Showbiz Sandbox 63: Mel Gibson Wishes It Were All A Dream

Christopher Nolan’s highly anticipated film “Inception” jumped to the top of the North American box office upon release. The follow-up to the director’s blockbuster “The Dark Knight” has some critics buzzing about a Best Picture Oscar nomination.

Academy Award nominations are the least of Mel Gibson’s problems. After being caught on tape screaming obscenities and death threats at his ex-girlfriend, the actor and filmmaker should be happy if his next film,“The Beaver”, simply makes it into theaters.

A number of important court decisions were handed down this past week having to do with First Amendment rights. These include a ruling about “fleeting epithets” and whether broadcasters can be fined for airing them. An appeals court told the Federal Communications Commission their definition of “indecency” was too vague and may encroach on the freedom of speech.

We go over all the week’s top entertainment headlines during Big Deal or Big Whoop, including why the R.I.A.A. has spent $17 million suing music fans only to collect $391k, whether Tom Cruise will be cast in “Mission Impossible IV” and e-book sales outpacing those of real books on Amazon. Read more

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Showbiz Sandbox 62: The Secret Behind Hollywood’s Accounting Practices

How is it the last Harry Potter film can gross $938 million but still lose $130 million? Journalist and author Edward Jay Epstein joins us to unravel some of Hollywood’s quirky accounting practices. He’s written two books on the subject; The Hollywood Economist: The Hidden Financial Reality Behind the Movies and The Big Picture: Money and Power in Hollywood.

“Despicable Me” topped the box office though the amount it took in from 3D screens was rather low. Could audiences be tiring of paying exorbitant 3D ticket prices? Meanwhile, Miramax finally seems to have found a buyer and Lions Gate is trying to make piece with activist investor Carl Icahn.

The Emmy nominations were announced last week and we’ll fill you in on whose up for the television’s big awards. Over in the world of music Pollstar announced that concert ticket sales are down 15% for the first half of the year.

During our Big Deal or Big Whoop segment we race through a number of top entertainment headlines, including Roman Polanski’s release, Lindsay Lohan’s jail time and Mel Gibson getting dumped by his agency. Maybe Gibson can find some work on YouTube, which plans to offer $5 million in grants to select content partners.

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Showbiz Sandbox 61: Andrew Garfield Fills Spider-Man’s Reboots

That “Twilight Saga: Eclipse: wound up at the top of the box office over the Fourth of July holiday weekend with $280 million worldwide was not a big shock, however the casting of Andrew Garfield to play Spider-Man in the next installment of the franchise came as a surprise. Entertainment journalist Michael Giltz has been following the 26-year-old actor for several years, but the selection of the unknown had most industry insiders searching for his resume.

In all likelihood the next “Spider-Man” film will be shot in 3D though the format is not a guarantee of box office gold. Just ask M. Night Shyamalan whose “Last Airbender” had a disappointing opening despite being converted to 3D in post-production. Film critic Roger Ebert was not alone in trashing the film.

This week also saw Larry King announce his retirement from the nightly talk show he’s hosted on CNN for 25 years. King’s program has been slipping in ratings recently, as have late night talkers hosted by Jay Leno and David Letterman. But viewership continues to grow on cable television, not to mention on Hulu which will begin offering monthly subscriptions for expanded content offerings.

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Showbiz Sandbox 51: Ridley Scott Believes 3D Is An “Alien” Concept

Hollywood just won’t stop talking about 3D movies, so unfortunately we can’t either. It’s hard to argue against 3D when films like “How To Train Your Dragon” keep coming in first at the box office, even after five weeks in theaters. With the announcement that “The Green Hornet” and “The Last Airbender” will be converted to 3D the debate has turned to whether it’s better to shoot natively in 3D, or add it in post-production.

Filmmaker Ridley Scott won’t have to find out when he makes not one, but two prequels to his blockbuster “Alien” since he’ll be shooting them in 3D. Disney’s head honcho, Rich Ross, also announced a couple of upcoming releases when he finally met the press last week. We’ll be getting a sequel to “Monsters, Inc.” and a “Winnie the Pooh” movie, along with a few other family friendly flicks.

If 3D films don’t excite you, then the upcoming television season may not either. We review a number of pilots that are in the works, most of which seem derivative. In fact, some of them, like “Rockford Files” and “Hawaii 5-0″ are simply rehashes of previous hit shows.  Read more

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Showbiz Sandbox 50: Coachella Gets Its Crowd On

This year’s Coachella Music and Arts Festival was hot, sweaty and packed with great music from more than 120 bands. Though an Icelandic volcano prevented some bands from traveling to Coachella this past weekend, a record setting sold out crowd of 75,000 attended the festival in the Southern California desert. Among them were Todd Martens, the co-editor of the Los Angeles Times Pop & Hiss blog and Lauren Bradshaw, the co-editor of BuzzSugar (not to mention our very own J. Sperling Reich). They stop by to fill us in on which musical acts were worth catching and which should have stayed home.

Meanwhile the superhero comedy “Kick-Ass” opened in movie theaters last Friday, however the film did not live up to it’s name. It barely squeaked into first place over the animated 3D film, “How To Train Your Dragon”. But is “Kick-Ass” really a flop, or have we become jaded when it comes to box office analysis?

As summer draws near, so too does the end of the television season. Which shows will stick around until next fall and which will be looking at the wrong end of the network’s ax? We’ll go over all the shows which are “on the bubble”.  Read more

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Showbiz Sandbox 44: And The (Six) Oscars Go To… “Hurt Locker”

The ballots have been counted, the envelopes have been opened and the nominees have undoubtedly returned their ball gowns and tuxes. Finally, after all the news coverage and public speculation about who would this year’s Oscars, the Academy of Motion Picture Arts and Sciences put us out of our misery on Sunday during their annual awards ceremony. The proceedings lasted more than three hours as usual and provided very few surprises.

Katheryn Bigelow made history by being the first woman to win the Best Director Oscar for “The Hurt Locker”, which won six awards in total including Best Screenplay and Best Picture. Jim Cameron’s “Avatar” won three technical awards for art direction, cinematography and visual effects. One of the night’s biggest surprises was when Geoffrey Fletcher walked off with the Best Adapted Screenplay Oscar for “Precious”, upsetting Jason Reitman’s “Up In The Air”.

As we predicted on last week’s episode, Jeff Bridges won Best Actor for “Crazy Heart”, Sandra Bullock won Best Actress for “The Blind Side”, Mo’Nique won Best Supporting Actress for “Precious” and Christolph Waltz won Best Supporting Actor for “Inglorious Basterds”. Damien Bona, co-author of the book Inside Oscar, stops by to help us analyze this year’s Oscar results. Read more

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Showbiz Sandbox 41: Live Nation Becomes The Master Of Tickets

We swear we’re trying not to talk so much about Avatar, and although this seemed like a good week to skip the Ava-chat (congrats “Dear John!”), alas, the news cycle had other ideas.

But wait! There was also some important television news! Namely, the Super Bowl, which drew an average of 106.5 million people, just edging out “MASH’s” 106 million people in 1983. And football fans didn’t just watch the Saints win; they also watched the ads (which are sometimes the best part of the Super Bowl). This year’s favorite seems to be the Leno-Oprah-Letterman ad, but you be the judge. Where was Conan? Probably negotiating with Fox? It certainly seems like Rupert Murdoch plans on playing hardball with Team Coco (whenever he’s not unofficially greenlighting “Avatar 2”).

A company that doesn’t appear to be negotiating is Hulu, or is it NBC? During a Congressional hearing last week to investigate Comcast’s proposed acquisition of NBC, a representative asked NBC Universal CEO Jeff Zucker, “What about Boxee?” Read more

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Showbiz Sandbox 30: “Modern Warfare” Stuns Hollywood

As predicted, the teen vampire romance “The Twilight Saga: New Moon” opened this week and earned record breaking box office. The second installment of the “Twilight” franchise made $140 million in North America, making it one of the largest openings in history. The film did manage to break the record for highest grossing midnight screening when it opened Friday morning. What might be more amazing is that the Sandra Bullock vehicle “The Blind Side” came in second with an impressive $34 million. Opening so strongly against a powerhouse tent pole like “Twilight” makes Bullock one of the more bankable stars in Hollywood these days.

Of course, even “Twilight’s” $258 million worldwide opening pales in comparison to what the new video game “Call of Duty: Modern Warfare 2″ raked in during its first five days in stores. Ben Fritz an entertainment business reporter for the Los Angeles Times joins us to talk about the wild success of the video game. Actually, calling it a video game is almost an insult – it’s more like an interactive action movie, and one that made $550 million within five days of its November 19th launch.

Fritz is a prolific journalist who this past week wrote tons of stories for the L.A. Times Company Town column and blog. One such story was on the controversy over the Academy Awards’ Documentary short list. Read more

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Showbiz Sandbox 27: That’s It For “This Is It”

This week we begin with Michael Giltz and Karen Woodward disagreeing over “This Is It,” the Michael Jackson documentary/concert film/eulogy. Is the film recommendable? Not according to the box office numbers, where the film brought in a disappointing $23 million. But since the film made $103 million worldwide J. Sperling Reich wanted to serve Michael some crow pie.

If you don’t want to see “This Is It,” maybe you’ll see “Avatar”? The second trailer for the highly anticipated film was released this week, after the first one bombed. The new trailer looks like this movie is actually about something. How about “Precious”? Sperling and Michael disagree over whether this movie is a heart tugging Oscar winner or shallow drivel.

Speaking of shallow, did Jeffrey Katzenberg really add anything new to the future of entertainment conversation in his recent Business Week interview? Seems more like a politician staying message then a mogul adding to the dialogue. Read more

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Showbiz Sandbox 26: Hollywood Struggles With New Business Models

Freelance entertainment journalist Todd Gilchrist joins us this week to talk about movies, music, and journalism. (But he recused himself from discussing TV because he doesn’t watch a lot of it. [gasp!]) Fine. We’ll start with movies then.

“Paranormal Activity” took over the box office this week. The film has been so well received that Paramount, which distributed the film, may produce a sequel. If a film is this successful, is a studio almost obligated to make a sequel? (And will it be as bad as “Blair Witch 2: Book of Shadows”?)

In other news involving Paramount , the studio has angered members of the National Association of Theatre Owners by releasing “G.I. Joe: The Rise of Cobra” on DVD only 88 days after its theatrical run. It also set the Jeremy Piven comedy “The Goods: Live Hard, Sell Hard” for DVD-rental release 88 days from its theatrical bow, not that anyone wants to see it. “We don’t know what Paramount is up to,” NATO president John Fithian said. “But it’s highly objectionable.”  Read more

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