Showbiz Sandbox 628: An Inside Look at Streaming’s Microscopic Residual Payments
August 30, 2023
The recent success of the television series “Suits” on Netflix has shined a spotlight on how much money writers make on a cable or broadcast hit versus one on a streaming service. Last week one of the show’s writers revealed the vast difference in residual payments he received between linear and streaming underscoring why the WGA is currently on strike.
Meanwhile, with the WGA and SAG-AFTRA striking in strong solidarity, the AMPTP has hired a public relations crisis management firm. Studios, realizing the strike shows no sign of ending, have begun postpone tentpole releases such as “Dune 2” into 2024.
Of course we also cover the week’s top entertainment headlines including how Amazon has shown interest in partnering with Disney on ESPN, how preview screenings are messing up box office calculations and why musicians seem to be dumping manager Scooter Braun.
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Showbiz Sandbox 608: The Television Landscape Is Changing FAST
February 22, 2023
Major television networks, cable channels and even streamers are all reeling from all of the changes the industry has been undergoing recently. New shows are being canceled before they air. Others disappear after only a single season with all their episodes yanked from streaming libraries. Ratings for linear and cable are way down causing every stakeholder to earn less money from advertising and carriage fees.
All of this has caused the industry to get super excited by FAST – Free Ad Supported TV. These are streaming platforms built around existing properties like “Westworld” or original series like “Die Hart” which can be watched on-demand, only with ads peppered in. Annoying perhaps if you subscribe to HBO Max and expected to be able to binge shows that are no longer available on the platform.
Of course we also cover the week’s top entertainment headlines including why Roald Dahl’s books are being updated, box office in India rebounds nicely in 2022 and the big winners at this year’s BAFTAs.
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Showbiz Sandbox 583: The Long and Winding Road to Box Office Recovery
May 10, 2022
With each new superhero blockbuster that hits multiplexes it is clear that big well-done movies can score big at the box office. However it is a huge mistake to treat every new release as the barometer of whether cinema is back. Especially when smaller films like “Everything Everywhere All at Once” and family movies like “Sonic the Hedgehog 2” are proving just as successful in getting post-pandemic audiences back into theaters.
Meanwhile, record labels and streaming services have been fighting with music publishers over mechanical royalties for years now.
However, in a tentative deal on actual music sales, the mechanical royalty will rise more than 30% from 9.1 cents per track to 12 cents. Moving forward, the royalty will be pegged to inflation.
Of course we also cover the week’s top entertainment headlines including this year’s Tony Nominations, Dave Chappelle gets attacked on stage during a performance and a new class of Rock and Roll Hall of Fame inductees.
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Showbiz Sandbox 557: Talent Agents Strike A Deal… for Themselves
October 5, 2021
In yet another sign that the entertainment industry is consolidating, Creative Artists Agency, one of Hollywood’s most powerful talent agencies, announced it would acquire ICM Partners, the fourth largest player in the space. Is the move meant to help CAA gain leverage when negotiating with streaming giants like Netflix, or is it all about ensuring success on Wall Street for its biggest investor? And what will this mean for smaller agencies which may actually stand to benefit from the deal?
Meanwhile, this year’s Tony Awards honoring Broadway’s brightest were finally held with a live audience. However, some productions in both New York and London are stumbling as they turn on their marquees for the first time since the COVID pandemic began.
Of course we also cover the week’s top entertainment headlines including how James Bond and Venom are competing for box office glory, Scarlett Johansson settles her “Black Widow” lawsuit with Disney and the labor strike that could shut down Hollywood.
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Showbiz Sandbox 478: Setting Records at Sundance and the Grammys
January 27, 2020
With the Winter Olympics causing an abbreviated and frantic awards season, the film took a brief respite from Oscar-talk to head to Park City, Utah for this year’s Sundance Film Festival. We give you an update on all the hot titles and buzz being generated at this year’s festival, including a record breaking price for a Sundance film.
Meanwhile, the Grammys were held under a scandalous cloud due to the fallout from the Recording Academy dismissing its top exec, Deborah Dugan. The evening belonged to 18-year-old Billie Eilish who became the youngest person to win four of the top awards at the event including Best Pop Vocal Album, Best New Artist, Record of the Year, Song of the Year and Album of the Year.
In China, the Chinese New Year usually marks the highest grossing week on the calendar, however not this year. A highly contagious virus caused the government to quarantine large cities and the country’s cinema chains shuttered out of precaution leading to a loss of hundreds of millions yuan.
Of course we also cover the week’s top entertainment headlines including why country radio stations won’t play female artists, more talent agencies sign on to the Writers Guild code of conduct, and Netflix continues to gain subscribers.
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Showbiz Sandbox 460: Spider-Man Exits The Marvel Cinematic Universe
September 2, 2019
The big-time Hollywood divorce that has the entertainment industry buzzing this summer is the acrimonious split between Sony Pictures and Walt Disney Studios over custody of the most popular character in the Marvel Cinematic Universe; Spider-Man. The agreement that allowed Sony to loan out the character for Disney’s Avenger films was unprecedented. But after Disney asked to share in the financing and profit of future Spidey films, Sony opted out of the relationship.
The latest Spider-Man movie was one of the biggest hits of the summer, though box office for the season was actually down. One might think that’s why AMC Cinemas is planning to experiment with dynamically pricing movie tickets, but actually it’s really because they just want to charge more for popular films.
Meanwhile, streaming giants like Netflix are premiering some of their high profile movies at the biggest fall film festivals just in time to kick off awards season. They even plan to show them in cinemas before allowing them to be streamed on their platform. Now all Netflix has to do is convince cinema chains to book them.
Of course we also cover the week’s top entertainment headlines including why Eminem is suing Spotify, the Writers Guild takes its case against talent agents to federal court and why Taylor Swift wants to record all her old albums over again.
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Showbiz Sandbox 423: After New Allegations Time Was Up For Les Moonves at CBS
September 10, 2018
When CBS head Les Moonves was accused of sexual misconduct this past summer his firing seemed inevitable. Instead he over the weekend after six additional women came forward with allegations dating back decades. Now the question is not how much severance Moonves will get but how much money can CBS pay him to go away and avoid a drawn-out lawsuit without angering activists .
Ultimately Moonves may have lost the battle but won the war. His stepping aside allowed for the settlement of an ownership lawsuit which prevents National Amusements, the network’s parent company, from trying to merge CBS and Viacom for at least two years.
Meanwhile Netflix scored big at the Venice Film Festival when their movie “Roma” picked up the Golden Lion, the festival’s top prize. Director Alfonso Cuarón’s film seems like just the type the Academy might fall for come Oscar time, but first it has to find a movie theater willing to show it.
Of course we also cover the week’s top entertainment news including why there won’t be a Best Popular Film category at next year’s Oscars, a new “Law & Order” series and all the history made at the Creative Arts Emmy Awards.
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Showbiz Sandbox 392: Awards Season Begins To Take Shape
December 11, 2017
You know you’re in the thick of the awards season when you have to complain about who was snubbed and overlooked when the Golden Globe nominations were announced. “The Shape of Water” and “Big Little Lies” led this year’s nominees, as women filmmakers were shut out. Then there is the nomination for “Get Out,” a horror film, in the music and drama category, which makes even less sense.
One filmmaker who probably won’t be attending the Golden Globes this year is Bryan Singer. The filmmaker behind the X-Men franchise was fired from his latest film “Bohemian Rhapsody” after disappearing from the set. Singer cried foul and said he was caring for an ill parent, though it turns out a civil case was filed against him over a 2003 sexually assault of a 17-year-old boy.
Speaking of sexual misconduct, Time magazine named all the women who have come forward to tell their own stories of sexual harassment and assault, especially in Hollywood, as their person of the year. Accusations continue to surface about those in front of and behind the camera with the number of incident showing no sign of abating anytime soon.
Of course we also cover the week’s top entertainment news including J.K. Rowling defends casting Johnny Depp in the “Fantastic Beasts” movie, why the release of John Travolta’s mobster biopic “Gotti” was delayed and Alec Baldwin preps a talk show.
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Showbiz Sandbox 145: Rise of Playlisters Marks The Death of Music Blogs
April 16, 2012
Last week Doug Freeman, a music critic for the Austin Chronicle, wrote an opinion piece in response to a Hypebot interview in which Sean Adams, the founder of Drowned In Sound, suggested music blogs are no longer influential. Freeman joins us to explain that if blogs were simply gateways to new music discovery, then the streaming playlister is the new music blogger. New influencers and kingmakers will emerge in a shifting editorial landscape.
We also take you to the first weekend of this year’s Coachella Music Festival where more than 150 acts strutted their stuff to an more than 100,000 attendees. Headliners such as Radiohead and The Black Keys proved to be big hits, but Dr. Dre and Snoop Dogg stole the show by performing with a picture perfect hologram of the late Tupac Shakur.
“The Hunger Games” continues to feast on the North American box office, but the number one movie in the world this past weekend was “Titanic 3D” thanks to a record breaking opening in China.
We also cover the week’s top entertainment headlines including Mel Gibson’s public fight with a screenwriter, an extended run for “Game of Thrones” and an anti-trust lawsuit against major publishing houses.
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Showbiz Sandbox 98: Why New Distribution Models Terrify Hollywood
April 4, 2011
Movie studios, television networks and record labels still haven’t updated their business models to account for video and music streaming services like Netflix and Spotify. Now companies such as Amazon, Google and Apple plan on introducing a whole new group of media subscription services. With premium video-on-demand on the horizon it’s no surprise the entertainment industry is concerned about all these disruptive distribution methods.
One of the biggest players in the current content licensing wars has been Netflix. Showtime and Starz began pulling shows from the video rental giant, while Fox and Paramount offered up popular series and hit movies. Cable operators have also entered the fray by allowing viewers to watch live television on mobile device apps.
The creator of “Mad Men” was embroiled in his own fight with AMC and Lionsgate over the future of the series. In the end, Matthew Weiner was able to reach an agreement on a new contract, though new episodes won’t air until 2012.
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