra Bullock continues to impress moviegoing audiences in “The Blind Side” which knocked “Twilight Saga: New Moon” out of first place in the North American box office over the weekend. Speaking of “Twilight” who would you like to see direct the fourth installment of the franchise, “Breaking Dawn”? J. Sperling Reich, Michael Giltz and Karen Woodward agree that it’s probably not going to be Tim Burton, Peter Jackson or Quenten Tarantino as Moviefone suggests. But then stranger things have happened. Kind of like Apple buying Lala. What could they possibly be planning to do with the struggling music social network? Read more
July 13, 2009
Rolling Stone contributing editor David Wild joins us this week to discuss the Michael Jackson memorial. Wild is an Emmy-nominated television writer and a best selling author. on top of his work with Rolling Stone. He recently worked on the magazine’s Michael Jackson tribute, and was also instrumental in putting together the pop star’s memorial at the Staples Center in Los Angeles. He explains some of the realities and feelings taking place behind the scenes at the event. He also has a new book out titled He Is… I Say: How I Learned To Stop Worrying And Love Neil Diamond, currently available on Amazon and other retailers. You can follow David on Twitter at twitter.com/wildaboutmusic.
Audiences weren’t wild about “Bruno,” which won the weekend box office race, but didn’t perform as expected. Ryan Reynolds and Sandra Bullock’s “The Proposal” continues to perform well – well enough that Reynolds has been offered the role of The Green Lantern in Warner Bros’s upcoming movie. Was he a better choice over Bradley Cooper and Justin Timberlake? Does anyone even care about “The Green Lantern”? Anne Thompson addresses that, and the future of film criticism in her blog Thompson On Hollywood. Read more