Showbiz Sandbox 287: The Unofficial Line On This Year’s Comic-Con

Pop-culture fans from around the world made their annual pilgrimage to San Diego over the weekend for this year’s Comic-Con.  More than 130,000 attendees turned up to a show where the largest auditorium has a capacity of 6,000. Alex Billington, editor of FirstShowing, explains how some fans had to wait in line for days (literally) to get into popular panel discussions such as the one for “Star Wars: Episode VII”.

Billington waited out the neverending lines so he could fill us in on all the events, panels, trailers and collectibles designed to build hype for upcoming films and television shows like “Hateful Eight”, “Batman v Superman: Dawn of Justice” and “Deadpool”. In fact, so many movie studios and television networks showed up at Comic-Con, and with so much content, one has to wonder if their marketing messages weren’t ultimately lost in all the noise.

Meanwhile, the Minions spinoff from the “Despicable Me” franchise opened to record box office in North America giving Universal Pictures yet another big hit this year. Surely the studio will want the animated film to stick around cinemas for as long as possible, whereas Paramount Pictures has teamed up with two theater chains in an experiment to shorten the release window on certain films.

Of course we also cover the week’s top entertainment news including a request from publishing groups for an antitrust investigation targeting Amazon, “South Park” continues to redefine television thanks to a new deal with Hulu and the Rolling Stones continue their reign as the concert industry’s top earner.

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Showbiz Sandbox 265: This Year’s Oscar Nominations Aren’t Only Racist, They’re Anti-Lego

While debating Oscar nomination snubs has become an annual tradition, the criticism over this year’s list of nominees had to do with racial bias and a lack of diversity. Specifically, a film about civil rights activist Martin Luther King Jr. was nominated for Best Picture, but its female director and lead actor, both black, were surprisingly overlooked.

Yet few seemed to notice is that “Selma”, the film in question, is only the twelfth film directed by a woman to receive a Best Picture nomination in the 86 year history of the Academy Awards. On only four occasions has the filmmaker also been nominated for Best Director. And six of these movies were nominated during the last 10 years, pointing towards a positive trend for female helmers.

Also under represented in the Best Picture category at this year’s Oscars are hit movies. Sure, all of the nominees were successful, but only “American Sniper” earned big bucks at the box office. If only Legos were eligible to vote… maybe they’re film would have been nominated for Best Animated Feature.

Of course, we also cover the week’s top entertainment news stories including Barbara Streisand’s latest platinum album, Amazon’s move into theatrical film distribution and why James Cameron is delaying the “Avatar” sequels to 201.

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Showbiz Sandbox 248: Hollywood Squeezes States For More Tax Breaks

California is set to triple their tax subsidies for film and television production to more than $330 million annually in an effort to stem the tide of runaway production to states with larger tax incentives. Richard Verrier of the Los Angeles Times discusses the growing debate over the value of film tax breaks and whether they actually create new jobs, or just shift them to different locations.

There is absolutely no debate over whether this summer’s box office was down from the previous year. However as we explain, comparing year-over-year box office figures is misleading at best and ultimately a fool’s errand.

In an unusual move the rock band U2 will be giving away its new album “Songs of Innocence” to more than 500 million iTunes users for a limited time. Making the release free to download only serves to further underscore where most artists make their money these days; on tour.

Of course, we also cover the week’s top entertainment news stories including the new head of DreamWorks, why it will take a century for anyone to read author Margaret Atwood’s latest work and “The Simpsons” make their way to China.

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