Showbiz Sandbox 646: A Slimmed Down Sundance Still Shines
January 30, 2024
This year’s Sundance Film Festival reflected the current state of the contracting industry itself, offering fewer films at fewer venues for fewer in-person attendees. Yet, as festivals like Sundance work toward rekindling post-pandemic financial support, this year’s official selections were just as noteworthy as those that have appeared throughout its 40 year history. We’ll give you a rundown of the titles too look out for over the next year and fill you in on all the Sundance winners.
Speaking of winners, this year’s Oscar nominations were announced and they included a few titles from last year’s Sundance and Cannes film festivals. The only thing missing for most were nominations for “Barbie” director Greta Gerwig and its star Margot Robbie.
Of course we also cover the week’s top entertainment headlines including Jon Stewart’s return to “The Daily Show,” the influential music website Pitchfork suffers layoffs and Netflix continues dominate the streaming landscape with a stellar quarterly earnings report.
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Showbiz Sandbox 593: This Year’s Emmy Awards Turns Into A Rerun
September 16, 2022
The 74th Annual Prime Time Emmy Awards were held this week and they managed to honor most of the winners from last year’s ceremony. The same shows, and at times the same actors, continue to top most of the big categories. This begs the perennial question, what is the actual purpose of the Emmy Awards?
Meanwhile, the world’s second largest movie theater chain officially filed for bankruptcy. We discuss what this will mean not only for Cineworld, but also whether the move will affect the industry-at-large.
Of course we also cover the week’s top entertainment headlines including how “CoComelon” is creating video games for toddlers, the Sundance Film Festival names a new head director and a Bollywood movie tops the worldwide box office.
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Showbiz Sandbox 512: Pandemic Drives New York Film Festival to Push Boundaries
September 30, 2020
Over the last twenty years the annual fall film festival circuit has become the unofficial launching pad for movies looking to be seriously considered during awards season. Nobody was certain, however, how such festivals could be held amidst a global pandemic. Especially those whose jobs it is to produce and program such major events.
As the director of the New York Film Festival Eugene Hernandez had to not only watch movies and convince filmmakers to show them, he also had to research digital platforms for a virtual festival and prove to everyone from Disney to Apple that they could trust a new digital platform to do virtual screenings for critics and audiences, all while figuring out a safe way to show movies – at drive ins – and ultimately decide whether the festival should actually happen.
Of course we also cover some of the week’s top entertainment headlines including the Hollywood Reporter and Variety now share owners, which new musical is planning to open on the shuttered West End in London and why CBS is licensing certain shows to Netflix.
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Showbiz Sandbox 511: The Emmys and TIFF Pull Off the Virtual
September 22, 2020
When COVID-19 shut down the worldwide entertainment industry many wondered how it would affect annual events such as awards shows as well as film and music festivals. While the pandemic led to the cancelation of the Cannes Film Festival, the Emmy Awards honoring excellence in television and the Toronto International Film Festival both managed to hold virtual events that were received quite positively.
Anne Thompson, Indiewire’s Editor at Large, has been attending and covering TIFF for decades, though this year she didn’t have to leave her home to do so. She fills us in on what it was like to attend TIFF virtually, what the standout films were, how they will likely get released in theaters and which ones will be up for (a virtual) Oscars next year.
Of course we also cover some of the week’s top entertainment headlines including complete coverage of the Emmy Awards, a new music video for a beloved Louis Armstrong song and Madonna will direct her own biopic.
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Showbiz Sandbox 73: Handicapping This Season’s New TV Shows
September 28, 2010
With the new television season already underway our hosts debate which of the new series will get a full season order from the networks and which won’t make it to October. Will the revival of “Hawaii Five-O” make the cut? What will be the first show to get canceled? Let the arguments begin.
Oliver Stone got passing grades this week with “Wall Street: Money Never Sleeps”. The sequel to his iconic 1987 film topped the box office with just over $19 million. Of course, if Hollywood studios have their way, video-on-demand might start being included in opening weekend numbers. In an effort to supplement sagging DVD sales, the studios are planning to offer movies via premium VOD shortly after their theatrical release. At $25 per film audiences may just be willing to wait a few months.
Meanwhile, shares in Netflix soared when Blockbuster filed for bankruptcy, though the DVD-by-mail powerhouse may be facing some stiff competition as it migrates to a movie streaming business model.
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Showbiz Sandbox 32: Grammys and Spirits and Comcast, Oh My!
December 7, 2009
Rolling Stone contributing editor David Wild joins us this week to talk about the 52nd Annual Grammy nominations, a subject he knows a lot about since he’s one of the writers on the awards show. If music isn’t your thing than maybe independent film is. Eugene Hernandez, editor of indieWIRE drops by to discuss the Spirit Award nominees as well as the official selections of the 2010 Sundance Film Festival.
In other news, Sandra Bullock continues to impress moviegoing audiences in “The Blind Side” which knocked “Twilight Saga: New Moon” out of first place in the North American box office over the weekend. Speaking of “Twilight” who would you like to see direct the fourth installment of the franchise, “Breaking Dawn”? J. Sperling Reich, Michael Giltz and Karen Woodward agree that it’s probably not going to be Tim Burton, Peter Jackson or Quenten Tarantino as Moviefone suggests. But then stranger things have happened. Kind of like Apple buying Lala. What could they possibly be planning to do with the struggling music social network? Read more
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