June 22, 2015
When Apple announced its new streaming music service earlier this month certain members of the music industry were quick to voice their dismay over the terms the tech giant was offering. Specifically, indie record labels weren’t happy to see that Apple wouldn’t be paying licensing fees during the three month trial period the company was offering new subscribers. As the chorus of opposition grew louder it was none other than Taylor Swift who pushed Apple to reverse its payment policy.
In an open letter published to her website, the country musician turned pop star criticised the world’s largest music retailer for not compensating writers, producers, or artists during a new subscriber’s three month trial period. She says new artists, young songwriters and independent producers depend on such royalties to survive. In a move that some will argue demonstrates Swift’s influence within the industry, Apple actually relented.
Another entertainment business model currently being disrupted is that of television. With more consumers opting to cut their cable cord for over the top solutions, the NBA announced they would let basketball fans purchase out-of-market games on a per-game and per-team basis. This has huge implications for the broadcast industry as programming continues to slowly become unbundled.
Of course, we also cover the week’s top entertainment news stories including the box office success of “Jurassic World” and “Inside Out”, a big payday for Jennifer Lawrence on her next film and gambling on who will be the next actor to play James Bond.
January 3, 2011
On more than a few occasions during 2010 one could hardly fault moviegoers for feeling as if they’d been duped as they left theaters. Movieline journalist and author Alonso Duralde believes that in at least seven instances films were misrepresented by their marketing campaigns. He discusses, among others, the arthouse movie that was sold as an action thriller, the riotous comedy that isn’t funny at all, and a princess tale disguised as a swashbuckling adventure.
Marketing could hardly be the primary reason 2010’s box office was down slightly from the previous year’s record earnings. With ticket sales off by an estimated 5.36% the only thing propping up film grosses were higher ticket prices, which noticeably rose over the past year.
On the other hand, Nielsen reports that Americans are watching more television than last year, around 34 hours per week. Unfortunately for the major broadcast networks which once ruled the airwaves, viewership has become fractured as it spread out across hundreds of cable channels. The only big TV winner during 2010 was living sporting events, which accounted for eight of the top ten highest rated shows of the year.
May 4, 2009
“Wolverine” A Hero At The Box Office
Disney’s Anne Sweeney Talks Hulu: It’s All About Casual Viewers
Disney’s Hulu Deal Raises Question About YouTube Model
Denis Leary goes Hulu, mocks your ‘Tweety-pages’ and your ‘Faceyspaces’
“TV Everywhere”: Pay your cable bill, watch Entorage online
Sony Offers Free Films On Crackle
NBC Gets Rolling Before Its Upfronts
NBC Exec Dies On “Parenthood” Set
Chuck Decision Delayed For A Week Or More
Talks Continue For “Scrubs” Return
Hasbro and Discovery Plan Channel Based On Toy Brands
Full Orchestra Puts “Lost” Audience On Edge
Obama Presser Audience Slides But Still Beats Idol
McCain To Host AMC Movie Marathon
Stone To Walk “Wall Street” Again
Mr. Big To Return In “Sex and the City 2”
Universal remaking “Drop Dead Fred”
Don Johnson set to play porn director
Bruce Willis Is Living Hard
Relativity reaches deal with Lionsgate
Viacom Profit Veers Down
National Amusements Ups Ante On Auction
Biz Balks At Cost Of 3D Glasses
Battle Brews Over 3D Glasses In Europe
WMA, Endeavor Approve Merger
As Willliam Morris and Endeavor Near a Merger, a New Book May Cause Discomfort
Paradigm Makes a Move of Its Own