Showbiz Sandbox 649: Hollywood’s Superhero Movie Problem
February 27, 2024
The superhero movie is facing its biggest enemy yet – audience indifference. “Madame Web” is just the latest superhero flick to open to poor reviews and/or bad box office. Entertainment journalist Geoff Boucher, who has covered the comic book world for over two decades and is a bigwig at ComicCon, discusses the declining popularity of superhero films and his belief that there are better times ahead for the genre.
Meanwhile, Paramount and Warner Bros. Discovery are facing their own existential threats, especially when it comes to their declining ad revenue, soft earnings and overwhelming debt.
Of course we also cover the week’s top entertainment headlines including Beyoncé making history on the country music charts, revenues soar for concert promoter Live Nation thanks to some big tours and artificial intelligence upends the expansion of Tyler Perry’s studio.
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Showbiz Sandbox 602: Avatar Sequel Makes A Splash at the Box Office
December 20, 2022
Filmmaker James Cameron delivered his long-awaited sequel to “Avatar,” the highest grossing movie of all-time and it delivered the blue Christmas movie theaters were hoping for. “Avatar: The Way of Water” is getting mostly glowing reviews for its visuals, less so for its story, and opened to huge admissions figures around the world. Whether it will surpass the success of the original film is questionable, but it should reign over the box office through the end of January.
Meanwhile, it turns out Warner Bros. Discovery wasn’t done making post-merger cuts. The media conglomerate increased the write-down of its existing content, pulling shows off of HBO Max and upending the DC Universe in the process.
Of course we also cover the week’s top entertainment headlines including the latest entrants to the National Film Registry, an update on Bad Bunny’s Ticketmaster fiasco and an early prediction for the 2023 global box office total.
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Showbiz Sandbox 558: Hollywood Workers Scrutinize Gains In New Contract
October 19, 2021
At the eleventh hour the International Alliance of Theatrical Stage Employees (IATSE), the union representing film and television production workers, negotiated a new contract with studios and networks. What is still unclear is whether workers are grateful about averting a strike or upset they didn’t gain more. Besides gaining wage increases, the union was aiming to clamp down on workplace conditions that lead to long, exhausting hours.
Meanwhile, across the entertainment business, the black hole of data is getting bigger. We don’t really know what streaming shows are popular, we can’t add up all the ways people consume music, TV producers are struggling to prove they’re reaching a lot of eyeballs and Broadway has stopped reporting grosses. Is this just annoying for journalists or a real problem for the industry as a whole?
Of course we also cover the week’s top entertainment headlines including why the Grammys are booting Kacey Musgraves from the country music category, Elton John sets a new record on the music charts and Disney loses a key, veteran executive.
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Showbiz Sandbox 548: The Cannes Film Festival in the Age of COVID
July 13, 2021
After COVID canceled the festival in 2020, the Cannes Film Festival is going ahead this year, albeit two months later than usual. Still, it’s remarkable that organizers were able to pull off the world’s largest film festival amid these uncertain times. We’ll tell you about all the COVID protocols at this year’s festival, not to mention all the movies, filmmakers and celebrities that made their way to the French Riviera.
Meanwhile, Disney announced that its new film Black Widow made $60 million in its opening weekend… not at the box office, but rather in homes. Subscribers of Disney+ could pay $30 to watch Scarlett Johannson save the day, rather than head to the movie theater. Is this a win for Disney? A loss for cinema? Or is it too soon to draw any conclusions from these COVID crazy times?
Of course we also cover some of the week’s top entertainment headlines including an increase in comic book sales, David Geffen helps the Yale drama school goes tuition free and Universal Pictures gives Peacock a boost.
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Showbiz Sandbox 252: Crouching Netflix, Hidden IMAX and the Myth of Broken Release Windows
October 6, 2014
The Weinstein Co. stunned the entertainment industry last week by announcing they would distribute the sequel to “Crouching Tiger, Hidden Dragon” simultaneously on Netflix and IMAX. As Brooks Barnes of the New York Times explains, the plan only has one problem; movie theaters refuse to show any film that opens day-and-date on home video or video-on-demand. This begs the question, if a movie never opens theatrically, was it’s release window really broken?
Netflix continued to make additional headlines later in the week by signing a deal with actor Adam Sandler to make four original movies for the streaming service. We discuss whether Netflix is changing the Hollywood paradigm or simply becoming one more buyer of premium content.
While Netflix is leaning into the future, director Christopher Nolan is taking a more old fashioned approach by releasing his upcoming movie on actual film. Select theaters showing “Interstellar” on analogue celluloid will get the film two days early. But will theater owners, who recently converted to digital cinema, still know how to thread a 35mm projector?
Of course, we also cover the week’s top entertainment news stories including the death of Saturday morning cartoons, why U2 released their latest album on vinyl and how Facebook is helping “Twilight” live on through a series of short films.
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Showbiz Sandbox 202: Holy Overreaction, Batman!
August 26, 2013
You would have thought the world was coming to an end last week when Warner Bros. announced the casting of Ben Affleck as Batman in the upcoming blockbuster which will pair the Dark Knight with Superman. Fans of the Caped Crusader weren’t the only ones to weigh in on the casting choice. Just about everyone on earth seemed to have an opinion (most of them negative) on whether Affleck should put on the Batsuit.
No matter who plays Batman, you can be sure the character will resurface in more films. After all, seven of the top ten grossing movies of the summer were sequels or remakes, helping the 2013 domestic box office stay on track with last year.
Much the moviegoers have gotten used to reboots and sequels, television audiences have grown accustom to having their cable providers blackout networks over licensing disputes just as Time Warner Cable is doing presently with CBS and its affiliated networks. Industry critics and politicians have suggested a la carte cable may help stem such actions, though we’ll explain why it may prove to be a horrible idea.
Of course we also cover the week’s top entertainment news including the launch of iTunes Radio, the return of “Duck Dynasty” and the death of drive in movie theaters.
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Showbiz Sandbox 199: Comic-Con and Hollywood Is A Match Made In Nerdvana
July 22, 2013
Hollywood movie studios are no stranger to Comic-Con, the world largest pop-culture convention attracting 140,000 fans to San Diego each summer. For years they have showed up with new titles hoping to drum up pre-release buzz, though at times such calculated marketing moves have backfired in spectacular fashion. Even so, Entertainment Weekly’s Geoff Boucher says audiences always welcome Hollywood back to the Con with open arms.
Boucher gives us an inside look at this year’s event, filling us in on which movies, television shows and events were huge hits (or misses) with fans. Did the announcement of a film pairing of Superman and Batman go over well with the crowd? Was everyone surprised to see a trailer for the “Veronica Mars” movie.
Last week also saw the Television Academy announce their nominations for this year’s Emmy Awards. The big news was the Netflix series “House of Cards” which earned 14 nominations and marked the first time a show will vie for an Emmy without having aired on broadcast or cable networks.
Of course we also cover the week’s top entertainment news including a public spat over Spotify streaming royalty rates, Keith Olbermann’s return to ESPN and a summer of big box office flops.
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Showbiz Sandbox 195: Hollywood Exploits 9/11 Imagery For Its Implosive Blockbusters
June 19, 2013
As “Man of Steel” sets the worldwide box office aflame, the latest Superman reboot also serves as yet another example of a Hollywood blockbuster exploiting the imagery of 9/11 for apocalyptic purposes. Kyle Buchanan, the Movies Editor at New York Magazine, would like to see filmmakers stop relying on meaningless urban destruction. He joins us to discuss his recent article calling for an end to the “orgy of gratuitous building-battering” in big budget movies.
Steven Spielberg and George Lucas are two filmmakers quite familiar with blockbuster movies. Now, the directors who helped launch the modern day tentpole release are predicting an “implosion” for Hollywood, along with a handful of other pessimistic prognostications. We’ll tell you what they had to say in a recent panel discussion.
Last week also saw Apple finally get into the music streaming business with the announcement of iTunes Radio. Only time will tell whether Apple will be able to compete with Pandora, Spotify and all of the other existing players in the space, though we’re not overly impressed.
Of course we also cover the week’s top entertainment news including a legal victory for Hollywood interns, Arnold Schwarzenegger returns to “The Terminator” and The Muppets head to Broadway.
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Showbiz Sandbox 182: Last Year’s Movies Provide A Wealth of Riches
February 18, 2013
For the past four years blogger Aaron Rich has been reviewing the movies he sees on his blog All The Movies I Watch, with a strong emphasis on independent and international titles. Last year he saw more than 500 films and says it was a good year for movies, as long as you ignored what Hollywood had to offer. Rich joins us to discuss some of his best (and worst) movies of 2012, many of which may be unfamiliar to you.
As we roll towards another Oscars ceremony, it looks as if Ben Affleck’s “Argo” is poised to take home the year’s biggest prize; Best Picture. This past weekend it topped the Writers Guild Awards, along with “Zero Dark Thirty”. We have a few last minute predictions for who might be picking up this year’s Academy Awards.
At some point all of this year’s movies will wind up on video services such as Netflix. Yet we’ll never know how popular they are on Netflix because the company won’t divulge viewership numbers. This is making it very difficult to determine whether its own original programming, such as “House of Cards”, is a success.
Of course we also cover the week’s top entertainment headlines including how movie ticket prices went up in 2012, how Universal Music Publishing Group hopes to capitalize cover versions of its songs on YouTube, and why rock legend Chubby Checker is suing a software developer for stealing his name.
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Showbiz Sandbox 177: The Bloomin’ Onion Effect: Why Audiences Are Happy Movies Have Gotten Longer
January 14, 2013
In an age where audiences have grown used to the brevity of YouTube clips and 140 character updates, Hollywood is instead serving up super sized movies. Six of the top ten movies from 2012 were over two hours, including comic book movies like “The Avengers”. Even comedies such as “This Is 40” crossed the 120 minute mark and don’t even get us started on “The Hobbit”.
Rebecca Keegan of the Los Angeles Times explains the increase in movie running times has a lot to do with the creative control marquee directors have over their films as well as digital tools that allow them to shoot more footage. Surprisingly, Keegan found that most moviegoers appreciate longer running times since it makes them feel they are getting a more value for the price of admission.
Also from the Los Angeles Times is Glenn Whipp, who joins us to discuss some of the surprise Academy Award nominations announced last week and whether the Golden Globes might affect who wins Oscars this year.
Of course, we also cover the week’s top entertainment headlines including a resolution in Superman’s court case, the return of daytime soap operas and whether the film adaption of “Fifty Shades of Grey” will be rated NC-17.
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