Showbiz Sandbox 59: Movie Piracy Becomes Unthinkable

On the weekend of June 11th the film “Unthinkable” starring Samuel L. Jackson and Michael Sheen rocketed up the Internet Movie Database’s MovieMeter. It wound up at number three beating out such new releases as “Get Him To The Greek” and “Shrek Forever After”. The funny thing is, this film wasn’t playing in theaters and at the time hadn’t even been released on DVD. A pristine pirated version however did leak online.

Cotty Chubb, the producer of “Unthinkable”, joins us to discuss the film, whether the illegal version helped its recent release and ultimately how movie piracy is affecting the entertainment industry.

“Toy Story 3” didn’t have to worry about being pirated when it opened this weekend since most theaters were showing it in 3D. The film earned debuted in first place with a whopping $109 million. That makes it the most successful Pixar opening ever.

Piracy doesn’t seem to be affecting Michael Jackson’s estate either. In the year since the performer’s death his music and film work has earned nearly a billion dollars according to Billboard magazine.

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Showbiz Sandbox 46: Hollywood’s Latest Meme Is 3D

A “Wimpy Kid” couldn’t beat “Alice In Wonderland” at the box office this weekend. The higher price for 3D tickets has turned “Alice” into Tim Burton’s most successful film. And Hollywood studios have definitely noticed how well audiences are responding to 3D. The new format is so hot that, much to the annoyance of James Cameron, they have gone back to convert some upcoming releases to 3D, such as “Clash of the Titans”.

With thirty three 3D films presently slated for release in 2010 this has managed to create a bottle neck at movie theaters where there is usually only enough room to show one 3D film at a time.  It’s gotten so competitive that Paramount has told theater owners that if they don’t play “How to Train Your Dragon” on their 3D enabled screen, they won’t send them a 2D print. But that means “Alice’s” engagement will be cut short. Beginning to see the problem?

While movie theaters don’t have enough 3D screens and too much content, the exact opposite is true in the home. Television manufacturers are selling 3D enabled televisions but there is nothing to watch. Have no fear though, Major League Baseball, NCAA basketball and the PGA Masters all have plans for 3D broadcasts.   Read more

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Showbiz Sandbox 30: “Modern Warfare” Stuns Hollywood

As predicted, the teen vampire romance “The Twilight Saga: New Moon” opened this week and earned record breaking box office. The second installment of the “Twilight” franchise made $140 million in North America, making it one of the largest openings in history. The film did manage to break the record for highest grossing midnight screening when it opened Friday morning. What might be more amazing is that the Sandra Bullock vehicle “The Blind Side” came in second with an impressive $34 million. Opening so strongly against a powerhouse tent pole like “Twilight” makes Bullock one of the more bankable stars in Hollywood these days.

Of course, even “Twilight’s” $258 million worldwide opening pales in comparison to what the new video game “Call of Duty: Modern Warfare 2” raked in during its first five days in stores. Ben Fritz an entertainment business reporter for the Los Angeles Times joins us to talk about the wild success of the video game. Actually, calling it a video game is almost an insult – it’s more like an interactive action movie, and one that made $550 million within five days of its November 19th launch.

Fritz is a prolific journalist who this past week wrote tons of stories for the L.A. Times Company Town column and blog. One such story was on the controversy over the Academy Awards’ Documentary short list. Read more

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Showbiz Sandbox 29: Camped Out For “Twilight: New Moon”

There was a debate over titling this week’s episode “The Profanity Podcast “due to some various disagreements and the name of a new sitcom. Intrigued? Read on.

Harry Medved from Fandango.com joins us briefly to talk about next week’s number one movie at the box office, “The Twilight Saga: New Moon.” (Did we get the name right? Can’t we just call it “New Moon” or “Twilight 2”?) Yes, that’s right, we’re prognosticating next week’s number one movie in North America. Hey, when women of all ages are lining up just to catch a glimpse of Robert Pattinson and/or Taylor Lautner at the premiere, you know you might have a hit on your hands.

Speaking of hits, is Twentieth Century Fox taking a huge risk by bankrolling a film based on an unfamiliar story with no Hollywood superstars and a budget approaching $500 million? We’re talking about “Avatar,” and particularly Michael Cieply’s article in the New York Times’ on the film directed by James Cameron. (So, is Cameron himself not a superstar?) John Horn and Claudia Eller from the Los Angeles Times write that the movie’s price tag continues to climbe and that its global marketing campaign could cost as much as $150 million, “Avatar” won’t have to do “Titanic” business to make money, but it will have to fill auditoriums around the world for weeks to become profitable. Read more

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Showbiz Sandbox 27: That’s It For “This Is It”

This week we begin with Michael Giltz and Karen Woodward disagreeing over “This Is It,” the Michael Jackson documentary/concert film/eulogy. Is the film recommendable? Not according to the box office numbers, where the film brought in a disappointing $23 million. But since the film made $103 million worldwide J. Sperling Reich wanted to serve Michael some crow pie.

If you don’t want to see “This Is It,” maybe you’ll see “Avatar”? The second trailer for the highly anticipated film was released this week, after the first one bombed. The new trailer looks like this movie is actually about something. How about “Precious”? Sperling and Michael disagree over whether this movie is a heart tugging Oscar winner or shallow drivel.

Speaking of shallow, did Jeffrey Katzenberg really add anything new to the future of entertainment conversation in his recent Business Week interview? Seems more like a politician staying message then a mogul adding to the dialogue. Read more

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Showbiz Sandbox 24: How To Get A Hero Complex

Our special guest this week is Geoff Boucher, full time entertainment writer for the Los Angeles Times and part time Wookiee. Geoff began the popular L.A. Times blog, Hero Complex, devoted to caped crusaders, zombies, wizards and all things superhero. With a tag line that reads “for your inner fanboy”, Hero Complex has quietly become a huge hit and recently won the award for best online commentary among large websites from the Online News Association.

Over the last week, Geoff wrote a series of posts on the blog that look at film franchises entering their fourth turn on the silver screen, including “Lord Of The Rings”, “Pirates of the Caribbean”, “Spider-Man”, and “X-Men”. (Check out the reader poll: ‘The Hobbit’ Will Triumph But ‘X-Men’ and ‘Pirates’ Franchises Should Quit Now)

Meanwhile, at this weekend’s North American box office, moviegoers made “Couples Retreat” the number one film, followed by “Zombieland” and “Cloudy with a Chance of Meatballs”. The big surprise of the weekend was the little indie film “Paranormal Activity”. Made for peanuts, the film is now raking in millions based solely off a social networking marketing campaign. That might be why Michael Giltz and Karen Woodward are dying to see the movie. . . no pun intended. (See the movie, you’ll get the joke).  Read more

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Showbiz Sandbox 18: It’s All Fun And Games Until Celebrities Start Dyin’

Landing at the top of the North American box office this weekend was “The Final Destination” with “Halloween 2,” directed by Rob Zombie, coming in third. Zombie may not be part of that Old White Male club of directors that the New York Times highlighted this week, but apparently he can make a successful film. After reviving the “Halloween” franchise, Rob Zombie will continue to advance the horror porn genre with a remake of the 1958 classic, “The Blob.”

The biggest story of the week was Disney’s purchase of Marvel Comics. What will this mean for “Iron Man”, “Spider-Man”, the “X-Men”, and “Fantastic Four”? Maybe we’ll find out when Disney continues its takeover of the world with their own version of Comic-Con; the D23 Expo in Anaheim. The four day event will celebrate — and sell — all things Disney with celebrity appearances and slick sneak previews of upcoming films, television shows and theme park attractions.

Speaking of theme park attractions, Michael Jackson’s death was ruled a homicide. (Okay it only feels like it’s becoming a theme park attraction.) Read more

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Showbiz Sandbox 14: Zooey Deschanel Proves It’s Twee To Be You And Me

First off, we took care of a little internal business by welcoming entertainment journalist Michael Giltz as an official co-host.

Alonso Duralde joins us this week. Alonso is the film critic at MSNBC.com and the author of “101 Must-See Movies for Gay Men“. His reviews are featured regularly on The Rotten Tomatoes Show. A member of the Los Angeles Film Critics Association, Alonso spent six years as Arts & Entertainment editor at The Advocate where he is still a contributing writer. His work has also appeared in such publications as the Village Voice, Movieline, Detour among many others. This month Alonso will be curating a the series “So Bad They’re Brilliant” at the American Cinematheque. You can follow him on Twitter at @MSNBCalonso.

We asked Alonso to join us because of a story he wrote for msnbc.com called “Do You See What I Twee?”, as it related to the latest movies. He described the essence of twee as “avoiding the fashionable, the obvious, the predictable, the mundane in an attempt to be, for lack of a better phrase, showily unshowy…It’s about replacing one calculated technique of visual and cultural cues with another.” It’s an apt description of one of the more popular movies out this summer, “(500) Days of Summer,” and its lead, Zooey Deschanel. We also just love saying the word “twee.” Read more

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Showbiz Sandbox Special Episode: A Look Inside TMZ’s Michael Jackson Scoop

When pop singer Michael Jackson died unexpectedly at the end of June news organizations all over the world frantically tried to keep up with the story. What was noteworthy, and what will surely be a historical footnote to Jackson’s death, is that mainstream media such as newspapers and cable news networks were not the outlets breaking the story. That privilege belonged to the upstart celebrity news site TMZ.com. Before it broke the Jackson story, TMZ was primarily thought of as an online version of the National Enquirer and was better known for running stories about Christian Bale’s profanity laden temper tantrums.

However Stephen Brook, a press correspondent for London’s Guardian newspaper and deputy editor MediaGuardian, believes that it is precisely the salacious content TMZ has a reputation for running that gives the site its power. Less than 24 hours after the event, Brook wrote an article for the Guardian which detailed how TMZ managed to be the first media outlet to correctly report the story of Jackson’s death, possibly six minutes before he was officially pronounced dead. Brook’s article was reprinted all over the world in dozens of newspapers and websites.

In this special episode of Showbiz Sandbox, Brook explains how he put the story together and discusses some of the highlights from his piece. Read more

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Showbiz Sandbox 11: Wild About Michael Jackson (…and Neil Diamond)

Rolling Stone contributing editor David Wild joins us this week to discuss the Michael Jackson memorial.  Wild is an Emmy-nominated television writer and a best selling author. on top of his work with Rolling Stone.  He recently worked on the magazine’s Michael Jackson tribute, and was also instrumental in putting together the pop star’s memorial at the Staples Center in Los Angeles.  He explains some of the realities and feelings taking place behind the scenes at the event.  He also has a new book out titled He Is… I Say: How I Learned To Stop Worrying And Love Neil Diamond, currently available on Amazon and other retailers.  You can follow David on Twitter at twitter.com/wildaboutmusic.

Audiences weren’t wild about “Bruno,” which won the weekend box office race, but didn’t perform as expected. Ryan Reynolds and Sandra Bullock’s “The Proposal” continues to perform well – well enough that Reynolds has been offered the role of The Green Lantern in Warner Bros’s upcoming movie. Was he a better choice over Bradley Cooper and Justin Timberlake?  Does anyone even care about “The Green Lantern”?  Anne Thompson addresses that, and the future of film criticism in her blog Thompson On Hollywood. Read more

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