Showbiz Sandbox 446: How the B-Team Grew Into the Marvel Cinematic Universe
April 29, 2019
When Kevin Feige, the President of Marvel Studios, set out to launch a movie franchise based on the company’s comic books he hired an erratic actor with a history of drug addiction to play a superhero hardly anybody knew and a director whose last film bombed. At the time, Geoff Boucher, now the genre editor of Deadline, wrote an article headlined “Here Comes The B-Team”.
Well, 12 years and over 22 films later the Marvel Cinematic Universe has become a $20 billion franchise whose latest entrant, “Avengers: Endgame,” made $1.2 billion in its open week. Boucher joins us to discuss how Feige managed to oversee one of the most profitable movie properties of all time.
Meanwhile, the Writers Guild is nowhere near reaching an accord with the Association of Talent Agents over packaging fees. Even some of the smaller agencies, who don’t package television series and don’t have affiliated production companies, are unwilling to sign the proposed code of conduct.
Of course we also cover the week’s top entertainment headlines including the moviegoing subscription service Sinemia shuts down, the Chinese government grows a little wary of the TV smash hit “The Story Of Yanxi Palace” and Steven Spielberg doesn’t actually hate Netflix.
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Showbiz Sandbox 319: The Changing Tide of Music Distribution
April 25, 2016
Almost three years after Beyoncé made a big splash by releasing a secret album via iTunes, the pop star has snuck up the world once again with her latest work, a video album called “Lemonade”. This time however Beyoncé was strategic in how she distributed her album, premiering it with an HBO special, then exclusively to the streaming music service Tidal, before ultimately turning back to iTunes. More and more, big name acts are controlling how and to whom their music gets distributed.
Multi-genre musician Prince was way ahead of his time when it came to controlling how his music reaches the world. The legendary artist died suddenly last week leaving behind a lifetime of work a great deal of which was never released. We discuss the many fascinating ways the unexpected death of Prince was covered by the media and his sometimes unique distribution methods.
We’ll also take a look at the introduction of a new cinematic camera that has the potential to revolutionize filming and post-production by allowing to filmmakers “to effectively capture the color, direction and placement of every ray of light”.
Of course we also cover the week’s top entertainment news including some behind the scenes drama at the morning talk shows, why China shut down some of the Apple iTunes stores and how Hollywood is making its way to West Africa.
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