Showbiz Sandbox 313: Is Kanye West Crazy Like A Fox, or Just Crazy?

Kanye West is making headlines for exhibiting manic behavior around the upcoming release of his latest album, “The Life of Pablo”. Is it erratic behavior or a canny promotional tactic? And is West’s album actually finished, or are the many changes he’s making before its official release all part of an intentional, yet public, artistic process.

In more serious news, music heavyweights are beginning to speak out about the court battle between artist Kesha and music producer Dr. Luke. The musician is attempting to break free of a record contract which ties her to a man Kesha says “sexually, physically, verbally and emotionally” abused her for years.

Meanwhile, we’re going to look at a worldwide box office phenomenon that has set records in the United States and around the world. Not “Deadpool”, but rather China’s “The Mermaid,” which had the highest per screen average of any movie in North America this past week.

Of course we also cover the week’s top entertainment news including the new owner of movie review aggregator Rotten Tomatoes, Amazon’s plans to distribute Woody Allen’s next movie and new rules for the Eurovision song contest.

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Showbiz Sandbox 300: What is GamerGate and Why Should You Care?

South by Southwest (SXSW) set the tech world and media outlets aflame when they recently canceled two panel discussions on harassment in the gaming community scheduled for their 2016 conference. Organizers quickly reversed their decision realizing it sent the unintended message that the of the annual music, film and interactive festival not only tolerates online harassment but condones it.

SXSW officials claimed they were trying to protect attendees from violence threatening the panels from a group aligning themselves with GamerGate, an angry and misogynistic movement focused on sexism and progressivism in video game culture. Trying to define GamerGate is difficult since it has evolved from a debate raging through social media hashtags to real world death threats against prominent women in the video game industry. We’ll try to unravel the meaning of GamerGate and discuss whether SXSW can fully recover from the controversy it stirred up.

Meanwhile, tickets to hot franchise properties are getting hard to come by. When tickets for “Star Wars: The Force Awakens” went on sale recently, web ticketing companies were crippled by demand. The same was true when tickets for the London West End production of “Harry Potter And The Cursed Child” which promptly sold out a year’s worth of performances.

Of course we also cover the week’s top entertainment news including the return of “Gilmore Girls”, Internet music service Pandora settles a copyright dispute to the tune of $90 million and a new Star Trek television series is headed straight to online streaming.

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Showbiz Sandbox 29: Camped Out For “Twilight: New Moon”

There was a debate over titling this week’s episode “The Profanity Podcast “due to some various disagreements and the name of a new sitcom. Intrigued? Read on.

Harry Medved from Fandango.com joins us briefly to talk about next week’s number one movie at the box office, “The Twilight Saga: New Moon.” (Did we get the name right? Can’t we just call it “New Moon” or “Twilight 2”?) Yes, that’s right, we’re prognosticating next week’s number one movie in North America. Hey, when women of all ages are lining up just to catch a glimpse of Robert Pattinson and/or Taylor Lautner at the premiere, you know you might have a hit on your hands.

Speaking of hits, is Twentieth Century Fox taking a huge risk by bankrolling a film based on an unfamiliar story with no Hollywood superstars and a budget approaching $500 million? We’re talking about “Avatar,” and particularly Michael Cieply’s article in the New York Times’ on the film directed by James Cameron. (So, is Cameron himself not a superstar?) John Horn and Claudia Eller from the Los Angeles Times write that the movie’s price tag continues to climbe and that its global marketing campaign could cost as much as $150 million, “Avatar” won’t have to do “Titanic” business to make money, but it will have to fill auditoriums around the world for weeks to become profitable. Continue reading Showbiz Sandbox 29: Camped Out For “Twilight: New Moon”

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