Showbiz Sandbox 149: Cannes Falls For “Amour”

May 29, 2012

This year’s Cannes Film Festival concluded with “Amour”, a film by Austrian director Michael Haneke, winning the Palme d’Or. The movie about an elderly couple in Paris features two renown French actors and was a hit with festival audiences. Anne Thompson from Indiewire’s Thompson on Hollywood blog says the jury rewarded many of the noteworthy films at this year’s festival, though entries with stars like Brad Pitt and Nicole Kidman were rather disappointing.

Speaking of winners, last week Phillip Phillips was crowned the winner of this season’s “American Idol”. The big loser however may be the singing competition show itself, since it is no longer the most watched television show in the nation, a title it held for a historic seven years. That honor is now held by Sunday Night Football.

Apple rather convincingly shredded the antitrust suit tbe Justice Department filed against them and top publishers over the price fixing of e-books. Apple’s response points out a number of innacuracies in the suit and manages to bolster their own case, while notably not helping the publishers with their defense.

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Showbiz Sandbox 147: TV Networks Are Upfront About Their New Schedules

May 14, 2012

It’s the time of year when North American television networks put on big presentations to introduce their fall lineups to major advertisers; a process referred to in the industry as “the upfronts”. It’s also the time when TV audiences find out which of their favorite shows are sticking around for another season and which have been canceled. We’ll fill you in on some of the shows that didn’t make it some of the new series we have to look forward to this fall.

Adele continues to make news in the music world. Her album “21” sold 18 million copies last year which accounted for 1.6% of all the music sold around the world. The pop singer even helped the United Kingdom increase their share of global music sales to 13%.

Tom Hanks appears to be headed to the Great White Way to make his Broadway debut. So is Zooey Deschanel who will be starring in a musical based on Loretta Lynn’s autobiography “Coal Miner’s Daughter”.

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Showbiz Sandbox 126: Foot In Mouth Disease Sweeps Through Hollywood

November 14, 2011

Getting publicity in Hollywood can be a very difficult task. If you are an A-list director like Brett Ratner or a hot actor like Ashton Kutcher however, all you need to do is make a bigoted statement or fire off an ignorant Twitter post and you’ll get more ink than you ever wanted. Ratner’s homophobic slur forced him to resign as producer of next year’s Oscars, while Kutcher’s uninformed opinion on current events caused him to rethink his social media participation. Has the entertainment industry become overly sensitive or do its inhabitants just have no class? We try to figure out what all the fuss is about.

The other big news of the week was the sale of record label EMI to Universal Music Group and Sony. EMI’s owner, Citibank, decided to split the record label from its publishing arm in an effort to get the deal passed antitrust regulators. As the music industry contracts from four major record companies to three, what will it mean for indie artists and their fans?

Broadway may also be undergoing some changes soon. Long running musicals such as “Mamma Mia!”, “Chicago” and “Mary Poppins” seem to be fading fast and may need to make way for new productions such as a revival of “Porgy & Bess”, “Evita” featuring Ricky Martin and a stage version of “Bonnie & Clyde”.

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Showbiz Sandbox 120: Netflix Must Adapt To A Hollywood It Helped Create

September 26, 2011

Ryan Lawler has spent the last two years writing about online video and digital media trends for GigaOm, a beat he’s covered for a number of publications. Who better to help us sort out what’s been going on with Netflix over the past two weeks? Despite a plunging stock price, slower subscriber growth and increased competition from the likes of Dish Network, Lawler says we shouldn’t be too worried about Netflix. He discusses what the future holds for the company during an in-depth interview.

Meanwhile, the fall television season was jumpstarted by “Two and a Half Men” as more than 28 million viewers tuned in to see Ashton Kutcher replace Charlie Sheen. Don’t feel too bad for Sheen though; he had 6.4 million people watching him get roasted over on Comedy Central and it appears he’s settling his lawsuit with Warner Bros. for a cool $25 million.

“The Lion King 3D” continues to dominate the worldwide box office, despite the fact that it’s a 17 year old movie that most have already seen. “Titanic” and “Top Gun” are already getting 3D makeovers, and it’s likely we’ll see studios reaching back into their archives to find even more titles.

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Showbiz Sandbox 105: The Dark Truth About Digital Cinema

June 1, 2011

When Ty Burr, film critic for The Boston Globe, noticed that the films he was seeing didn’t appear as bright as they usually do he did a little investigating to figure out why. What he discovered, and documented in a recent front page article, is that some major theater chains are leaving moviegoers in the dark by regularly misusing digital projection equipment. Burr joins us to explain why this is happening and what cinema patrons can do about it.

Meanwhile, the market for streaming music online hasn’t cooled off. Apple is about to announce a service the company has dubbed iCloud and it is rumored that Facebook may integrate Spotify into its website. It seems more people are listening to more music than ever before. That may be why the Coachella Music Festival is doubling down and expanding the event to two weekends next year.

Oprah Winfrey ended her long-running talk show last week and nearly 17 million people tuned in to watch. Yet that audience pales in comparison to the 28 million viewers that watched the final episode of this season’s “American Idol”. That’s nearly a 20% increase over last years finale.

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Showbiz Sandbox 100: In Showbiz, As In Life, Size Matters

April 25, 2011

It’s hard to believe we’ve recorded 100 episodes of Showbiz Sandbox. It’s also hard to believe that a 3D porno (okay, an erotic comedy) could ever smash a box office record set by “Avatar”. But that’s exactly what happened in Hong Kong, where “Sex and Zen: Extreme Ecstasy” opened to USD $2.19 million. The producers wanted to screen the film in Imax, but were refused, disappointing Karen Woodward, our guest and former co-host, who says that despite all the rumors, size does matter.

If bigger really is better, then Netflix has nothing to worry about. They are set to become the largest subscription entertainment business in the United States with over 23 million customers, beating out satellite radio and cable television. The same can’t be said about any of the music streaming services that Apple, Google and others are working on. Apparently, negotiating a licensing deal with record labels can be quite difficult. Go figure!

The Coachella Music Festival also took the size issue to heart, adding more space for attendees to enjoy the more than 100 bands which performed this year. J. Sperling Reich was there and tells us which artists are worth checking out (Lauryn Hill), and which shouldn’t quit their day jobs (Odd Future).

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Showbiz Sandbox 99: How To Fix Hollywood’s Obsolete Residual Payments System

April 11, 2011

Labor and contract negotiations are a constant concern in Hollywood. Entertainment attorney Jonathan Handel is a contributor to The Hollywood Reporter and has written a book about the industry’s labor disputes,  “Hollywood on Strike!: An Industry at War in the Internet Age“. The book grew out of his coverage of the labor unrest that began with the 100 day Writers Guild strike leading to turmoil in all union negotiations over the next two years. Handel proposes a new formula for residuals that could help avoid future strikes.

Blockbuster, the beleaguered video chain which filed for bankruptcy protection last year, was auctioned off to Dish Networks.  How the acquisition will benefit the satellite television provider remains to be seen.

The Grammy Awards are getting trimmed down as they cut more than 30 categories and combine a number of others.  Music industry professionals are split over whether the changes will help the awards show.

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