Showbiz Sandbox 381: Telluride and Toronto Continue To Shape Awards Season

Each year the Venice, Telluride and Toronto film festivals are held so closely together their programming often overlaps as each vies to land titles that will be in the running for major awards (read: Oscars). Anne Thompson, Indiewire’s editor at large, has just returned from Telluride and Toronto and she fills us in on all the festival season favorites.

While Thompson was in Toronto enjoying movies like “The Shape of Water” from director Guillermo del Toro, film buyers were struggling to find anything to pick up. There was a general sense that all the worthwhile titles had been cherry picked before the festival even began.

Meanwhile the Emmy Awards were held over the weekend honoring the best television from the past year. At this year’s ceremony a disruptive streaming video provider made a big splash, though not the one everyone expected. Hulu took home the Best Drama Emmy for “The Handmaid’s Tale”, despite Netflix having three shows nominated in the category.

Of course we also cover the week’s top entertainment news including the head of NBC admitting most of its primetime viewership is not watched live, George R. R. Martin’s new TV series and MoviePass surpsasses 400,000 subscribers in under a month.

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Showbiz Sandbox 278: Grooveshark Goes Down As Periscope Comes Up

Content owners seem to be locked in a never-ending game of legal Whac-A-Mole in an attempt to thwart technologies that enable copyright infringement. Last week record labels managed to shutter the music streaming service Grooveshark and movie studios were granted a court ordered injunction against Popcorn Time, which has been dubbed the Netflix of Piracy. Yet now entertainment companies are concerned about audiences live streaming television shows and movies from their mobile phones using social media apps such as Periscope.

That’s exactly what happened on Saturday during the welterweight title fight between Floyd Mayweather Jr. and Manny Pacquiao. Some viewers took it upon themselves to beam video of the boxing match by transmitting the pay-per-view broadcast through their phones.

Meanwhile on Broadway, this year’s Tony Award nominations were announced, recognizing the best and brightest new live theatre productions. We’ll give you a rundown of who was nominated and why walking off with one of the prestigious prizes can mean big profits at the box office.

Of course, we also cover the week’s top entertainment news stories including the gigantic opening of “Avengers: Age of Ultron”, a remake of “Roots” and how “Seinfeld” is earning big bucks on subscription video-on-demand.

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Showbiz Sandbox 249: Why Film Festivals Are More Important Than Ever

Anne Thompson, an editor at Thompson on Hollywood and Indiewire, just spent the past two weeks at the Telluride and Toronto Film Festivals before she heads off to the New York Film Festival. Thompson takes us through some of the noteworthy films we’ll be seeing in coming months and discuss the important role festivals play in creating buzz before a movie’s commercial release.

The competition for landing premieres of noteworthy titles has become so fierce that Toronto switched up its programming this year to give less prominence to any film screening a week earlier at Telluride. One aspect of each festival which is unlikely to change is their reputation for selecting films that go on to win Best Picture Oscars.

While fall festivals might be the talk of the film industry, television executives have been preoccupied with their over-the-top strategies. As audiences switch to OTT offerings from Amazon to Roku, networks are experimenting with direct-to-consumer offerings while contending with increasingly meaningless overnight ratings.

Of course, we also cover the week’s top entertainment news stories including opting-out of a free U2 album, Microsoft picks up “Minecraft” and Netflix’s invasion of Europe.

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