Showbiz Sandbox 496: Hollywood Jumps On the TikTok Bandwagon

June 3, 2020

Even after the platform helped Lil Nas X turn “Old Town Road” into one of the most successful popular songs of all time, there are some (mostly older) demographics that are unfamiliar with the explosive popularity of the social media platform. Natalie Jarvey, the Senior Digital Media Editor at the Hollywood Reporter, joins us to discuss how TikTok is doing YouTube one better as a launching pad for new talent.

In fact, TikTokers with tens of millions of followers, many of whom are still teenagers, have begun to attract Hollywood talent agencies, record labels and major brands, ultimately leading to big paydays. However, as fast as TikTok became the social media flavor of the moment, could its star fade just as fast.

Of course we also cover some of the week’s top entertainment headlines including which major entertainment conglomerates are backing #BlackLivesMatters during recent civic protests, the Writers Guild of America takes aim at international residuals and “It’s Always Sunny In Philadelphia” sets a new record for a sitcom.

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Showbiz Sandbox 444: Disney Gets Serious About Streaming

April 15, 2019

From the moment the Walt Disney Company announced they would eventually launch their own video streaming service everyone wanted more detailed information. When would the service launch? How much would it cost? What content would be offered? Last week Disney answered all of those questions during an investor media event.

Disney+, as the service has been named, will launch this November in and will offer hundreds of hours of television and movies, both old and new, for the attractive price of $6.99 per month or $70 per year. Unlike Apple, who announced their own streaming service just a few weeks ago, Disney proved they know how to launch an attractive content platform. Not surprising since they have content from their animation, Marvel and Lucasfilm labels to offer up.

Meanwhile, the Writers Guild of America and the talent agents which represent their membership, are still arguing over the adoption of a new code of conduct which would prevent agencies from collecting packaging fees on new television series. Late last week the WGA asked its members to fire their agents, which many did rather publicly via social media.

Of course we also cover the week’s top entertainment headlines including how Apple Music has topped Spotify (in the United States), the Emmys revise how certain TV shows are classified and Netflix buys a movie theater.
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Showbiz Sandbox 344: Did the Media Bungle The 2016 Election?

November 14, 2016

We don’t cover politics on Showbiz Sandbox per se, however we do provide analysis and commentary on the worldwide media and entertainment industries. Thus, we discuss the role, and some might say the culpability, of the news media in the outcome of the 2016 presidential election. While there is no doubt some divisiveness over the election of president-elect Donald Trump, there seems to be unanimous consensus that mainstream media blew it… bigly.

We also take a look at the impact the results of this year’s presidential election will have on the entertainment business. Deals currently in the works may have a tougher time getting approved, and decisions that passed years ago may be in danger of being overturned.

China meanwhile has passed a new film industry law intended to crack down on box office fraud and promote “core socialist values”. It weaves a new layer of protectionism into the business by requiring that two thirds of the country’s movie screens be reserved for Chinese films.

Of course we also cover the week’s top entertainment news including the why IMDb is going to court over its right to post actors ages, Universal Pictures makes some changes at DreamWorks Animation and Robert Redford’s retirement plans.

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Showbiz Sandbox 221: Sundance Returns To Its Indie Roots (Again)

January 20, 2014

Celebrities, filmmakers and industry executives are in the midst of their annual pilgrimage to Park City, Utah for the Sundance Film Festival. Thanks to digital technology it’s never been easier to make or distribute a low budget film. This has led to a glut of indie productions looking for audiences and no way to know which are worth watching.

This year’s Sundance began the day Oscar nominations were handed out and the festival’s founder was overlooked for his critically praised performance in “All Is Lost”. (Awkward). With nine films competing for Best Picture, and guild awards not being hounded out to consistent winners, it looks as if this will be one of the closest Oscar races in recent memory.

Meanwhile, an appeals court ruling may have finally killed Net Neutrality, much to the joy of Internet service providers everywhere. This means the cost of streaming online music and video may soon rise significantly.

Of course, we also cover the week’s top entertainment news stories including a Broadway bound musical adaptation of Disney’s “Frozen”, the declining appeal (and ratings) of “American Idol” and the most popular show on daytime television.

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Showbiz Sandbox Special Episode: To Each Their Own Cannes Experience

May 22, 2013

With selections from world renown filmmakers like the Coen Brothers, Asghar Farhadi, Jim Jarmusch, Baz Luhrmann, Alexander Payne, Roman Polanski, Steven Soderbergh and Jia Zhangke, this year’s Cannes Film Festival is one of the most anticipated in recent memory.

Stephen Garrett is in Cannes this year as both a journalist covering for media outlets such as the New York Observer, and also as the head of Jump Cut, an advertising firm that specializes in producing trailers for foreign, independent and documentary films. Even at the halfway point in the festival he’s seen upwards of two dozen films and joins us to discuss some of the highlights and news items coming out of this year’s Cannes.

On the other hand, filmmaker Andrew Einspruch of Wild Pure Heart Productions is in Cannes to participate in the annual market. As he meets with sales agents, buyers and distributors in an attempt to sell his next movie, Einspruch hasn’t been able to see a single film.

It just goes to show how every attendee at the Cannes Film Festival has a different and unique experience.