Showbiz Sandbox 336: Telluride and Toronto Reaffirm the Importance of Film Festivals
September 20, 2016
With an ever increasing number of high profile movies competing for awards at the end of each year, film festivals such as those in Telluride and Toronto have never been more important in helping promote a release. Anne Thompson, Indiewire’s editor-at-large, has just returned from both festivals and gives us a complete rundown of all the films creating the most buzz.
And just as the number of movies worth seeing has grown, so too has the number of television shows. There’s so much good TV these days that in fact, the Emmys are more and more like the Academy Awards, where viewers haven’t even seen most of the Best Picture nominees. Maybe that’s why the Emmys keep honoring the same old shows year-after-year.
Meanwhile, the number of books on offer has grown at least 21% recently thanks to self-publishing. That includes both e-books and print. The crowdfunding platform Kickstarter has been responsible for thousands of titles, enough to make them the unofficial fifth largest publisher in North America.
Of course we also cover the week’s top entertainment news including why Argentina is sending school-aged children to the movies, how the Rio Olympics proved profitable for NBC after all and the Lady Gaga is booked for the Super Bowl half time show.
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Showbiz Sandbox 295: Thompson Keeps Tabs On Telluride and Toronto
September 21, 2015
Two of the world’s most prominent film festivals are held each September in Telluride and Toronto and, without fail, you’ll find Anne Thompson, Indiewire’s editor-at-large, dashing off to both of them. Thompson gives us a feel for what both festivals were like this year, which films created the most awards buzz and which she thinks audiences should be looking forward to.
Thompson also joins us to discuss this year’s Emmy winners. The premium cable network HBO proved it is still at the top of its game, fending off the stiff competition of hot new shows being produced by upstart streaming services such as Netflix and Amazon. The network wept away the Outstanding Drama Series, Outstanding Comedy Series and Outstanding Limited Series categories, winning 14 awards in all.
Meanwhile, in case that seems destined to reach the U.S. Supreme Court, a federal judge ruled that copyright owners must take into account the possibility of fair use before sending a takedown notice. Rather than force possible infringers to mount what is known as an affirmative defense, the court is placing the burden on copyright holders to consider whether a work should be considered fair use.
Of course we also cover the week’s top entertainment news including the new over-the-top and mobile streaming services being offered by the BBC and Epix, one of the creators of Batman will finally get the credit he has long deserved (though maybe not the money) and Denzel Washington will produce ten August Wilson plays for HBO.
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Showbiz Sandbox 288: This Summer’s Box Office Is Turning Into A Blockbuster
July 27, 2015
A string of big budget Hollywood sequels and prequels like “Jurassic World”, “Avengers” and “Minions” have driven the 2015 summer box office nearly 15% higher than last year. And not just in the United States. Countries all over the world are reporting strong movie attendance, especially in China where homegrown productions have been the top grossing releases.
It doesn’t hurt that North American moviegoers are currently paying the highest ticket prices on record. Just ask IMAX which just reported the highest quarterly earnings in the company’s history.
It isn’t all good news for Hollywood studios however. The European Union is charging the six major distributors with antitrust violations over what regulators allege are illegal licensing contracts with cable operators. Should the EU prove their case, it could cause havoc by eradicating longstanding entertainment industry business models.
Of course we also cover the week’s top entertainment news including the Emmy Award nominations, the approval of AT&T’s merger with DirecTV, why Neil Young is yanking his music from streaming services.
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Showbiz Sandbox 283: Why Apple Is Cannibalizing Its Own Music Sales
June 16, 2015
Apple finally announced its long rumored music streaming service last week, which is meant to compete with market leaders Pandora and Spotify. The offering seems in direct conflict with the ongoing business of the largest music retailer in the world, but as Ryan Faughnder of the Los Angeles Times points out, Apple may have had no choice since iTunes digital music sales have significantly decreased.
Now, the music industry is hoping that Apple can ride to their rescue once again, as they did with digital music previously, by attracting the large subscriber base required to make music streaming profitable. Faughnder gives us his thoughts on what the new service means to the business, and tells us how competitors have responded to Apple’s entrance into the market.
There seemed to be no competition for “Jurassic World” during its theatrical debut. The film was released globally and gobbled up opening weekend box office records both in North America and internationally, earning more $500 million in just three days. That gross is more than the combined weekend receipts for every other film currently in theaters worldwide.
Of course, we also cover the week’s top entertainment news stories including Rupert Murdoch steps down as CEO of 21st Century Fox, video games get their own hall of fame and what happened when Dave Grohl of the rock band Foo Fighters broke his leg in the middle of a concert.
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Showbiz Sandbox 270: The Oscars Need A Reboot
February 23, 2015
What was billed as the closest Oscar race in recent memory turned out to be predictably dull as “Birdman” flew away with four awards including Best Picture. Not even host Neil Patrick Harris could make them more entertaining. Indiewire’s Anne Thompson attended the ceremony and stops by to give us her thoughts on this year’s Oscar winners and the ceremony itself.
We also take a look at the movies that could potentially be competing for Oscar trophies next year. Filmmakers such as Ron Howard, David O. Russell, Steven Spielberg and even this year’s Best Director winner Alejandro González Iñárritu all have movies set for release.
In other awards prognostication news, now that the Academy Awards are over, we have the Tony Awards for live theater to look forward to. Though once it looked as if there wouldn’t be any musicals to honor, Broadway will be awash in them come springtime. Even better, there are more new musicals than revivals scheduled for this season.
Of course, we also cover the week’s top entertainment news stories including Starbucks plan to stop selling CDs, the Emmys update their rules and finding an ending to “Mission: Impossible 5” has been… well, impossible.
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Showbiz Sandbox 246: The Emmys Have A Hopeless Scheduling Problem
August 26, 2014
It’s bad enough that the Emmy Awards honor the exact same talent and television shows every year. Now, the Emmys are really growing stale by handing out prizes to shows that finished airing before last year’s ceremony. Unfortunately, as television migrates to year round programming, there is no good time to schedule the Emmys which would make them feel more timely or relevant.
The industry-at-large was likely glad to see at least one aspect of the Emmys go unchanged as shows from broadcast and cable networks continue to win the most awards over shows from streaming services such as Netflix, which went home empty handed. There also, thankfully, seems to be a voter backlash against shows positioning themselves in odd categories.
Meanwhile, August has proven to be the cruelest month for show business with the untimely death of actor Robin Williams and the passing of Hollywood legend Lauren Bacall, among others.
Of course, we also cover the week’s top entertainment news stories including Amazon public relations battle with Hachette over e-book pricing, Jimmy Fallon comes out on top in the late night television war, and Anne Rice’s Vampire Lestat may see new life on the big screen.
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Showbiz Sandbox 244: Hollywood Faces An Epic Struggle Over the Future of Entertainment Distribution
July 29, 2014
Whether it’s movies streaming online before they premiere in theaters, the never-ending retransmission dispute between television networks and cable companies or the dwindling number of book retailers, how media companies are distributing their content has never been more in flux.
The Weinstein Company released their critically acclaimed release “Snowpiercer” on VOD just two weeks after the film opened in cinemas. Then they agreed to let “One Chance”, a biopic of talent show winner Paul Potts, stream free on Yahoo! ten days before the movie opens in the United States.
Meanwhile, rather than sell you books, Amazon is hoping you’ll be willing to pay a monthly fee for their new e-book subscription service. The only problem is the service’s limited selection (not to mention the company’s inability to make a profit), making us wonder whether such a business model is viable.
Of course, we also cover the week’s top entertainment news stories including how Weird Al Yankovic’s album wound up at the top of the sales charts, the Emmy’s snub broadcast networks and Garth Brooks comes out of retirement.
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Showbiz Sandbox 229: Making South by Southwest A Family Affair
March 18, 2014
Countless bands long to play at South by Southwest, the music festival that takes place in Austin, Texas every March. The event has grown into an important showcases for undiscovered, unsigned and fast rising artists. The Family Crest, an indie rock band from San Francisco, is one of the buzzworthy acts that played at this year’s SxSW. Liam McCormick, the group’s songwriter and founding member, joins us to discuss what it’s being officially invited to play at such a prestigious festival.
In an in-depth conversation, McCormick walks us through how The Family Crest has managed to follow through on all the necessary achievements modern bands strive for in search of success; they’ve funded two albums via Kickstarter which feature hundreds of musicians, they’re signed to an indie record label and NPR is touting the group’s music, which of course can be easily found on all the popular streaming services. On top of all that, television series and advertising campaigns have begun licensing their music.
Much like The Family Crest, Disney is doing quite well for itself these days, at least when it comes to Broadway. What’s surprising is that it isn’t one of the company’s hot new productions that’s the highest grossing production on the Great White Way, but rather “The Lion King”, which opened 16 years ago. It’s all thanks to the new trend of dynamic ticket pricing. We’ll explain.
Of course, we also cover the week’s top entertainment news stories including why the NFL is suing M.I.A., Amazon prepares to enter the streaming music business, and “Big Bang Theory” gets renewed for three whole seasons.
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Showbiz Sandbox 226: Back To The Future – Why TV Networks Suddenly Love Old People Again
February 24, 2014
Broadcast television networks are finally catching on to what most of us have known all along; people over the age of 50 actually watch a lot of TV. In a never-ending pursuit to attract younger viewers, networks discovered that baby boomers make up a large portion of their audience. Surely we’ll be seeing a lot more programming meant to appeal directly to this new found demographic.
Maybe some of these new, more mature shows can be turned into movies one day. That seems to be the new trend in Hollywood as studios get set to release two movies that are spun-off from canceled series (“Veronica Mars”) or are have actually already appeared on television as mini-series (“Son of God”).
Speaking of Hollywood studios, it turns out that despite crying poor on a perennial basis, they all managed to make hundreds of millions of dollars in profit during 2013. Not revenue… actual profit.
Of course, we also cover the week’s top entertainment news stories including Cee Lo Green quitting “The Voice”, CNN quitting Piers Morgan and the end of Moviefone’s movie listing service.
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Showbiz Sandbox 206: Emmys Offer The Worst of Every Other Awards Show Rolled Into One
September 23, 2013
With Neil Patrick Harris as its host and a wide array of popular shows nominated for top awards, this year’s Emmys ceremony was primed to be a memorable one. The telecast was memorable alright, but for all the wrong reasons. If the Emmys were trying to combine all the worst elements of every other awards show, they succeeded.
It’s hard to determine precisely why this year’s Emmys just didn’t work. It could have been a weak opening, unnecessary musical numbers or the string of depressing memorials. Worst of all, the telecast didn’t provide viewers with a better understanding of the shows being awarded.
Meanwhile, one of China’s wealthiest citizens wants to spend over $8 billion building a movie metropolis that is meant to rival Hollywood. Some of the film industry’s most most recognized celebrities and important leaders have signed on to help the cause. The only question is… why?
Of course, we also cover the week’s top entertainment news stories including the billion dollar launch of “Grand Theft Auto V”, Britney Spears’ new gig in Las Vegas and why WikiLeaks has taken up film criticism.
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