Showbiz Sandbox 606: Beyoncé Makes Grammy History As Harry Styles Wins Album of the Year
February 8, 2023
Though Beyoncé led the 2023 Grammy Award nominations with nine nods, in the end she did not win the top prize for Album of the Year for “Renaissance.” Much to the dismay of some, that honor went to Harry Styles for “Harry’s House,” though Beyoncé did break the record for the most Grammy wins ever. We have a run down of all the winners and big surprises at this year’s Grammys.
We’re also joined by Sal Nunziato, whose blog Burning Wood has become a must-read for music aficionados. He and Michael Giltz discuss their favorite albums from the past year, and for once they are in agreement on most of them.
Of course we also cover the week’s top entertainment headlines including why a Bruce Springsteen fanzine ins calling it quotes after 43 years, Spotify continues to struggle with profitability and how “80 For Brady” tries to woo older moviegoers back to theaters.
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Showbiz Sandbox 569: Are Music Catalog Deals Overvalued?
January 18, 2022
Every week it seems another aging artist is selling off their music publishing rights for exorbitant amounts. Bob Dylan, Paul Simon, Tina Turner, ZZ Top, David Bowie’s estate and recently Bruce Springsteen. Why are so many back catalogs for sale and are they really worth hundreds of millions of dollars? Ryan Faughnder, a staff writer at the Los Angeles Times discusses his latest article which tackles this very issue.
Meanwhile, streaming numbers for television shows, series, and movies for the last few weeks of 2021 were finally published. The top ten original programs were dominated by Netflix, which might be why they decided to “update” their pricing. Translation; they are raising prices, at least in North America.
Of course we also cover the week’s top entertainment headlines including why the British government is freezing funding for the BBC, Spotify shutters its podcasting studio and this year’s SAG Awards nominations.
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Showbiz Sandbox 546: The Best Music You’ve Never Heard — 100 Flop Albums
June 22, 2021
Musician Sal Maida and music writer Mitchell Cohen have been thumbing through record store bins for decades looking for great albums. Now they’ve teamed up to write “The White Label Promo Preservation Society: 100 Flop Albums You Oughta Know,” a book that dives deep into great music which doesn’t make the usual “best of” lists but is definitely worth a listen. Plus, they recruited a lot of their friends like Marshall Crenshaw, Peter Holsapple and Jim Farber.
Kevin Feige may be in charge of Marvel Studios but is a little puzzled too about how to add up streaming numbers. He mentioned that since Nielsen doesn’t publish streaming viewership he doesn’t know how to tell if “WandaVision” or “Loki” are hits. Could this be true? We find it a bit unlikely that Disney is hiding such data from Marvel.
Of course we also cover some of the week’s top entertainment headlines including Amazon Studios plans for diversity, Roku claims the Quibi shorts are actually popular after all and the “Book of Mormon” musical may get a rewrite when it reopens.
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Showbiz Sandbox 539: What the Roku and YouTube TV Dispute Means For Streamers
May 4, 2021
Roku and YouTube TV are locked in a very public dispute over a distribution agreement. Roku claims YouTube is playing games with its user data, while YouTube says it won’t share its user data with Roku. Now the YouTube TV app has been removed from the Roku channel store and if the fight escalates Roku could block the service entirely. We explain how this dispute could shape how viewers access streaming services in the future.
Meanwhile the Grammys are dumping the nominating committees which made the big decisions on major categories. These secret committees were originally created because the voters at large were missing obvious critical and commercial successes like The Weeknd.
Of course we also cover some of the week’s top entertainment headlines including how SAG-AFTRA is creating a certification for on-set intimacy coordinators, John Mayer will host his own music program and hockey gets a streaming payday.
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Showbiz Sandbox 538: An Oscars Ceremony With An Asterisk
April 27, 2021
Delayed by two months due to the COVID pandemic and with almost no blockbuster studio films to nominate, it’s a small miracle this year’s Oscars ceremony took place at all. This year the Academy honored the most diverse slate of nominees in its 93 year history. Anne Thompson, Indiewire’s editor-at-large, joins us to discuss the night’s winners, the awkward telecast and the unusual awards season we just lived through.
Meanwhile, thing’s keep getting worse for producer Scott Rudin. Not only has he stepped back from all film and television work, but he also left the Broadway League which may have a serious impact on his ability to stage a comeback down the road.
Of course we also cover some of the week’s top entertainment headlines including why YouTube and Roku can’t get along, why Apple is headed to court over ownership of the music they sell on iTunes and Netflix continues to spend record amounts on new content.
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Showbiz Sandbox 530: Spotify Leans Into Original Content
February 23, 2021
Spotify continues to be the most popular music streaming service in the world growing 24% over the past year to 155 million paid subscribers. However as the subscriber count rises, so too does the amount Spotify must pay in royalties. This might be why the company has been focusing on exclusive original content such as podcasts for which they don’t have to share revenue.
Meanwhile, the box office continues to recover from the pandemic, at least in China which set new records over the Lunar New Year holiday, proving that moviegoers actually will return to the cinemas when given the opportunity. Hollywood is rejoicing, even if North America and Europe is still six months away from getting back to normal.
Of course we also cover some of the week’s top entertainment headlines including the BBC’s new streaming service, Roku’s surprise profit and this year’s Writers Guild Award nominees.
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Showbiz Sandbox 511: The Emmys and TIFF Pull Off the Virtual
September 22, 2020
When COVID-19 shut down the worldwide entertainment industry many wondered how it would affect annual events such as awards shows as well as film and music festivals. While the pandemic led to the cancelation of the Cannes Film Festival, the Emmy Awards honoring excellence in television and the Toronto International Film Festival both managed to hold virtual events that were received quite positively.
Anne Thompson, Indiewire’s Editor at Large, has been attending and covering TIFF for decades, though this year she didn’t have to leave her home to do so. She fills us in on what it was like to attend TIFF virtually, what the standout films were, how they will likely get released in theaters and which ones will be up for (a virtual) Oscars next year.
Of course we also cover some of the week’s top entertainment headlines including complete coverage of the Emmy Awards, a new music video for a beloved Louis Armstrong song and Madonna will direct her own biopic.
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Showbiz Sandbox 481: Catty Jokes At Oscars Spur Backlash
February 17, 2020
When James Corden and Rebel Wilson strutted onto the Oscar stage dressed as characters from the film adaptation of the Broadway musical “Cats” it garnered sincere laughter from the audience. However, the duo went on to mock the visual effects of the film which they happened to star in, generating a bit of fallout. Turns out there’s a real life sad ending to the story.
Fresh off it’s Oscar win for Best Picture, “Parasite” soared at the box office. Does the film’s success, not to mention the explosive popularity of international TV shows on Netflix, mean audiences in the United States will finally catch up with the rest of the world and embrace subtitles?
Of course we also cover the week’s top entertainment headlines including the controversy over this year’s Cesar Awards in France, the streaming company Roku continues to grow and satellite radio giant Sirius XM invests in SoundCloud.
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Showbiz Sandbox 310: Diversity Makes A Comeback At Sundance
February 2, 2016
This year’s Sundance Film Festival wrapped up over the weekend in historic fashion by awarding the dramatic competition grand jury and audience prizes to “The Birth of a Nation”, a historical biopic a Virginian slave revolt. The film made headlines earlier in the week when Fox Searchlight purchased the film for a record $17.5 million after beating out Netflix in a heated bidding war.
We’ll tell you about all the big Sundance awards and continue the Oscar season slog, in which this year’s front runners are as mixed up as a Republican presidential primary. SAG added to the confusion, making “Spotlight” this week’s hero, after “The Big Short” looked like a winner the week before.
Meanwhile the Federal Communications Commission is about to vote on ending the monopoly of set top boxes for US cable subscribers, a decision that could have big ramifications for everything from what you watch to the stock prices of numerous tech companies, including Apple and Roku.
Of course we also cover the week’s top entertainment news including Louis CK bypasses television networks and brings his new series directly to viewers, Pope Francis gets ready for his closeup in a feature film and sales of new music were outpaced by catalogue titles over the past year.
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Showbiz Sandbox 293: Why Forecasting Box Office Has Become So Difficult
September 7, 2015
Though this year’s North American summer box office may wind up being the second biggest on record at $4.4 billion, movie studios are finding it far more difficult to predict opening weekend grosses. An article in the Hollywood Reporter details how tracking pre-release box office has become unreliable in an age when social media buzz and movie review aggregation have become so prevalent.
Word-of-mouth can now spread so quickly that movies like “Ted 2” can be doomed 24 hours after release, opening 33% below its estimated $50 million first weekend gross. And it’s not just flops that suffer tracking mishaps, as evidenced by “Jurassic World” bowing to $208 million, 60% more than originally anticipated.
Until now, Apple hasn’t had to worry about movie box office or even television ratings, but all that might change if rumors the company is getting into producing original content are at all true.
Of course we also cover the week’s top entertainment news including why Aretha Franklin wound up in court last week, why DreamWorks is leaving Disney and who the Academy selected to produce next year’s Oscar telecast.
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