Showbiz Sandbox 544: The Existential Crisis Facing Theatrical Movie Releases

June 8, 2021

Anne Thompson, the editor at large at IndieWire, believes “a lot of things have to go right for the two-hour movie theatrical release to endure.” Thompson said as much in an opinion column she recently wrote for the New York Times. In a detailed opinion column for the New York Times. In a detailed conversation she explains four key challenges movie theaters face as they revive their business after the pandemic, including whether North American box office will ever again reach $11 billion.

One theatrical release that is doing better than some expected is Disney’s “Cruella.” The live-action spin-off has been popular enough for Disney to release a fashion line inspired by the outfits Oscar winning costume designer Jenny Bevan created for the film. They probably should have told her first since the Costume Designers Guild is none too pleased.

Of course we also cover some of the week’s top entertainment headlines including the big winners at the BAFTA TV awards, how SpongeBob SquarePants is able to avoid paying taxes and the Russian comedy that is getting lots of local language remake love.

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Showbiz Sandbox 297: Television Networks Brace For Media Measurement Mayhem

October 5, 2015

In the digital age the viewership of television content has been difficult to track across multiple platforms and devices. The announcement of a game-changing merger between web analytics firm Comscore and the TV and box office data outfit Rentrak suggests a much needed solution for cross-media ratings may soon be available.

The combination of Comscore and Rentrak would finally create a company with the deep pockets and technical expertise to legitimately take on Nielsen, the uncontested reigning king of television ratings for the last several decades. The industry welcomes such competition at a time when advertisers are clamoring for accurate audience measurement across all screens, including mobile devices.

Thanks to the increase in delayed viewing, television ratings have become near impossible to report in a timely manner. Overnight ratings have long been the standard for touting a television program’s success (or failure), but now such numbers can represent less than half a show’s total audience once DVR data is counted. This has made keeping track of who watched what when and on which devices extremely confusing.

Of course we also cover the week’s top entertainment news including the plans to the former hit series “MacGyver” a makeover, “Ghostbusters” gets animated and some of the unnecessary recipients among this year’s MacArthur Genius Awards.

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Showbiz Sandbox 201: Why CBS Is Winning The Battle (And The War) Over Cable Television

August 12, 2013

For the past two weeks Time Warner Cable has been blacking out CBS networks in New York, Los Angeles and other major markets over a retransmission dispute. Despite losing more than 3 million households ratings on CBS have remained steady giving the network no reason to back down from its demands. With the new television and football seasons set to begin in September Time Warner Cable may have no choice but to cave in to CBS’ terms.

Meanwhile, this summer’s blockbuster movies continue to underperform at the box office with Disney announcing they may have to take a $190 million write down on losses from “The Lone Ranger”. Actor Johnny Depp and producer Jerry Bruckheimer have figured out who to blame for the movie’s failure; vengeful American film critics.

After being publicly trashed by George Clooney, activist investor Daniel Loeb was unable to convince Sony to spin-off its entertainment divisions. Even so, Loeb says he’s pleased since the company’s stock price is up and its management more accountable to shareholders.

Of course we also cover the week’s top entertainment news including a lost film from Orson Welles, a new ending for the “Finding Nemo” sequel and the surprising new owner of The Washington Post.

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