Showbiz Sandbox 580: Warner Bros. Enters Its Discovery Phase

Last week Discovery closed its $43 billion deal to acquire WarnerMedia from telecom giant AT&T. Discovery topper David Zaslav immediately installed his own executive team to run Warner Bros. Discovery forcing the existing management team to head for the door. We discuss the fallout from the merger and the what the future may look like for the combined company.

One of the exiting executives was WarnerMedia CEO Jason Kilar whose infamous Project Popcorn opened all 18 Warner Bros. theatrical releases throughout 2021 day-and-date with HBO Max. Kilar claims the controversial distribution strategy was a success, but if that’s true, then why did Warner Bros. discontinue it?

Of course we also cover the week’s top entertainment headlines including the big winners at the Olivier Awards, “Dancing with the Stars” moves to Disney+ and members of the original Grateful Dead rock band will stop touring after five decades.

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Showbiz Sandbox 539: What the Roku and YouTube TV Dispute Means For Streamers

Roku and YouTube TV are locked in a very public dispute over a distribution agreement. Roku claims YouTube is playing games with its user data, while YouTube says it won’t share its user data with Roku. Now the YouTube TV app has been removed from the Roku channel store and if the fight escalates Roku could block the service entirely. We explain how this dispute could shape how viewers access streaming services in the future.

Meanwhile the Grammys are dumping the nominating committees which made the big decisions on major categories. These secret committees were originally created because the voters at large were missing obvious critical and commercial successes like The Weeknd.

Of course we also cover some of the week’s top entertainment headlines including how SAG-AFTRA is creating a certification for on-set intimacy coordinators, John Mayer will host his own music program and hockey gets a streaming payday.

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Showbiz Sandbox 181: Why The Grammys Telecast Matters More Than Ever

While winning a Grammy Award can boost a musician’s record sales temporarily, a knockout performance during the widely viewed ceremony can launch a career. Simply ask Mumford & Sons who stole the show during the 2011 telecast and on Sunday took home the 2013 Grammy for Album of the Year. Will the Lumineers, who performed at this year’s ceremony, follow in their footsteps?

David Wild, a contributing editor for Rolling Stone magazine, helped write the Grammy telecast as he has for the past 12 years. He joins us to discuss how the show was put together, working with host LL Cool J and some of the elements that came off without a hitch (projecting images onto Carrie Underwood’s dress comes to mind). Wild even reveals John Mayer’s secret life as a joke writer.

Meanwhile, digital downloads are already outpacing physical sales in music and will surely do so with books and movies in the not too distant future. But what happens when you want to sell off all those media downloads in the now non-existent digital secondhand market? Amazon is trying to patent technology that will make such sales possible.

Of course we cover the week’s top entertainment headlines including how “The Walking Dead” continues to increase viewership, an end to Don Johnson’s lawsuit over “Nash Bridges” and why some concerts may be sold out before tickets ever go on sale.

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Showbiz Sandbox 29: Camped Out For “Twilight: New Moon”

There was a debate over titling this week’s episode “The Profanity Podcast “due to some various disagreements and the name of a new sitcom. Intrigued? Read on.

Harry Medved from Fandango.com joins us briefly to talk about next week’s number one movie at the box office, “The Twilight Saga: New Moon.” (Did we get the name right? Can’t we just call it “New Moon” or “Twilight 2”?) Yes, that’s right, we’re prognosticating next week’s number one movie in North America. Hey, when women of all ages are lining up just to catch a glimpse of Robert Pattinson and/or Taylor Lautner at the premiere, you know you might have a hit on your hands.

Speaking of hits, is Twentieth Century Fox taking a huge risk by bankrolling a film based on an unfamiliar story with no Hollywood superstars and a budget approaching $500 million? We’re talking about “Avatar,” and particularly Michael Cieply’s article in the New York Times’ on the film directed by James Cameron. (So, is Cameron himself not a superstar?) John Horn and Claudia Eller from the Los Angeles Times write that the movie’s price tag continues to climbe and that its global marketing campaign could cost as much as $150 million, “Avatar” won’t have to do “Titanic” business to make money, but it will have to fill auditoriums around the world for weeks to become profitable. Read more

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