Showbiz Sandbox 609: Consumers Are Spending A Fortune on Home Entertainment

February 28, 2023

According to Digital Entertainment Group, consumers in North America spent $37 billion on home entertainment in 2022. That includes not only spending on streaming services, but also DVD, Blu-ray and digital sales. Not to mention physical and digital rentals. And none of these figures includes spending on cable television.

Meanwhile, awards season is in full swing with the SAG Awards, PGA Awards, Annies and the Cesars all being handed out over the past week. We’ll give you the quick summary and what it all means for the Oscars.

Of course we also cover the week’s top entertainment headlines including how Warner Bros. Discovery and Paramout are in a dispute over “South Park,” Stephen Fry will host “Jeopardy” in the United Kingdom and new “Lord of the Rings” movies are in the works.

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Showbiz Sandbox 366: Shifting TV Viewership is Affecting Ratings, Ad Sales and Future Programming Decisions

May 15, 2017

All the major television networks are preparing their dog-and-pony shows for advertisers at this year’s upfront presentations as they look to sell $9 billion worth of commercial time for the upcoming season. However with viewership continuing to become more fractured, the industry has grown concerned that falling ratings over the past year will lead to lower ad sales. Which raises the question about just how accurate audience measurement is these days.

Networks have begun taking measures to shore up potentially weaker ad sales by demanding harder bargains from production companies, owning more of their own series and making untold fortunes internationally with certain shows. They’re also dabbling more and more with live television specials including musicals such as “A Christmas Story”.

The 70th edition of the Cannes Film Festival will also begin this week, though not without some controversy over two Netflix titles screening in competition, but not in French movie theaters. This has led Cannes to create a new rule beginning in 2018 that any film selected for the festival must have a theatrical release in France.

Of course, we also cover the week’s top entertainment news including why Spotify might abandon plans for its IPO in lieu of a direct list o the stock market, Cheryl Boone Isaacs decides not to run for another term as head of the Academy of Motion Picture Arts and Sciences and Kelly Clarkson joins “The Voice” just as ABC announces the return of “American Idol.”

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Showbiz Sandbox 251: In the Digital Age, Content Rights Are King

September 29, 2014

Whether an illustrator creating legendary comic book characters for Marvel or a 1960’s pop group that hasn’t had a hit in decades, owning the rights to the content one produces has never been more important thanks to emerging digital distribution platforms. Unfortunately, determining who owns the rights for specific content is becoming increasingly more difficult.

For example, last week’s landmark court ruling against satellite radio provider Sirius XM could mean the company has to start paying public performance royalties on pre-1972 sound recordings. The case has huge copyright implications not just for Sirius XM, but also to streaming radio services like Pandora.

Access to content is likely the reason Softbank is making a play to acquire DreamWorks Animation. Should a deal be struck then only time will tell whether there is actually any synergy between the animation studio and the Japanese conglomerate.

Of course, we also cover the week’s top entertainment news stories including the approval of drones for film production, new stars for the upcoming season of “True Detective” and remixing actor Stephen Fry’s new memoir.

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