Showbiz Sandbox 494: Broadway Productions Remain In The Dark About Reopening

Broadway theaters and their equivalent in the West End and local communities around the world face a much huge hurdle in reopening after being closed for months due to the COVID-19 pandemic. Productions now face challenges such as paying rent for theaters which aren’t holding performances, houses that don’t accommodate social distancing, an aging audience, a lack of tourists, canceled shows and more.

The list of delayed productions is too long to cover, but even shows on hold, shows that were touring or playing on Broadway are calling it quits. Last week, the Donna Summer touring musical shut down for good along with Disney’s “Frozen.” The musical was suffering from falling grosses, but even so, the move sent shivers through the Broadway community.

Of course we also cover some of the week’s top entertainment headlines including why the Hollywood Bowl is going dark for the first time in 98 years, bull riding competitions get the green light and which North American network topped the rating last season.

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Showbiz Sandbox 343: Teamsters Play a Big Role on Broadway

The theater world is presently embroiled in major contractual battles over pay, benefits and credits. The last group you’d ever think would be leading the charge is the Teamsters, who represent a large number of theater, television and film workers, including casting directors. Turns out, if you want to produce entertainment in the United States, you probably have to deal with the Teamsters.

Those working off-Broadway however, are represented by the Actors Equity Association and they are negotiating with the League of Off Broadway Theaters and Producers. Actors are pushing for a historic pay increase claiming their weekly minimum has never kept pace with inflation, let alone the cost of living in the major metropolitan cities where live theater is produced.

Meanwhile the Justice Department has filed an antitrust lawsuit against AT&T-DirecTV and other pay television providers for colluding in their refusal to carry SportsNet LA, a channel owned by Time Warner Cable. This comes in the wake of AT&T’s bid to acquire the media company Time Warner, which some fear might consolidate to much media power in too few hands.

Of course we also cover the week’s top entertainment news including the noteworthy ratings for this year’s World Series, who was named producers of next year’s Oscar ceremony and a “The Simpsons” is set up to make television history.

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Showbiz Sandbox 321: New Power Players Emerge In Cannes

The Cannes Film Festival has become one of the most important annual cinema events because it programs a diverse array of movies from all over the world. We’ll head to the French Riviera for this year’s festival to tell you which of the hundreds of films are generating buzz and argue over the elements necessary for the successful exportation of European films.

Meanwhile the Marché du Film, or Cannes Film Market, takes place alongside the festival each year. New industry players such as Amazon Studios and other streaming companies have made some bold moves during Cannes, stealing the thunder from veteran power brokers.

Speaking of streaming companies, Amazon is opening its video platform to users, allowing them to upload content and make money off ads, just like they do on YouTube. And YouTube is dreaming of selling its many customers a skinny bundle of TV channels.

Of course we also cover the week’s top entertainment news including the Ukrainian winner of the Eurovision song contest, Sean Penn gets an apology from Tyler Perry and Disney sets a historic box office milestone.

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Showbiz Sandbox 320: Is Comcast the New Disney?

Comcast announced last week that it would acquire Dreamworks Animation for $3.8 billion, taking another step toward transforming themselves from a cable giant into a full fledged media conglomerate. Meg James, a corporate media reporter for the Los Angeles Times, join us to discuss how, though the deal may not have been anticipated, it makes a lot of sense for both companies.

The purchase is the most recent in a string of acquisitions that have closely mirrored the strategy Disney has executed over the past decade as they gobbled up companies such as Pixar, Marvel and Lucasfilm. Comcast has proven quite adept at turning undervalued assets such as NBCUniversal and Universal Studios theme parks into profitable entities.

Meanwhile, as the Tony Awards season officially kicks off, Broadway is suffering from what is being referred to as The Hamilton Effect. This is a condition in which you open a musical that blends hip-hop and history in a way that not only makes the show a cultural phenomenon, but the inevitable winner of this year’s much coveted Best Musical Tony.

Of course we also cover the week’s top entertainment news including the Daytime Emmy winners, why Fox is pulling out of this year’s Comic-Con convention and how French law enforcement is preparing for the Cannes Film Festival.

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Showbiz Sandbox 319: The Changing Tide of Music Distribution

Almost three years after Beyoncé made a big splash by releasing a secret album via iTunes, the pop star has snuck up the world once again with her latest work, a video album called “Lemonade”. This time however Beyoncé was strategic in how she distributed her album, premiering it with an HBO special, then exclusively to the streaming music service Tidal, before ultimately turning back to iTunes. More and more, big name acts are controlling how and to whom their music gets distributed.

Multi-genre musician Prince was way ahead of his time when it came to controlling how his music reaches the world. The legendary artist died suddenly last week leaving behind a lifetime of work a great deal of which was never released. We discuss the many fascinating ways the unexpected death of Prince was covered by the media and his sometimes unique distribution methods.

We’ll also take a look at the introduction of a new cinematic camera that has the potential to revolutionize filming and post-production by allowing to filmmakers “to effectively capture the color, direction and placement of every ray of light”.

Of course we also cover the week’s top entertainment news including some behind the scenes drama at the morning talk shows, why China shut down some of the Apple iTunes stores and how Hollywood is making its way to West Africa.

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Showbiz Sandbox 198: One Flop Does Not A Studio Break

Though the media might like to focus on Hollywood’s failures whenever a big blockbuster tanks, the reality is most movie studios can weather a flop or two. Modern-day entertainment conglomerates include music, merchandising, consumer products and travel divisions of which the movie studio is much smaller part. Disney, for instance, made nine times as much revenue in 2012 on its television media holdings than it did with its movie studio.

Even so, without a pipeline of even modestly successful movies, an entertainment company’s entire operation can eventually suffer. That’s why even though mega-producer Jerry Bruckheimer is in a bit of a dry spell lately, (see “The Lone Ranger”) someone in Hollywood will always be willing to bet on his next project.

The past week also saw a seemingly endless supply of news stories concerning the health of celebrities. Placido Domingo was hospitalized with a pulmonary embolism, Randy Travis is in serious condition after suffering a stroke, Elton John canceled a tour after emergency surgery for appendicitis and it was all topped by the untimely death of “Glee” star Cory Monteith at age 31.

Of course we also cover the week’s top entertainment news including the Meredith Vieira’s return to television, a Twitter storm over “Sharknado” and Joan Rivers’ dispute with the Writers Guild.

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