Showbiz Sandbox 112: Why Netflix Had To Raise Its Prices
July 18, 2011
You would have thought the world was coming to an end last week after popular movie streaming service Netflix raised its prices by 60%. The company’s customers took to blogs and social networks in revolt, threatening to cancel their subscriptions. However, between the cost of mailing DVDs and paying increased licensing fees for content, a Netflix rate hike was inevitable. Is Netflix still one of the best movie bargains available today, and if not, are there any alternatives?
Speaking of subscription offerings, one of Europe’s hottest music streaming services is finally available in the United States. Will Spotify be able to displace some of the entrenched players in the space like Spotify and Rdio? You can find out for yourself since we have some Spotify invitations to give away to a few lucky listeners.
Over in television-land the Emmy nominations were announced and as usual, there were a few noticeable omissions. Just ask “Sons of Anarchy” producer Kurt Sutter who chastised the Academy via Twitter for not recognizing the show’s star Katey Sagal (who also happens to be his wife).
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Showbiz Sandbox 111: Can Paste Magazine Ignite A Digital Publishing Revolution?
July 11, 2011
Less than a year after ceasing publication of their print edition Paste Magazine has revived itself in a new digital format. The popular music and culture magazine shunned the traditional print medium and relaunched as a weekly web periodical chock full of long-form features, downloadable music and multimedia content. Editor Josh Jackson reveals how the new Paste mPlayer was designed from the ground up as a next-generation publication. Is Paste giving us a glimpse into the future of magazines?
Soap operas are in the midst of their own transformation. Rather than canceling “All My Children” and “One Life To Live” as planned, ABC has struck a deal to keep the shows alive on the Internet. Will loyal viewers migrate online to keep up with their favorite soaps?
The music industry has also received some good news lately. Not only will the hotly anticipated arrival of Spotify in the United States soon be a reality, but Nielsen Soundscan is reporting that music sales are up slightly this year. Does all of this mean the music business is poised to make a comeback?
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Showbiz Sandbox 110: “Transformers” Proves Mediocrity Makes Money
July 6, 2011
When “Transformers 3: Dark of the Moon” hit theaters over the Fourth of July holiday weekend fans of the franchise were relieved to discover it wasn’t nearly as bad ad the second film. That seems to be a fairly common response to Michael Bay’s latest critic-proof popcorn blockbuster. The highly anticipated movie made nearly $400 million at the worldwide box office in its first week explaining why studios love such formulaic dreck and all but ensuring another sequel.
Last week also saw the sale of MySpace. The once dominant social network Internet site which was once valued at $12 billion was sold by News Corp. at a loss for a mere $35 million. What may be more surprising than anyone actually wanting to buy MySpace is that pop star Justin Timberlake has been tapped to help turn the company’s fortunes around by focusing on music.
Speaking of music, NPR tried to figure out how much it costs to make a hit pop song by examining the finances behind Rihanna’s recent single “Man Down”. Apparently all it takes is $1.1 million in production and promotions costs and 12 minutes to right the lyrics.
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Showbiz Sandbox 76: Taking On The Hobbit And Ticketmaster Down Under
October 25, 2010
Our friends Down Under generated a lot of entertainment news this past week. In New Zealand a union boycott of “The Hobbit” may cause Warner Bros. to relocate the production to another country. Director Peter Jackson has publicly opposed such a move, but as the Hollywood Reporter’s Jonathan Handel explains, this may just be Warner Bros. way of negotiating better government tax subsidies.
Over in Australia, Rupert Murdoch’s News Corp. has launched Foxtix, a live event ticketing service aimed at capturing a share of Ticketmaster’s business. Taking on Ticketmaster is a difficult and expensive fight, but Adam McArthur, the head of Foxtix, fills us in on how the company will differentiate itself in the market.
Former Australian native and current Hollywood pariah Mel Gibson was all set to make a comeback with a cameo in “The Hangover 2”, but Warner Bros. decided he was just too much trouble and opted for Liam Neeson.
Meanwhile, in television news the Fox network pulled its programming from Cablevision’s channel lineup over a retransmission fee dispute. Don’t worry, Cablevision’s customers were still able to follow the baseball playoffs through Twitter posts from the Federal Communications Commission. Read more
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