August 16, 2016
In a scathing open letter published last week, an alleged ex-Warner Bros. employee took the studio and its chairman Kevin Tsujihara to task for a number of recent missteps. The author mocks studio brass for doubling down on the talent delivering critical duds such as “Batman v Superman” and their inability to make a hit movie, despite somehow managing to keep their jobs.
Though the veracity of the letter is questionable, it caused ripples in Hollywood not because it revealed a trove of inside secrets, but more due to the fact that it publicly stated what so many have been whispering about Warner Bros. lately; a lack of leadership and a confused executive team have led to a year of mixed results.
Meanwhile, we’ve been watching the Rio Olympics, along with three or four billion viewers around the world. Despite audience figures that are down from the London games in numerous territories, the Summer Olympics is arguably still a ratings juggernaut hard to compete against, giving networks broadcasting the event a serious advantage.
Of course we also cover the week’s top entertainment news including how a Netflix documentary helped overturn a murder conviction, why Thomas Gibson got fired from “Criminal Minds” and Comedy Central cancels “The Nightly Show”.
October 5, 2015
In the digital age the viewership of television content has been difficult to track across multiple platforms and devices. The announcement of a game-changing merger between web analytics firm Comscore and the TV and box office data outfit Rentrak suggests a much needed solution for cross-media ratings may soon be available.
The combination of Comscore and Rentrak would finally create a company with the deep pockets and technical expertise to legitimately take on Nielsen, the uncontested reigning king of television ratings for the last several decades. The industry welcomes such competition at a time when advertisers are clamoring for accurate audience measurement across all screens, including mobile devices.
Thanks to the increase in delayed viewing, television ratings have become near impossible to report in a timely manner. Overnight ratings have long been the standard for touting a television program’s success (or failure), but now such numbers can represent less than half a show’s total audience once DVR data is counted. This has made keeping track of who watched what when and on which devices extremely confusing.
Of course we also cover the week’s top entertainment news including the plans to the former hit series “MacGyver” a makeover, “Ghostbusters” gets animated and some of the unnecessary recipients among this year’s MacArthur Genius Awards.
September 28, 2015
It is said numbers don’t lie, however in the entertainment business they don’t always tell the truth either. When it comes to box office grosses, television ratings, home video earnings and book sales, numbers can often present misleading or incomplete information which paint an unrealistic, or at times purposefully skewed, financial picture.
Netflix, for instance, released data detailing what they claim is the episode when their customers get hooked on a television series. However, the “hook study” performed by the subscription video streaming service was limited in scope and may simply be an example of how good Netflix is at spinning its numbers into great PR opportunities.
Meanwhile, like every other area of the entertainment industry, the book world has been rocked by the digital revolution. But publishers believe the business is leveling out based on sales figures which leave out large segments of the market. None of this explains why e-books cost more than paperbacks though.
Of course we also cover the week’s top entertainment news including Amy Schumer’s big book advance, a lawsuit over the movie “Goodfellas”, which Warner Bros. says was a huge flop, and the Harry Potter origin story will become a two part theatrical production on London’s West End.
March 9, 2015
Time-shifting content consumption has grown astronomically over the past several years thanks to technology like streaming and DVRs. Nearly half of all TV viewers no longer watch shows when they are first aired, upending the traditional ratings system used to measure audiences. Networks now want advertisers to pay for all the viewers of a program up to a week after its original telecast.
Presently, advertisers only pay for viewers of a show during the first three days after its broadcast, a timeframe the don’t wish to extend. Complicating the matter is a dramatic increase in the number of shows airing during primetime, fracturing audiences and forcing ad execs to sift through 1,700 programs in which commercials can be placed.
Buying ad time during the Academy Awards ceremony is usually a no-brainer for marketing moguls, however the Oscars telecast has become so predictably dull that it’s audience has begun to shrink. In an effort to boost ratings, the Academy’s Board of Governors is now hinting they may revert back to having only five Best Picture nominees, rather than the potential of ten. We debate why this is not such a good idea.
Of course, we also cover the week’s top entertainment news stories including the high profile court battle over the authoriship of a hit song, NBC goes over-the-top and Bruce Willis heads to Broadway.
December 23, 2014
When the U.S. government identified North Korea as the culprit behind a cyberattack on Sony Pictures, the incident quickly became a matter of international security. As the studio halted the release of an upcoming political satire it seemed as if they had acquiesced to the hacker’s demands in what many saw as a direct attack on free speech. Now that Sony has reversed course and will distribute the film, will “The Interview” become a patriotic rallying cry for freedom?
Maybe one day “The Interview” will be selected by the Library of Congress for the National Film Registry. This year’s entries include “Ferris Bueller’s Day Off”, “The Big Lebowski” and “Rosemary’s Baby” along with many other influential movies.
Meanwhile, an upstart performance rights organization continues to threaten YouTube over more than 20,000 songs for which it says the streaming media giant doesn’t have a license. The details of the dispute get mired down in complicated copyright law, but it just goes to underscore how important streaming revenue is becoming to entertainment companies.
Of course, we also cover the week’s top entertainment news stories including Madonna’s new album gets leaked online, the hit film “School of Rock” is heading to Broadway and why HBO is giving up on overnight ratings.
October 14, 2014
The method by which television ratings are collected and tabulated has long been criticized as imperfect. Now Nielsen, the research firm which provides the ratings, admitted this past week it had been reporting inaccurate audience figures to broadcast networks for the past seven months. Turns out viewership of this year’s season premieres was lower than originally thought. We’ll try and explain what the heck is going on here?
Comedian Adam Sandler is back in the news, though this time it’s for a movie which isn’t being made… even by Netflix. And just as she hits her stride as an action star, actress Scarlett Johansson (temporarily) gives up movies to appear in a television mini-series.
Even the world of live theater is a bit bizarre lately, at least according to composer Stephen Sondheim who is working on a new musical based on two surreal movies by the late Spanish filmmaker Luis Buñuel. If that’s not crazy enough, the biggest box office winner on Broadway this fall has been “The Lion King”, a musical that has been running for 17 years.
Of course, we also cover the week’s top entertainment news stories including Katy Perry books a trip to the Super Bowl, e-book software that spies on you and the fifth season of “The Walking Dead” premieres to record numbers… or so we’ve been told.