Showbiz Sandbox 649: Hollywood’s Superhero Movie Problem

The superhero movie is facing its biggest enemy yet – audience indifference. “Madame Web” is just the latest superhero flick to open to poor reviews and/or bad box office. Entertainment journalist Geoff Boucher, who has covered the comic book world for over two decades and is a bigwig at ComicCon, discusses the declining popularity of superhero films and his belief that there are better times ahead for the genre.

Meanwhile, Paramount and Warner Bros. Discovery are facing their own existential threats, especially when it comes to their declining ad revenue, soft earnings and overwhelming debt.

Of course we also cover the week’s top entertainment headlines including Beyoncé making history on the country music charts, revenues soar for concert promoter Live Nation thanks to some big tours and artificial intelligence upends the expansion of Tyler Perry’s studio.

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Showbiz Sandbox 586: Tony Awards Help Broadway Get Its Groove Back

After all of the obstacles the pandemic forced plays and musicals to deal with, this year’s Tony Awards looked to raise the curtain on a revived Broadway. The ceremony managed to honor some of the best productions and performances from last season while celebrating the efforts the Broadway community made just to stay in business. We’ll look at how they might help and hurt this year’s batch winners and mention a few of our favorite performances.

Meanwhile, just as movie theaters are looking to rebound from the pandemic, exhibitors in the United Kindom found themselves in a difficult position over a film depicting the early days of Islam. And Disney is saying au revoir to theatrical in France unless that country changes its rules on theatrical release windows.

Of course we also cover the week’s top entertainment headlines including some new categories for the Grammy Awards, the rare disorder forcing Justin Bieber to cancel tour dates and why a top executive at Disney is being forced out of the company.

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Showbiz Sandbox 474: YouTube and Facebook Curtail Their Streaming Subscriptions

Facebook and YouTube might be giants in technology and media, but they have both decided to sit out the streaming wars. Sure, they’re spending $1 billion per year producing original content but pales in comparison to what the Apples and Amazons and Peacocks and HBO Maxes of the world are shelling out for new content. So, Facebook and YouTube have decided to keep their video offerings free and ad-supported.

As 2019 comes to a close with one of the biggest movie-going weeks of the year it looks as if the industry will end a semi-happy note, with record international box office, perhaps a new worldwide box office record and the second biggest North American haul in history.

Meanwhile, China added another 8,800 movie screens this year, bringing the country’s grand total to a titch under 69,000 in all. And most of the hits playing on those screens are Chinese films and that’s just the way the government wants to keep it.

Of course we also cover the week’s top entertainment headlines including why Universal Pictures may have released a new version of “Cats” after it was already in theaters, live news and sports dominates the year’s basic cable ratings and Spotify gets out of politcs.

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Showbiz Sandbox 452: The Tony Awards Go To Hell

The 2018-19 Broadway season was a banner year as the Great White Way broke box office and attendance records, earning $1.89 billion from an attendance of 14.8 million patrons. The Tony Awards were handed out to the season’s best productions and performances as “Hadestown,” a musical about Hell, took home eight prizes including Best Musical and “The Ferryman” won four trophies including Best Play.

During this episode we take a different approach to reporting box office; rather than report which movie topped the worldwide charts, we look which title earned the most money over the past week. Why only count Friday through Sunday, when there are four may days to every week in which people are seeing movies.

We are also joined by Patrick von Sychowski, the editor of Celluloid Junkie, who tells us how he put together an exclusive story of how Chinese authorities spent three years tracking and shutting down one of the largest movie piracy rings of all time. After uncovering piracy being done on an industrial scale, the question remains, could it happen again.

Of course we also cover the week’s top entertainment headlines including why Netflix was told to stop poaching employees from its competitors, YouTube starts pulling hateful content off its platform and Entertainment Weekly magazine goes monthly.

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Showbiz Sandbox 323: Trends From the 2016 TV Upfronts

Each May all the U.S. television networks invite major advertisers and the media to New York so they can pitch all of the new and returning shows on their fall schedules. Known as the upfronts, a good chunk of the prime time advertising inventory is sold during these meetings as promotional buzz about each series commences in earnest. We’ll take a closer look at some of the big trends coming out of this year’s upfronts.

Meanwhile, a much beloved series might be starting a trend of its own by increasing viewership in its 12th season. Usually long-running shows lose audience in their latter years, however “Grey’s Anatomy” is the perfect example of how new technology can boost viewership.

Viacom and CBS are likely to have kept a close eye on the recently completed upfronts, given their dominance in television. CBS was originally a Viacom property, but was spun-off more than a decade ago. Now, amidst leadership turmoil at Viacom, there is speculation the two companies may merge, once more becoming a single entity.

Of course we also cover the week’s top entertainment news including why U.S. presidential candidate Bernie Sanders is criticizing Disney, Spotify’s big success in helping subscribers find new music and why the next James Bond film is in search of a director.

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Showbiz Sandbox 260: The Race To Build A Bigger, Louder And More Expensive Movie Theater

When it comes to giant screen cinema IMAX is still the most dominant player, but with theater owners building their own premium large format auditoriums new competitors have started to spring up. Dolby, a company known for cinema audio technology, is the latest to enter the fray with their own PLF offering that includes bigger screens, more immersive sound and, of course, a higher ticket price. Whether such offerings will catch on with moviegoers remains to be seen.

The only big news anyone in the entertainment industry wants to talk about right now is the cyber attack on Sony Pictures. Security experts say it’s shaping up to be the largest and most damaging hack against a commercial business in history. Authorities investigating the crime are no closer to catching the perpetrator than when the incident first made headlines two weeks ago.

The Grammy Awards were also making headlines last week. In fact, the annual music awards show tried to stay at the top of the news cycle by announcing nominees via various platforms throughout the course of an entire day. The real story however, turned out to be which musicians actually received nominations and which were overlooked.

Of course, we also cover the week’s top entertainment news stories including the name of the next James Bond film, U2 announces a world tour and CBS gets into another retransmission dispute.

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Showbiz Sandbox 185: HitBliss Bets You’ll Watch Ads To Get Free Movies

HitBliss is a new streaming video service that enables users to earn credit toward popular movies and television shows simply by watching advertising. The catch is all the targeted ads are shown up-front, and viewers must be paying attention or they won’t get the credits needed to purchase or rent videos.

Sharon Peyer is the co-founder of HitBliss and spent four years helping launch the company. In this interview she explains how the service originated, how it works and what the future of HitBliss might look like. Peyer believes consumers are actually willing to watch ads so long as the messages are relevant and they can get something out of it.

It’s no secret that streaming media services are all the rage these days, yet it remains to be seen whether they can be profitable too. Pandora’s latest earnings (or lack thereof) beat analysts expectations sending its stock price soaring. Unfortunately, the royalties they pay for music might start rising, along with the number of competitors like YouTube and Apple looking to enter the market.

Of course we also cover the week’s top entertainment headlines including Pink Flloyd’s 40 year presence in the music charts, Rupert Murdoch’s plans for a television sports network and the Daily Show’s Jon Stewart takes a crack at making a movie.

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Showbiz Sandbox 62: The Secret Behind Hollywood’s Accounting Practices

How is it the last Harry Potter film can gross $938 million but still lose $130 million? Journalist and author Edward Jay Epstein joins us to unravel some of Hollywood’s quirky accounting practices. He’s written two books on the subject; The Hollywood Economist: The Hidden Financial Reality Behind the Movies and The Big Picture: Money and Power in Hollywood.

“Despicable Me” topped the box office though the amount it took in from 3D screens was rather low. Could audiences be tiring of paying exorbitant 3D ticket prices? Meanwhile, Miramax finally seems to have found a buyer and Lions Gate is trying to make piece with activist investor Carl Icahn.

The Emmy nominations were announced last week and we’ll fill you in on whose up for the television’s big awards. Over in the world of music Pollstar announced that concert ticket sales are down 15% for the first half of the year.

During our Big Deal or Big Whoop segment we race through a number of top entertainment headlines, including Roman Polanski’s release, Lindsay Lohan’s jail time and Mel Gibson getting dumped by his agency. Maybe Gibson can find some work on YouTube, which plans to offer $5 million in grants to select content partners.

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Showbiz Sandbox 36: Can “Avatar” Beat “Titanic”? Heck No!

“Avatar” continues its takeover of the box office, while “The Hurt Locker” appears to be taking over the awards season. James Cameron’s 3D labor of love entered the list of top 10 grossing films of all time and may be poised to become the highest grossing movie ever, a title now held by another Cameron film, “Titanic”. “Avatar” is now one of only five films to ever earn over a billion dollars world-wide.

Now the prognostication begins about whether “Avatar” (and Cameron) will be nominated for an Academy Award? His ex-wife’s movie “The Hurt Locker” certainly seems to be headed that way. Director Kathryn Bigelow is earning raves for the film and she is being being heavily favored to be the first female to win a Best Director Oscar. Between Bigelow and Nancy Meyers (“It’s Complicated”), female directors, or at least the discussion of their recent success, is the topic du jour in Hollywood.

Another favorite topic at the beginning a year is reflection and prediction. What were the top reviewed movies of the decade? Did you see any of them? Read more

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Showbiz Sandbox 9: I Loves Me A Good Ouster Story

Entertainment journalist Michael Giltz provides his insight and wit again this week.

“The Proposal” topped the box office, and was Sandra Bullock’s biggest movie opening ever. Which begs the question, why is this not also “a Ryan Reynolds movie”? Sean Penn is taking a year off for some “personal time,” or perhaps he just wants to get out of “The Three Stooges.” Other people taking time off are Steven Soderbergh and Brad Pitt, after Colombia Pictures President Amy Pascal pulled the plug on the Steven Zallian-scripted “Moneyball” which was set to shoot on Monday, June 22. Sam Mendes is having better luck, having just signed a two year deal with Focus Features, and he will direct the film adaptation of George Eliot’s classic “Middlemarch.”

It was a shoot ‘em up between NY Post Critic Lou Lumenick and Universal over Lumeneck’s early review of “Public Enemies.” Turns out there was an embargo on when the reviews could be published. Lumenick claims he didn’t know that, but according to Michael Giltz, it’s a rule of thumb that all reviewers know. Read more

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