Showbiz Sandbox 609: Consumers Are Spending A Fortune on Home Entertainment
February 28, 2023
According to Digital Entertainment Group, consumers in North America spent $37 billion on home entertainment in 2022. That includes not only spending on streaming services, but also DVD, Blu-ray and digital sales. Not to mention physical and digital rentals. And none of these figures includes spending on cable television.
Meanwhile, awards season is in full swing with the SAG Awards, PGA Awards, Annies and the Cesars all being handed out over the past week. We’ll give you the quick summary and what it all means for the Oscars.
Of course we also cover the week’s top entertainment headlines including how Warner Bros. Discovery and Paramout are in a dispute over “South Park,” Stephen Fry will host “Jeopardy” in the United Kingdom and new “Lord of the Rings” movies are in the works.
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Showbiz Sandbox 589: Should Music Be Produced and Sold Like Fine Art?
July 20, 2022
In an effort to make music valuable again, producer T Bone Burnett is getting behind a technology that allowed him and Bob Dylan to create a one-off re-recording of “Blowin’ In The Wind” and then auction it off for $1.8 million. But can recordings be treated the same way as paintings are in the art world? If musicians limit the reproduction of their work will it really become more valuable?
Meanwhile the Emmy Award nominations were announced last week with hit series from HBO and HBO Max helping the network garner 140 nods. Netflix made history with “Squid Game” becoming the first non-English language show to be nominated for Best Drama Series.
Of course we also cover the week’s top entertainment headlines including why comedian Lewis Black is suing Pandora, the reason Shawn Mendes is pausing his world tour and how Iran is jailing its leading film directors.
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Showbiz Sandbox 516: What Went Wrong With Quibi
October 27, 2020
Quibi, the bite-sized content platform founded by media mogul Jeffrey Katzenberg and business leader Meg Whitman, has been mocked since it was first announced. Now after six months and $2 billion, Quibi is kaput. Unable to find an audience, and despite a fruitless attempt to find a buyer, Quibi is officially shutting down.
The company insists people were gunning for them from the start, but the simple truth is that Quibi always seemed like a solution in search of a problem. Besides, however good the content may have been, it was going to be very hard to convince people to plunk down $5 a month just to watch random videos while commuting.
Of course we also cover some of the week’s top entertainment headlines including Netflix misses its third quarter subscriber goal, television ratings for live sports events plummets and box office continues to soar in China and Japan.
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Showbiz Sandbox 513: How Can Movie Theaters Survive Without Movies?
October 6, 2020
Studios are pushing movie releases into 2021, with the latest James Bond thriller abandoning it’s scheduled November date in cinemas. Now major theater chains are shutting their doors once again. We’re joined by Patrick von Sychowski, the editor of Celluloid Junkie, to help us break down the present and predict the future of the cinema industry.
Meanwhile in China, movie theaters are not only open, they are bringing in big audiences who are off work during the country’s Golden Week. More than two films earned over $100 million at the Chinese box office this past week, proving cinemas can reboot after a coronavirus shutdown.
Of course we also cover some of the week’s top entertainment headlines including new charges against disgraced movie mogul Harvey Weinstein, some good news for junior players at United Talent Agency and some bad news for 28,000 former Disney employees.
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Showbiz Sandbox 455: The Business of Television Is Changing
July 15, 2019
It turns out members of the Writers Guild aren’t the only ones who want to overhaul the way television gets produced and paid for. Discovery Networks wishes to change how reality shows are funded in the United States, asking producers to foot the bill, rather than fund episodes up front. This is the same model employed in the European Union, however on that continent the producers maintain ownership of the content.
In another seismic shift, Disney TV Studios and Warner Bros. are letting the industry know that they want to change the way everyone working a television show gets compensated. Rather than the standard back-end profit participation model, the studios would pay one larger lump sum at the time of production for any of their broadcast, cable or streaming series.
Meanwhile, we’re learning that the reason censorship has grown tighter in China is thanks to the establishment of the new Central Propaganda Department. Perhaps those now in charge of monitoring the content of movies being distributed in the Middle Kingdom are still learning how spot objectionable content at the script stage.
Of course we also cover the week’s top entertainment headlines including a slump in the live music business, Nicki Minaj pulls out of a concert in Saudi Arabia and Netflix preps its most expensive movie to-date.
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Showbiz Sandbox 411: Everybody Has An Excuse For Lackluster “Solo”
May 28, 2018
On paper Han Solo seemed like the most obvious character for which to pursue a standalone Star Wars spinoff, however the resulting movie, “Solo,” opened to less than stellar numbers. What’s worse, the movie didn’t fly internationally either. Whether it was the film’s highly publicized production troubles or a case of franchise fatigue, everyone involved will be able to point the finger at someone else for the end result.
Meanwhile, just as Disney begins reexamining how many Star Wars films they should release in a single year, they may have to revise their offer for Twentieth Century Fox. Comcast came along last week and beat Disney’s purchase price, upping the ante to $60 billion in what would be an all-cash deal.
Production coordinators aren’t asking for that kind of money, but they are asking to be unionized. Such a move might help those who are employed in what has become an essential position on any film or television crew from having to renegotiate their fees on every new production.
Of course we also cover the week’s top entertainment news including a K-Pop band tops the billboard charts, Harvey Weinstein is charged with sexual assault and James Bond heads to Universal Pictures.
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Showbiz Sandbox 375: The Seedy Side of Show Business is Revealed in “Walking Dead” Lawsuit
July 30, 2017
Six years after AMC fired Frank Darabont from “The Walking Dead,” the hit TV series he created and oversaw, details about why he was axed are emerging during a lawsuit filed by the filmmaker over profit participation. Citing unprofessional and erratic behavior AMC provided profanity filled emails Darabont sent to producers and executives during his tenure as showrunner. This has lead to many in Hollywood asking whether Darabont’s behavior was out of line or if he was simply trying to defend his show?
The lawsuit itself hinges on Darabont’s deal and whether the revenue AMC earns from “The Walking Dead” is significantly lower because the network is making deals with itself at a significantly reduced cost per episode. This is not the first self-dealing lawsuit to be filed by a creative in Hollywood, but given the $280 million being sought, its outcome could affect how the business operates in the future.
Meanwhile, under pressure from the Chinese government, the Dalian Wanda Group says it will no longer seek to acquire international entertainment properties, causing AMC Theatres, one of its own subsidiaries, to publicly distance itself, and leaving Hollywood wondering if funding from China might be drying up.
Of course, we also cover the week’s top entertainment news including how Amazon will start to distribute its own movies theatrically, Hulu gets nostalgic and Daniel Craig is set to return as James Bond in the next 007 movie.
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Showbiz Sandbox 368: Virtual Reality is a Big Winner at the Cannes Film Festival
May 29, 2017
This year’s Cannes Film Festival came to an end over the weekend with the Palm d’Or being awarded to “The Square”, a comedy with socio-political overtones directed by Sweden’s Ruben Östlund. Sofia Coppola won the award for Best Director for “The Beguiled”, only the second time in the festival’s 70-year-history the prize went to a woman.
Though critics found the films selected by Cannes programmers to be underwhelming this year, there was unanimous praise for a virtual reality project created by director Alejandro González Iñárritu which was installed at the festival. We’ll take you inside the unique VR experience and tell you why the fuss being made over it is legitimate.
Meanwhile, this year’s upfronts were held over the past two weeks giving us a pretty good picture about the state of modern television. Here’s the question, if we are presently in the era of peak TV, how come all the new shows networks are trotting out seem so boring.
Of course, we also cover the week’s top entertainment news including the controversy over a women-only screening of “Wonder Woman,” Katy Perry signs on to judge the “American Idol” reboot and Steven Soderbergh returns to the directing movies… as we predicted.
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Showbiz Sandbox 323: Trends From the 2016 TV Upfronts
May 30, 2016
Each May all the U.S. television networks invite major advertisers and the media to New York so they can pitch all of the new and returning shows on their fall schedules. Known as the upfronts, a good chunk of the prime time advertising inventory is sold during these meetings as promotional buzz about each series commences in earnest. We’ll take a closer look at some of the big trends coming out of this year’s upfronts.
Meanwhile, a much beloved series might be starting a trend of its own by increasing viewership in its 12th season. Usually long-running shows lose audience in their latter years, however “Grey’s Anatomy” is the perfect example of how new technology can boost viewership.
Viacom and CBS are likely to have kept a close eye on the recently completed upfronts, given their dominance in television. CBS was originally a Viacom property, but was spun-off more than a decade ago. Now, amidst leadership turmoil at Viacom, there is speculation the two companies may merge, once more becoming a single entity.
Of course we also cover the week’s top entertainment news including why U.S. presidential candidate Bernie Sanders is criticizing Disney, Spotify’s big success in helping subscribers find new music and why the next James Bond film is in search of a director.
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Showbiz Sandbox 319: The Changing Tide of Music Distribution
April 25, 2016
Almost three years after Beyoncé made a big splash by releasing a secret album via iTunes, the pop star has snuck up the world once again with her latest work, a video album called “Lemonade”. This time however Beyoncé was strategic in how she distributed her album, premiering it with an HBO special, then exclusively to the streaming music service Tidal, before ultimately turning back to iTunes. More and more, big name acts are controlling how and to whom their music gets distributed.
Multi-genre musician Prince was way ahead of his time when it came to controlling how his music reaches the world. The legendary artist died suddenly last week leaving behind a lifetime of work a great deal of which was never released. We discuss the many fascinating ways the unexpected death of Prince was covered by the media and his sometimes unique distribution methods.
We’ll also take a look at the introduction of a new cinematic camera that has the potential to revolutionize filming and post-production by allowing to filmmakers “to effectively capture the color, direction and placement of every ray of light”.
Of course we also cover the week’s top entertainment news including some behind the scenes drama at the morning talk shows, why China shut down some of the Apple iTunes stores and how Hollywood is making its way to West Africa.
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