Showbiz Sandbox 611: This Year’s Oscars Were Everything Everyone Could Have Asked For
March 15, 2023
As everyone expected, the big winner at this year’s Oscars was “Everyone Everywhere All At Once,” taking home seven of the 11 awards it was nominated for. Anne Thompson of Indiewire was at the ceremony and joins us to give us the scoop on what happened behind the scenes at this year’s Academy Awards, including two extended moments of “integrated marketing.”
Meanwhile, in the United Kingdom the BBC stirred up some controversy when they suspended popular sports commentator Gary Lineker for expressing political opinions via his personal social media account. The fallout has been epic, with essentially every sports broadcaster, commentator and soccer player boycotting the BBC.
Of course we also cover the week’s top entertainment headlines including two new milestones in the music industry, J.J. Abrams gets into live theater and Disney says its theme parks are too expensive.
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Showbiz Sandbox 593: This Year’s Emmy Awards Turns Into A Rerun
September 16, 2022
The 74th Annual Prime Time Emmy Awards were held this week and they managed to honor most of the winners from last year’s ceremony. The same shows, and at times the same actors, continue to top most of the big categories. This begs the perennial question, what is the actual purpose of the Emmy Awards?
Meanwhile, the world’s second largest movie theater chain officially filed for bankruptcy. We discuss what this will mean not only for Cineworld, but also whether the move will affect the industry-at-large.
Of course we also cover the week’s top entertainment headlines including how “CoComelon” is creating video games for toddlers, the Sundance Film Festival names a new head director and a Bollywood movie tops the worldwide box office.
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Showbiz Sandbox 580: Warner Bros. Enters Its Discovery Phase
April 12, 2022
Last week Discovery closed its $43 billion deal to acquire WarnerMedia from telecom giant AT&T. Discovery topper David Zaslav immediately installed his own executive team to run Warner Bros. Discovery forcing the existing management team to head for the door. We discuss the fallout from the merger and the what the future may look like for the combined company.
One of the exiting executives was WarnerMedia CEO Jason Kilar whose infamous Project Popcorn opened all 18 Warner Bros. theatrical releases throughout 2021 day-and-date with HBO Max. Kilar claims the controversial distribution strategy was a success, but if that’s true, then why did Warner Bros. discontinue it?
Of course we also cover the week’s top entertainment headlines including the big winners at the Olivier Awards, “Dancing with the Stars” moves to Disney+ and members of the original Grateful Dead rock band will stop touring after five decades.
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Showbiz Sandbox 542: TV Networks Are Upfront About Streaming Plans
May 25, 2021
Last week all the big television networks in the United States went through the old fashioned ritual of inviting advertisers to big presentations of their fall programming. Besides being virtual a lot has changed for the networks, including primetime scheduling, which is now an afterthought. Instead they emphasized streaming and the range of content available through numerous platforms including network, broadcast and their new subscription services.
Meanwhile, the global box office is revving its engines with “F9” opening to huge numbers internationally, pushing the “Fast & Furious” franchise over the $6 billion mark. Movie theaters in Europe are reopening just in time to show the movie.
Of course we also cover some of the week’s top entertainment headlines including why Amazon may purchase MGM, this year’s Eurovision contest and the return of music festivals.
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Showbiz Sandbox 511: The Emmys and TIFF Pull Off the Virtual
September 22, 2020
When COVID-19 shut down the worldwide entertainment industry many wondered how it would affect annual events such as awards shows as well as film and music festivals. While the pandemic led to the cancelation of the Cannes Film Festival, the Emmy Awards honoring excellence in television and the Toronto International Film Festival both managed to hold virtual events that were received quite positively.
Anne Thompson, Indiewire’s Editor at Large, has been attending and covering TIFF for decades, though this year she didn’t have to leave her home to do so. She fills us in on what it was like to attend TIFF virtually, what the standout films were, how they will likely get released in theaters and which ones will be up for (a virtual) Oscars next year.
Of course we also cover some of the week’s top entertainment headlines including complete coverage of the Emmy Awards, a new music video for a beloved Louis Armstrong song and Madonna will direct her own biopic.
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Showbiz Sandbox 402: How the 90th Annual Oscars Took Shape
March 5, 2018
The 90th Academy Awards went down pretty much as everyone expected it would. After a lengthy awards season there were few surprises over who would go home with Oscars. There were no upsets (or mistakes) when it came time to announce Best Picture, as Guillermo del Toro’s “The Shape of Water” won the honor.
During a year which saw the rise of the #MeeToo movement, the vociferous calls from the Oscar stage for gender inclusion and racial diversity within the motion picture industry were also highly anticipated. Anne Thompson, Indiewire’s editor-at-large, was backstage during the ceremony and she joins us to share her insights about.
Meanwhile, though Comcast may have been turned down by 20th Century Fox, the cable giant hasn’t given up on growing its conglomerate through acquisitions. Last week they made a $31 billion offer to buy Europe’s Sky Broadcasting, something Fox has been struggling to do for some time now.
Of course we also cover the week’s top entertainment news including how Spotify is finally going public, the Swiss back public broadcasting and why YouTube is punishing a prominent conservative conspiracy theorist.
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Showbiz Sandbox 358: The Skinny on YouTube’s New Live TV Service
March 6, 2017
With YouTube becoming the latest player to offer an over-the-top subscription streaming service it’s safe to say the the skinny television bundle has officially arrived. For $35 per month, subscribers can now get 40 channels of live TV including major networks and ESPN. YouTube TV also has a virtual DVR with no recording limits.
YouTube is entering an increasingly crowded market with competitors such as Dish Network’s Sling TV, AT&T’s DirecTV Now, Hulu and many others. But YouTube may have an advantage thanks to some powerful artificial intelligence that has helped increase worldwide viewing to over one billion hours per day, nearly as much as traditional television in the United States.
Now normally, two weeks after the Academy Awards we’d already be struggling to remember who won Best Score. But thanks to the most notorious screwup in Oscar history, we’re still talking about the broadcast and its fallout. We’ll explain why.
Of course, we also cover the week’s top entertainment news stories including the absurd controversy over Disney’s first gay character, Harry Potter tops the Olivier Awards with a record 11 nominations and Spotify reaches the 50 million subscriber mark.
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Showbiz Sandbox 357: Oscars Can’t Win For Losing This Year
February 27, 2017
In a moment that will be discussed for years to come, this year’s Academy Awards ended with the wrong film being announced as the Best Picture winner. Ultimately it wasn’t “La La Land” that took home the prize as many predicted, but rather the socially conscious, racially diverse indie film “Moonlight” that won the award. Anne Thompson, Indiewire’s editor at large, tells us that by choosing “Moonlight” for its top award the Academy was making a statement about who they want to be as an industry.
Thompson also brings us backstage at this year’s Oscars, walking us through how such a huge mistake could actually happen, and what it was like in the press room when the error became apparent. Naturally, we touch on the some of this year’s Oscar winners as well.
Meanwhile, the way movies get distributed continues to be a contentious topic in Hollywood, with studios and cinema owners reportedly in negotiations on an agreement that might see new releases available for home viewing in as little as two weeks.
Of course, we also cover the week’s top entertainment news stories including how Netflix continues to book comedians, CBS cancels a brand new series and Beyoncé cancels her Coachella gig.
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Showbiz Sandbox 348: Hollywood Studios Get Serious About Shortening Theatrical Windows
December 19, 2016
Studios have been itching to shorten the theatrical release window for their movies since the moment they learned how much money they could make on home video. Of course, cinema owners aren’t too keen on the idea and refuse to book films that can be viewed at home less than three months after they hit theaters. With reports that Apple is talking to Hollywood in hopes of getting early access to movies for iTunes, have the stakes been raised?
Oscar season is heating up as the guilds begin weighing in. First up was the Screen Actors Guild who announced the nominees for their annual awards helping confirm a few front runners. When it comes to foreign language features, the Academy narrowed the list of eligible contenders down to nine, leaving out a few of this year’s favorites.
Meanwhile the Library of Congress announced a selection of 25 titles to enter the National Film Registry including silent films starring Buster Keaton, “The Princess Bride”, “Thelma & Louise” and “Rushmore”.
Of course we also cover the week’s top entertainment news including the executive shakeup at Warner Bros. Pictures, Julia Roberts comes to television and Amazon goes global with its video streaming service.
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Showbiz Sandbox 272: Why The TV Industry Is Fighting Over Your Viewing Habits
March 9, 2015
Time-shifting content consumption has grown astronomically over the past several years thanks to technology like streaming and DVRs. Nearly half of all TV viewers no longer watch shows when they are first aired, upending the traditional ratings system used to measure audiences. Networks now want advertisers to pay for all the viewers of a program up to a week after its original telecast.
Presently, advertisers only pay for viewers of a show during the first three days after its broadcast, a timeframe the don’t wish to extend. Complicating the matter is a dramatic increase in the number of shows airing during primetime, fracturing audiences and forcing ad execs to sift through 1,700 programs in which commercials can be placed.
Buying ad time during the Academy Awards ceremony is usually a no-brainer for marketing moguls, however the Oscars telecast has become so predictably dull that it’s audience has begun to shrink. In an effort to boost ratings, the Academy’s Board of Governors is now hinting they may revert back to having only five Best Picture nominees, rather than the potential of ten. We debate why this is not such a good idea.
Of course, we also cover the week’s top entertainment news stories including the high profile court battle over the authoriship of a hit song, NBC goes over-the-top and Bruce Willis heads to Broadway.
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