Showbiz Sandbox 643: Linear Television Viewership Sinks to New Lows
January 3, 2024
Two annual ratings roundups of television viewing in the United States show that audiences for traditional broadcast and linear cable are in serious decline. The list of the 100 most watched broadcast episodes is mostly sports. And the top ranked channels reveal cable isn’t even really trying to program their networks anymore.
Meanwhile, the domestic box office managed to surpass $9 billion for the first time since the COVID pandemic, with Universal Pictures taking over for Disney as the top earner.
Of course we also cover the week’s top entertainment headlines including Gérard Depardieu stirs up more controversy, Taylor Swift sets more sales chart records and Paramount Global is looking for a buyer.
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Showbiz Sandbox 231: Could Vince Vaughn Be The Next David Letterman?
April 7, 2014
Late night talk show personality David Letterman surprised everyone last week by announcing that he would be retiring as host of the “Late Show” in 2015. News that Letterman would be exiting on his own terms after 30 years as a late night headliner broke in a thoroughly modern way; first via Twitter, then through the media’s career retrospectives and ultimately with stories about who would make a good replacement. We nominate Vince Vaughn.
In other television news, Time Warner Cable is in a bitter dispute with satellite provider DirecTV. The two companies are butting heads over the broadcast rights for the Los Angeles Dodgers baseball games TWC paid more than $8 billion for last year. With negotiations seemingly stalled, more than 30% of the market’s paid television subscribers have been blacked out of each game’s telecast.
Meanwhile, this year’s Broadway season is about to kick off in earnest on the run up to the Tony Awards. Our own Michael Giltz gives us a complete rundown on which productions he’s putting his own figurative money on.
Of course, we also cover the week’s top entertainment news stories including a trademark dispute over Mickey Mouse, a new contract for the Writers Guild of America and the continuing struggles of Entertainment Weekly.
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