Showbiz Sandbox 642: What Netflix Subscribers Really Watch

December 19, 2023

Last week Netflix released a huge data dump detailing the viewership of all its programming for the first six months of 2023. The streaming giant is calling it a victory for transparency. While it’s a long way from the granular detail the industry has long sought, it does reveal that almost nobody watches 25% of the 18,000 on the serverice. We discuss other findings the metrics reveal and why Netflix is suddenly so open about releasing data.

Meanwhile, the guilds have started to weigh in with their picks for the top films of this year and providing us with a list of documentaries you should catch up on.

Of course we also cover the week’s top entertainment headlines including why Mayim Bialik is out as host of “Jeapordy,” the 25 films added to this year’s National Film Registry and the (legal and professional) verdict on actor Jonathan Majors.

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Showbiz Sandbox 635: Deciphering Hollywood Hits and Misses

October 17, 2023

Hollywood studios often try to camouflage the success or failure of their movies. Sometimes they claim a film is unprofitable, yet go on to make several sequels, as Nu Image did with the “Has Fallen” franchise. Other times a studio insists a movie is a modest box office hit despite paying hundreds of millions for the underlying property, as with Universal Pictures’ recent “The Exorcist: Believer.” It many not matter to moviegoers, but it does to those with profit participation.

There is no denying that Taylor Swift’s “Eras Tour” concert film is a huge success after its weekend in cinemas around the world. Though it didn’t live up to early box office forecasts, its opening was three times bigger than any concert movie in history. It became the highest grossing such film of all time in North America after just three days.

Of course we also cover the week’s top entertainment headlines including the latest on the actors’ strike, some questions over Spotify’s audiobook offering and Microsoft finally completes its acquisition of Activision Blizzard.

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Showbiz Sandbox 597: Audiobooks Are Changing Our Reading Habits

October 11, 2022

Audiobooks have slowly gained enough market share in the publishing industry that the medium now rivals print and ebooks in terms of sales and consumption. How audiobooks are changing the way we read is a question Karl Berglund of Uppsala University in Sweden set out to answer through a study analyzing a large amount of quantitative data from Swedish readers for his upcoming book “Reading Audio Readers: Book Consumption in the Streaming Age.” Berglund joins us to discuss his findings and what they could mean for the publishing industry.

Netflix has certainly changed viewing habits with all of its original programming streaming directly into homes. However, after striking a new deal with some of the world’s largest movie theater chains, the company will distribute the sequel to “Knives Out” for a single week in over 600 cinemas a full month before releasing the title on its own platform.

Of course we also cover the week’s top entertainment headlines including how titles from four different streaming platforms all hit more than a billion minutes of viewing in the same week, what productions to see in London’s West End and Pink Floyd’s back catalog is up for sale.

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Showbiz Sandbox 580: Warner Bros. Enters Its Discovery Phase

April 12, 2022

Last week Discovery closed its $43 billion deal to acquire WarnerMedia from telecom giant AT&T. Discovery topper David Zaslav immediately installed his own executive team to run Warner Bros. Discovery forcing the existing management team to head for the door. We discuss the fallout from the merger and the what the future may look like for the combined company.

One of the exiting executives was WarnerMedia CEO Jason Kilar whose infamous Project Popcorn opened all 18 Warner Bros. theatrical releases throughout 2021 day-and-date with HBO Max. Kilar claims the controversial distribution strategy was a success, but if that’s true, then why did Warner Bros. discontinue it?

Of course we also cover the week’s top entertainment headlines including the big winners at the Olivier Awards, “Dancing with the Stars” moves to Disney+ and members of the original Grateful Dead rock band will stop touring after five decades.

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Showbiz Sandbox 558: Hollywood Workers Scrutinize Gains In New Contract

October 19, 2021

At the eleventh hour the International Alliance of Theatrical Stage Employees (IATSE), the union representing film and television production workers, negotiated a new contract with studios and networks. What is still unclear is whether workers are grateful about averting a strike or upset they didn’t gain more. Besides gaining wage increases, the union was aiming to clamp down on workplace conditions that lead to long, exhausting hours.

Meanwhile, across the entertainment business, the black hole of data is getting bigger. We don’t really know what streaming shows are popular, we can’t add up all the ways people consume music, TV producers are struggling to prove they’re reaching a lot of eyeballs and Broadway has stopped reporting grosses. Is this just annoying for journalists or a real problem for the industry as a whole?

Of course we also cover the week’s top entertainment headlines including why the Grammys are booting Kacey Musgraves from the country music category, Elton John sets a new record on the music charts and Disney loses a key, veteran executive.

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Showbiz Sandbox 366: Shifting TV Viewership is Affecting Ratings, Ad Sales and Future Programming Decisions

May 15, 2017

All the major television networks are preparing their dog-and-pony shows for advertisers at this year’s upfront presentations as they look to sell $9 billion worth of commercial time for the upcoming season. However with viewership continuing to become more fractured, the industry has grown concerned that falling ratings over the past year will lead to lower ad sales. Which raises the question about just how accurate audience measurement is these days.

Networks have begun taking measures to shore up potentially weaker ad sales by demanding harder bargains from production companies, owning more of their own series and making untold fortunes internationally with certain shows. They’re also dabbling more and more with live television specials including musicals such as “A Christmas Story”.

The 70th edition of the Cannes Film Festival will also begin this week, though not without some controversy over two Netflix titles screening in competition, but not in French movie theaters. This has led Cannes to create a new rule beginning in 2018 that any film selected for the festival must have a theatrical release in France.

Of course, we also cover the week’s top entertainment news including why Spotify might abandon plans for its IPO in lieu of a direct list o the stock market, Cheryl Boone Isaacs decides not to run for another term as head of the Academy of Motion Picture Arts and Sciences and Kelly Clarkson joins “The Voice” just as ABC announces the return of “American Idol.”

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Showbiz Sandbox 308: Hollywood Thinks It Has Netflix’s Numbers

January 18, 2016

With Netflix now available in 190 countries, the upstart video-on-demand service has grown so big Hollywood studios and television networks are getting seriously worried. Sure, they’ve earned millions by licensing their content to Netflix, but they now find themselves competing with the company for new projects, not to mention the industry’s most sought after talent.

TV networks are especially upset Netflix can claim to be a success without ever revealing their ratings. Some have even gone so far as to commission studies to determine the true viewership of Netflix programming. Meanwhile, Netflix has become concerned about viewers bypassing geographic restrictions by subscribing to their U.S. service from international territories.

When it came to this year’s Academy Awards nominations however, Netflix was overlooked in all of the major categories. So were minorities. For the second year in a row all of the acting nominations and those for best director went to caucasians, giving rise to a repeat of the #OscarsSoWhite social media campaign.

Of course we also cover the week’s top entertainment news including NBC’s plans to produce a live version of the musical “Hairspray”, Al Jazeera America is being shut down and the death of actor Alan Rickman.

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Showbiz Sandbox 299: The Gender Pay Gap Lands A Starring Role In Hollywood

October 19, 2015

Hollywood’s gender pay gap is once again a hot topic of discussion thanks to a frank essay on the subject by Academy Award winning actress Jennifer Lawrence. We are joined by Karen Woodward, an entertainment industry social media consultant, who suggests that the crass and angry tone the actress took in her piece helped gain attention for the issue and start a conversation on how to fix the problem.

We’ll hear what Lawrence had to say about being paid less than her male co-stars, specifically how she’s no longer concerned with being “liked” or finding a kinder, gentler way to express her opinion. Now at least one of her frequent co-stars has plans to take up the cause with what could be a very effective strategy.

Meanwhile, with the number of major record labels having already declined to three from what was once six, it appears the industry’s contraction may soon affect music publishing with Sony/ATV looking for a new owner. Could one of the world’s largest music publishers soon merge with a competitor?

Of course we also cover the week’s top entertainment news including why Playboy magazine is getting rid of its centerfold, how “The Walking Dead” went global in a big way and Netflix earnings and subscriber growth disappoint Wall Street.

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Showbiz Sandbox 173: Spoiler Alert! Your Movie Has A Kicker

December 10, 2012

Frustrated at not knowing if the movie he was watching would have any special scenes during or after the credits Chris Ramey did something about it. Ramey is the founder of What’s After The Credits? a website that details kickers, as they are often called, to popular movies, television shows and video games. He tells how what inspired him to create the site and how its grown in popularity.

Speaking of popular, “Skyfall” is not only the most successful James Bond film of all time, it has also become the highest grossing movie of all time for Sony Pictures and the United Kingdom. Yet despite positive reviews, the film hasn’t been appearing in any of the recent year end critic polls.

Grammy nominations were announced last week and with acts like the Black Keys racking up five nominations, including Album of the Year, they had a rock and roll vibe. It is nice to see the Grammys include a lot of fresh faces in some of their top categories and refrain from knee-jerk nominations for veteran performers. We’ll provide a rundown of the nominations.

Of course we also cover the week’s top entertainment headlines including the expansion of iTunes to 56 new countries, Netflix signs an exclusive content deal with Disney and how much Psy is making off of his hit song “Gangnam Style”.

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