Showbiz Sandbox 308: Hollywood Thinks It Has Netflix’s Numbers

With Netflix now available in 190 countries, the upstart video-on-demand service has grown so big Hollywood studios and television networks are getting seriously worried. Sure, they’ve earned millions by licensing their content to Netflix, but they now find themselves competing with the company for new projects, not to mention the industry’s most sought after talent.

TV networks are especially upset Netflix can claim to be a success without ever revealing their ratings. Some have even gone so far as to commission studies to determine the true viewership of Netflix programming. Meanwhile, Netflix has become concerned about viewers bypassing geographic restrictions by subscribing to their U.S. service from international territories.

When it came to this year’s Academy Awards nominations however, Netflix was overlooked in all of the major categories. So were minorities. For the second year in a row all of the acting nominations and those for best director went to caucasians, giving rise to a repeat of the #OscarsSoWhite social media campaign.

Of course we also cover the week’s top entertainment news including NBC’s plans to produce a live version of the musical “Hairspray”, Al Jazeera America is being shut down and the death of actor Alan Rickman.

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Showbiz Sandbox 264: Globes Have Golden Opportunity To Expand Awards Season

Not even two weeks into 2015 and the annual slog known as awards season has commenced in earnest. This year’s festivities were kicked off by the Golden Globe Awards over the weekend which pull double duty by honoring the best of both movies and television. We wonder if it might make more sense to hold two different ceremonies throughout the year; one for movies and one for television.

The BAFTA nominations were also announced last year, though there was very little British about them, as has traditionally been the case. Guild nominations have also started pouring in as well, though what everyone wants to know is how all of this will affect the upcoming Oscar race.

Meanwhile, some established artists in the movie and music industries have started to offer their latest work directly to fans. By some accounts these experiments have proven incredibly successful and profitable, or so it would seem. Unfortunately, there’s no real way to tell since sales figures for such efforts are often hard to come by.

Of course, we also cover the week’s top entertainment news stories including John Travolta’s return to television, why actress Charlize Theron requested a pay raise on her next film and an update on the Sony cyber attack.

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Showbiz Sandbox 227: The Oscars Attract Big Business, Big Ratings and Big Money

If you weren’t surprised by any of the winners at this year’s Oscar ceremony, you may have Oscar prognosticators like Anne Thompson to blame. Indiewire’s editor-at-large was at the big show and joins us to discuss the telecast, the show, and all the money and effort poured into the annual awards season. Thompson also fills us in on her new book “The $11 Billion Year: From Sundance to the Oscars, an Inside Look at the Changing Hollywood System“.

The business side of the film industry isn’t the only aspect of movies that is evolving. The sound accompanying new releases is getting a few enhancements thanks to immersive 3D audio. This has created an industry battle over audio formats.

Speaking of disputes, 19 Recordings, the music label responsible for “American Idol”, is once again suing their partner Sony. This time the argument is over the issue of whether digital tracks are sold or licensed to buyers. There is a huge difference in the royalty paid for each.

Of course, we also cover the week’s top entertainment news stories including Tyler Perry leaves Lionsgate, Paramount is bullied into changing the marketing for “Noah” and Dreamworks Animation takes a write-down on “Turbo”.

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