Showbiz Sandbox 516: What Went Wrong With Quibi
October 27, 2020
Quibi, the bite-sized content platform founded by media mogul Jeffrey Katzenberg and business leader Meg Whitman, has been mocked since it was first announced. Now after six months and $2 billion, Quibi is kaput. Unable to find an audience, and despite a fruitless attempt to find a buyer, Quibi is officially shutting down.
The company insists people were gunning for them from the start, but the simple truth is that Quibi always seemed like a solution in search of a problem. Besides, however good the content may have been, it was going to be very hard to convince people to plunk down $5 a month just to watch random videos while commuting.
Of course we also cover some of the week’s top entertainment headlines including Netflix misses its third quarter subscriber goal, television ratings for live sports events plummets and box office continues to soar in China and Japan.
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Showbiz Sandbox 476: Four Movies Top This Years Oscar Nominations
January 14, 2020
When the nominations for the 92nd Annual Academy Awards were announced on Monday morning, for the first time in history four films wound up earning ten or more nods; “1917,” “The Irishman,” “Joker,” and “Once Upon a Time… in Hollywood.” While the media will focus on who was snubbed or the lack of diversity among nominees, the real story is just how wide open this year’s highly competitive Oscar race truly is.
Will this be the year that Netflix wins a Best Picture trophy? They wound up earning more total nominations than any other studio (or streamer). As well, a record 62 women received nominations, though filmmaker Greta Gerwig was overlooked as a director for “Little Women”.
Meanwhile, as CES wrapped up in Las Vegas last week a new standard could make televisions a lot friendlier when it comes to showing movies. And Jeffrey Katzenberg showed up to tout his new short-form video streaming service.
Of course we also cover the week’s top entertainment headlines including “Hamilton” closes in Chicago after earning $400 million, some drama in the romance literary world and streaming music hits an all time high.
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Showbiz Sandbox 452: The Tony Awards Go To Hell
June 10, 2019
The 2018-19 Broadway season was a banner year as the Great White Way broke box office and attendance records, earning $1.89 billion from an attendance of 14.8 million patrons. The Tony Awards were handed out to the season’s best productions and performances as “Hadestown,” a musical about Hell, took home eight prizes including Best Musical and “The Ferryman” won four trophies including Best Play.
During this episode we take a different approach to reporting box office; rather than report which movie topped the worldwide charts, we look which title earned the most money over the past week. Why only count Friday through Sunday, when there are four may days to every week in which people are seeing movies.
We are also joined by Patrick von Sychowski, the editor of Celluloid Junkie, who tells us how he put together an exclusive story of how Chinese authorities spent three years tracking and shutting down one of the largest movie piracy rings of all time. After uncovering piracy being done on an industrial scale, the question remains, could it happen again.
Of course we also cover the week’s top entertainment headlines including why Netflix was told to stop poaching employees from its competitors, YouTube starts pulling hateful content off its platform and Entertainment Weekly magazine goes monthly.
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Showbiz Sandbox 427: Debating This Year’s Rock & Roll Hall of Fame Nominees
October 15, 2018
The Rock & Roll Hall of Fame in Cleveland, Ohio announced next year’s nominees for induction into it’s prestigious institution, setting off the annual bickering over who should or shouldn’t get in. Is the British heavy metal band Def Leppard more deserving than the gothic rock darlings The Cure? Bands such as Roxy Music and Radiohead with their lengthy history seem like no-brainers, but what about popular acts like Rage Against the Machine who only ever released four albums? We take an educated and opinionated guess on which nominees we think should make the cut.
In China, box office began to slow down considerably in August for the same reason grosses decline in other parts of the world; a lack of hit movies. It doesn’t help that subsidies from online ticketing platforms are now being blocked by the government, as is the practice of distributors buying bulk tickets to their own films to boost box office.
Meanwhile, the rush by every media company on the planet to launch their own streaming platform has created an environment where consumers might begin to push back against having to pay for so many subscription services. WarnerMedia is the latest to announce plans for a streaming play.
Of course we also cover the week’s top entertainment headlines including the nominees for the National Book Award, guitarist Lindsey Buckingham sues Fleetwood Mac and a new television series will depict the formation hip hop legends Wu Tang Clan.
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Showbiz Sandbox 418: Fighting For Control of His Company, CBS Head Les Moonves Is Now Fighting to Keep His Job
July 30, 2018
The challenge for CBS of fending off an unwanted merger with its parent company, Viacom, was made all the more difficult last week when the New Yorker published a story in which the broadcaster’s longtime CEO, Les Moonves, was accused of sexual misconduct by six women. The company now has to determine how to handle the allegations not only of Moonves, an influential executive who is credited with CBS’s success, but also the claim that a culture of sexual harassment exists throughout the organization.
Speaking of companies that are having chaotic weeks, MoviePass seems to be on the brink of collapse (i.e. bankruptcy). Apparently they ran out of money, borrowed $5 million to keep the lights on, changed their rules again and decided pretty much no one gets to see “Mission Impossible”.
The turmoil for some entertainment and tech companies extends beyond their own walls all the way to Wall Street where stock prices have become volatile and seem to defy any sense of logic. Shares of companies with solid profits have plumeted, while at the same time the prices for those losing money, like Spotify, have risen.
Of course we also cover the week’s top entertainment news including producer Kenya Barris’ nine-figure deal with Netflix, Jeffrey Katzenberg raises $1 billion for a new entertainment venture and “Hamilton” may soon be headed into movie theaters, but not how you might expect.
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Showbiz Sandbox 373: Is the Academy’s Diversity Fix Misguided?
July 3, 2017
After a controversy that faulted the Academy of Motion Picture Arts and Sciences for being too white, too male and too old, the organization has made great strides to broaden the diversity of its membership over the past two years. During that time the Academy invited over 1,450 new members to join its hallowed ranks, many of whom were women and people of color. Yet there are now grumblings that in the rush to bring in fresh blood the Academy may have lowered its standards for membership.
Major Hollywood studios are less concerned with the Academy’s membership than they are with whether Chinese exhibitors are reporting box office correctly. The MPAA and U.S. trade organizations have forced the Chinese government to let an international firm audit ticket sales for imported films at cinemas throughout the country.
We also review a listener email which goes to great lengths in explaining why satellite radio giant SiriusXM would want to purchase a stake in the online radio streaming service Pandora. The deal is setting up a senior management showdown over the digital music pioneer’s future business model.
Of course, we also cover the week’s top entertainment news including why Adele is canceling the final two shows of her tour at Wembley, how Sony plans on pressing vinyl records again after nearly 30 years and Oscar winning actress Olivia de Havilland lets FX know she doesn’t appreciate being portrayed in “Feud” by filing a lawsuit.
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Showbiz Sandbox 353: Streaming Giants Raise Ante at Sundance Film Festival
January 30, 2017
As if it wasn’t difficult enough for distributors to find a commercial title amidst the hundreds of films premiering at the Sundance Film Festival each January, video streaming companies such as Netflix and Amazon have entered the bidding causing acquisitions prices to rise for the entire market. Anne Thompson, Indiewire’s editor-at-large, has just returned from Sundance where she reports most of the films were good, though maybe not good enough to win any Oscars in 2018.
As for this year’s Oscars, the frontrunners became a little more clear with the Producers Guild and Screen Actors Guild handing out their awards over the weekend. “Hidden Figures” surprised many by taking home the SAG Award for Outstanding Performance by a Cast in a Motion Picture during a politically charged ceremony.
Speaking of industry unions, the Directors Guild of America has signed a new contract with producers that gives its members significant raises in subscription video-on-demand residuals. This is welcome news for directors who missed out on sharing in DVD and Blu-ray revenue over the past decade.
Of course, we also cover the week’s top entertainment news stories including the launch of a brand new vinyl record factory, Jeffrey Katzenberg’s new venture and streaming music company Tidal finds a new investor.
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Showbiz Sandbox 338: CBS and Viacom May Wind Up Together After All
October 4, 2016
After originally splitting 10 years ago, Viacom and CBS may once again become a single organization. While a merger may help save Viacom, it doesn’t necessarily benefit the cash rich CBS. Even so, since the Redstone family owns the controlling share of both companies, it seems inevitable the two will once again be joined whether they like it or not.
Meanwhile the Federal Communications Commission has paused its attempt to wrestle the control of television set-top boxes away from cable providers, delaying a vote in order to clarify some of the rules included in the proposed legislation. That means consumers in the United States will still spend $20 billion for at least the next two years renting cable boxes.
At the box office, “Miss Peregrine’s Home for Peculiar Children” helped reverse the fortunes of Tim Burton’s latest films and even “Deepwater Horizon” may be not be the disaster some had predicted.
Of course we also cover the week’s top entertainment news including why NBC is dumping its “Mail Order Bride”, Disney plans on making a live-action version of “The Lion King” and a huge chunk of Rolling Stone magazine gets sold off.
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Showbiz Sandbox 333: Predicting The Biggest Box Office Flops of 2016
August 31, 2016
Much has been made about the decline in box office this summer, with franchise sequels underperforming and certain pricey movies failing to attract an audience. Kevin Lincoln, a senior editor at New York Magazine and Vulture, takes a look at this summer’s biggest flops and predicts which mega-budget releases might suffer a similar fate as we round out the year.
In China it might be more difficult to know which movies are box office disappointments or crowd favorites since online and mobile ticketing companies have been offering hefty subsidies to cinemagoers in their heated battle for market share. This means the gross of any release is almost always higher than what moviegoers actually paid to see it.
We’ll also dip back into audience figures from the recently completed Summer Olympics in Rio. This time however we have some data about viewership in Europe, Canada and elsewhere. To nobody’s surprise, more people streamed coverage online than ever before.
Of course we also cover the week’s top entertainment news including how Netflix international subscribers will soon outnumber those in the United States, a changing of the guard at Twentieth Century Fox gets expedited and the late Prince’s home and music studio is set to become a museum.
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Showbiz Sandbox 320: Is Comcast the New Disney?
May 2, 2016
Comcast announced last week that it would acquire Dreamworks Animation for $3.8 billion, taking another step toward transforming themselves from a cable giant into a full fledged media conglomerate. Meg James, a corporate media reporter for the Los Angeles Times, join us to discuss how, though the deal may not have been anticipated, it makes a lot of sense for both companies.
The purchase is the most recent in a string of acquisitions that have closely mirrored the strategy Disney has executed over the past decade as they gobbled up companies such as Pixar, Marvel and Lucasfilm. Comcast has proven quite adept at turning undervalued assets such as NBCUniversal and Universal Studios theme parks into profitable entities.
Meanwhile, as the Tony Awards season officially kicks off, Broadway is suffering from what is being referred to as The Hamilton Effect. This is a condition in which you open a musical that blends hip-hop and history in a way that not only makes the show a cultural phenomenon, but the inevitable winner of this year’s much coveted Best Musical Tony.
Of course we also cover the week’s top entertainment news including the Daytime Emmy winners, why Fox is pulling out of this year’s Comic-Con convention and how French law enforcement is preparing for the Cannes Film Festival.
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