Showbiz Sandbox 131: Broadway Flops Find New Life On The Road

Even the worst Broadway flops can wind up turning a profit once they begin touring in cities throughout the world. Patrick Healy, the theater news and features reporter for the New York Times, explains how sometimes it doesn’t matter if you make it big on the Great White Way, provided you’re a hit in Buffalo. He also provides a glimpse at what we might see at this year’s Tony awards.

Speaking of awards, the Director’s Guild, Writer’s Guild and Producer’s Guild announced their nominations for end-of-year accolades, helping to further define which films might be in the running for this year’s Oscars. Still, there doesn’t seem to be a front runner for Best Picture.

Music sales were up in 2011 for the first time since 2004. As expected, the sale of digital albums rose significantly as CD’s and other physical copies continued to decline.

Of course, we cover all the week’s top entertainment news including Van Halen’s reunion tour, new trouble for Netflix and the resignation of Disney’s marketing head.

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Showbiz Sandbox 108: China Becomes Hollywood’s New Best Frenemy

Hollywood movie studios have been raking in the yuan at the Chinese box office over the past year. This despite China missing the most recent World Trade Organization deadline to open its market to more foreign films. Forced to work through government sanctioned monopolies, studios have been aggressive about getting their movies in front of China’s billion plus citizens. Meanwhile, actors such as Christian Bale have headed east to star in China’s big blockbusters, such as Zhang Yimou’s Heroes of Nanking.

Maybe a film from China will be nominated for a Best Picture Oscar in the near future. Of course, contenders will have to figure out the new Best Picture nomination process put forth by the Academy last week. In an effort to create an air of suspense, the number of nominees for the year’s big film prize will fluctuate between 5 and 10 entries, depending on how balloting shakes out. We’ll explain all the new rules.

It looks as if Spotify, the popular European music streaming service, may be launching in the United States as early as July. They’ll go up against well established offerings like Pandora, which went public last week.

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Showbiz Sandbox 107: The Pros And Cons Of Cloud Music Services

After months of rumors and speculation Apple finally announced their cloud music service last week. Aptly named iCloud, the new service joins similar offerings from both Amazon and Google. Though each of the services has their benefits, no two are exactly alike. Amazon and Google stream music over the Internet and require you to upload your entire music library. Apple doesn’t do any of those things. We dissect the pros and cons of all three services and wonder why anyone really needs them in the first place.

Something else that’s probably not needed is a sequel to “Tron: Legacy” but thanks to a television series spinoff of last year’s sci-fi blockbuster, we’ll probably get one. And it will probably be in 3D like its predecessor even though Dreamworks Animation head Jeffrey Katzenberg is heartbroken over the decline of the format.

The Tony Awards were handed out on Sunday and as we predicted, “The Book Of Mormon” walked off with the most trophies, including Best Musical. But what is a Tony really worth to a Broadway show’s bottom line? We’ll try and find out.

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Showbiz Sandbox 100: In Showbiz, As In Life, Size Matters

It’s hard to believe we’ve recorded 100 episodes of Showbiz Sandbox. It’s also hard to believe that a 3D porno (okay, an erotic comedy) could ever smash a box office record set by “Avatar”. But that’s exactly what happened in Hong Kong, where “Sex and Zen: Extreme Ecstasy” opened to USD $2.19 million. The producers wanted to screen the film in Imax, but were refused, disappointing Karen Woodward, our guest and former co-host, who says that despite all the rumors, size does matter.

If bigger really is better, then Netflix has nothing to worry about. They are set to become the largest subscription entertainment business in the United States with over 23 million customers, beating out satellite radio and cable television. The same can’t be said about any of the music streaming services that Apple, Google and others are working on. Apparently, negotiating a licensing deal with record labels can be quite difficult. Go figure!

The Coachella Music Festival also took the size issue to heart, adding more space for attendees to enjoy the more than 100 bands which performed this year. J. Sperling Reich was there and tells us which artists are worth checking out (Lauryn Hill), and which shouldn’t quit their day jobs (Odd Future).

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Showbiz Sandbox 76: Taking On The Hobbit And Ticketmaster Down Under

Our friends Down Under generated a lot of entertainment news this past week. In New Zealand a union boycott of “The Hobbit” may cause Warner Bros. to relocate the production to another country. Director Peter Jackson has publicly opposed such a move, but as the Hollywood Reporter’s Jonathan Handel explains, this may just be Warner Bros. way of negotiating better government tax subsidies.

Over in Australia, Rupert Murdoch’s News Corp. has launched Foxtix, a live event ticketing service aimed at capturing a share of Ticketmaster’s business. Taking on Ticketmaster is a difficult and expensive fight, but Adam McArthur, the head of Foxtix, fills us in on how the company will differentiate itself in the market.

Former Australian native and current Hollywood pariah Mel Gibson was all set to make a comeback with a cameo in “The Hangover 2”, but Warner Bros. decided he was just too much trouble and opted for Liam Neeson.

Meanwhile, in television news the Fox network pulled its programming from Cablevision’s channel lineup over a retransmission fee dispute. Don’t worry, Cablevision’s customers were still able to follow the baseball playoffs through Twitter posts from the Federal Communications Commission. Read more

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Showbiz Sandbox 66: Why Audiences Are Avoiding 3D Movies

Though 3D movies seem to be all the rage in Hollywood these days, it turns out fewer people are actually seeing them. Ever since the release of “Avatar” 3D’s box office earnings have been trending downward. Reporter Ben Fritz and columnist Patrick Goldstein, both from the Los Angeles Times, help us understand why 3D movies aren’t grossing as much as they did just six months ago.

Meanwhile over on “American Idol” they still haven’t worked out who will be judging next season’s competition, however Aerosmith lead singer Steven Tyler said publicly he was asked to join the show.

Arcade Fire released their third album “The Suburbs” to critical acclaim and they celebrated by webcasting their Madison Square Garden concert on YouTube. Making the event even more special, Terry Gilliam directed the webcast. Unfortunately for the concert industry, not every band is as successful as Arcade Fire at selling out their performances. Profits are down at concert giant Live Nation and it’s chairman has jumped on Twitter to explain why.

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Showbiz Sandbox 55: I Want My Google TV

It’s official. Google is getting into the television business with help from Sony and Logitech. Will making television searchable cause viewership to rise? On the other hand, movies have apparently found a way to shrink their audience – raise movie ticket prices. While “Shrek Forever After” may have topped the North American box office, it’s $71 million debut was seen as a bit of a disappointment. Industry pundits are pointing to the rising cost of 3D movie tickets as part of the cause.

And if you think movie tickets are getting too expensive just wait until cable companies start offering “home theater on demand”. Movie studios are being pitched by cable operators on distributing their movies via video-on-demand just 30 days after they are released in theaters. However, the $20 to $30 price tag may turn potential customers away.

We wrap up our coverage of the Cannes Film Festival, where an obscure “auteur” film from Thailand took the top prize. Michael Giltz and J. Sperling Reich tell us about all the films they liked (and hated) at this year’s festival.

The series finale of “Lost” aired over the weekend, though it received mixed reviews and mediocre ratings. Read more

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Showbiz Sandbox 45: Changing Faces At Variety

Tim Burton’s “Alice in Wonderland” took the top spot at the box office again this week, which might be why 3D is causing quite a stir at ShoWest this year in Las Vegas. J. Sperling Reich fills us in on what theatre owners are talking about at the annual convention.

This week Hollywood suffered another untimely death, this time it was actor Corey Haim at age 38.

In happier news (for some), Jay Leno seems to be doing quite well back in his old time slot. The late night funnyman went back to “The Tonight Show” and ratings soared. What does this mean for Conan O’Brien and his chances for launching a competing late night talk show?

In music news, Billboard published a list of the Top 40 Moneymakers of 2009. Its well worth checking out as you might be surprised who makes the list. (Although it’s no surprise that U2 tops the list.)

Finally, we are joined by indieWIRE’s Anne Thompson during our Inside Baseball segment to talk about why Variety, the industry’s top trade paper is laying off staff members, including Todd McCarthy, their top film critic. Is this a sign of impending doom for the daily?  Read more

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Showbiz Sandbox 27: That’s It For “This Is It”

This week we begin with Michael Giltz and Karen Woodward disagreeing over “This Is It,” the Michael Jackson documentary/concert film/eulogy. Is the film recommendable? Not according to the box office numbers, where the film brought in a disappointing $23 million. But since the film made $103 million worldwide J. Sperling Reich wanted to serve Michael some crow pie.

If you don’t want to see “This Is It,” maybe you’ll see “Avatar”? The second trailer for the highly anticipated film was released this week, after the first one bombed. The new trailer looks like this movie is actually about something. How about “Precious”? Sperling and Michael disagree over whether this movie is a heart tugging Oscar winner or shallow drivel.

Speaking of shallow, did Jeffrey Katzenberg really add anything new to the future of entertainment conversation in his recent Business Week interview? Seems more like a politician staying message then a mogul adding to the dialogue. Read more

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Showbiz Sandbox 25: Mr. Television Grades Freshman TV Shows (and Leno Flunks)

Mr. Television himself is our guest this week, which means we talk a lot about TV. Marc Berman is the senior television editor at MediaWeek and creator/editor of The Programming Insider, a daily online bible focused on all things television that reaches more than 50,000 readers per day. He even has a daily companion podcast to catch you up on all the latest television news.

But first, “Where the Wild Things Are” and “Paranormal Activity” win box office kudos this week, earning the number 1 and number 3 spots, respectively (sandwiching “Law Abiding Citizen,” at number two, as if anyone cares).

Motion Picture Association of America chief Dan Glickman will step down as Hollywood’s top lobbyist next year. He claims that at the ripe old age of 65, it’s time for him to “move on back into the world of either academia, public service, or non profits….This is a very difficult job. From the outside world, this job has the perception of being very glamorous. People think Angelina Jolie goes home with me every night. It hasn’t happened yet.” Poor Dan. Maybe we know someone who knows someone who can work the Angelina thing out for him before he steps down next September.  Read more

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