Showbiz Sandbox 181: Why The Grammys Telecast Matters More Than Ever

While winning a Grammy Award can boost a musician’s record sales temporarily, a knockout performance during the widely viewed ceremony can launch a career. Simply ask Mumford & Sons who stole the show during the 2011 telecast and on Sunday took home the 2013 Grammy for Album of the Year. Will the Lumineers, who performed at this year’s ceremony, follow in their footsteps?

David Wild, a contributing editor for Rolling Stone magazine, helped write the Grammy telecast as he has for the past 12 years. He joins us to discuss how the show was put together, working with host LL Cool J and some of the elements that came off without a hitch (projecting images onto Carrie Underwood’s dress comes to mind). Wild even reveals John Mayer’s secret life as a joke writer.

Meanwhile, digital downloads are already outpacing physical sales in music and will surely do so with books and movies in the not too distant future. But what happens when you want to sell off all those media downloads in the now non-existent digital secondhand market? Amazon is trying to patent technology that will make such sales possible.

Of course we cover the week’s top entertainment headlines including how “The Walking Dead” continues to increase viewership, an end to Don Johnson’s lawsuit over “Nash Bridges” and why some concerts may be sold out before tickets ever go on sale.

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Showbiz Sandbox 29: Camped Out For “Twilight: New Moon”

There was a debate over titling this week’s episode “The Profanity Podcast “due to some various disagreements and the name of a new sitcom. Intrigued? Read on.

Harry Medved from joins us briefly to talk about next week’s number one movie at the box office, “The Twilight Saga: New Moon.” (Did we get the name right? Can’t we just call it “New Moon” or “Twilight 2”?) Yes, that’s right, we’re prognosticating next week’s number one movie in North America. Hey, when women of all ages are lining up just to catch a glimpse of Robert Pattinson and/or Taylor Lautner at the premiere, you know you might have a hit on your hands.

Speaking of hits, is Twentieth Century Fox taking a huge risk by bankrolling a film based on an unfamiliar story with no Hollywood superstars and a budget approaching $500 million? We’re talking about “Avatar,” and particularly Michael Cieply’s article in the New York Times’ on the film directed by James Cameron. (So, is Cameron himself not a superstar?) John Horn and Claudia Eller from the Los Angeles Times write that the movie’s price tag continues to climbe and that its global marketing campaign could cost as much as $150 million, “Avatar” won’t have to do “Titanic” business to make money, but it will have to fill auditoriums around the world for weeks to become profitable. Continue reading Showbiz Sandbox 29: Camped Out For “Twilight: New Moon”