Showbiz Sandbox 381: Telluride and Toronto Continue To Shape Awards Season

September 18, 2017

Each year the Venice, Telluride and Toronto film festivals are held so closely together their programming often overlaps as each vies to land titles that will be in the running for major awards (read: Oscars). Anne Thompson, Indiewire’s editor at large, has just returned from Telluride and Toronto and she fills us in on all the festival season favorites.

While Thompson was in Toronto enjoying movies like “The Shape of Water” from director Guillermo del Toro, film buyers were struggling to find anything to pick up. There was a general sense that all the worthwhile titles had been cherry picked before the festival even began.

Meanwhile the Emmy Awards were held over the weekend honoring the best television from the past year. At this year’s ceremony a disruptive streaming video provider made a big splash, though not the one everyone expected. Hulu took home the Best Drama Emmy for “The Handmaid’s Tale”, despite Netflix having three shows nominated in the category.

Of course we also cover the week’s top entertainment news including the head of NBC admitting most of its primetime viewership is not watched live, George R. R. Martin’s new TV series and MoviePass surpsasses 400,000 subscribers in under a month.

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Showbiz Sandbox 336: Telluride and Toronto Reaffirm the Importance of Film Festivals

September 20, 2016

With an ever increasing number of high profile movies competing for awards at the end of each year, film festivals such as those in Telluride and Toronto have never been more important in helping promote a release. Anne Thompson, Indiewire’s editor-at-large, has just returned from both festivals and gives us a complete rundown of all the films creating the most buzz.

And just as the number of movies worth seeing has grown, so too has the number of television shows. There’s so much good TV these days that in fact, the Emmys are more and more like the Academy Awards, where viewers haven’t even seen most of the Best Picture nominees. Maybe that’s why the Emmys keep honoring the same old shows year-after-year.

Meanwhile, the number of books on offer has grown at least 21% recently thanks to self-publishing. That includes both e-books and print. The crowdfunding platform Kickstarter has been responsible for thousands of titles, enough to make them the unofficial fifth largest publisher in North America.

Of course we also cover the week’s top entertainment news including why Argentina is sending school-aged children to the movies, how the Rio Olympics proved profitable for NBC after all and the Lady Gaga is booked for the Super Bowl half time show.

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Showbiz Sandbox 295: Thompson Keeps Tabs On Telluride and Toronto

September 21, 2015

Two of the world’s most prominent film festivals are held each September in Telluride and Toronto and, without fail, you’ll find Anne Thompson, Indiewire’s editor-at-large, dashing off to both of them. Thompson gives us a feel for what both festivals were like this year, which films created the most awards buzz and which she thinks audiences should be looking forward to.

Thompson also joins us to discuss this year’s Emmy winners. The premium cable network HBO proved it is still at the top of its game, fending off the stiff competition of hot new shows being produced by upstart streaming services such as Netflix and Amazon. The network wept away the Outstanding Drama Series, Outstanding Comedy Series and Outstanding Limited Series categories, winning 14 awards in all.

Meanwhile, in case that seems destined to reach the U.S. Supreme Court, a federal judge ruled that copyright owners must take into account the possibility of fair use before sending a takedown notice. Rather than force possible infringers to mount what is known as an affirmative defense, the court is placing the burden on copyright holders to consider whether a work should be considered fair use.

Of course we also cover the week’s top entertainment news including the new over-the-top and mobile streaming services being offered by the BBC and Epix, one of the creators of Batman will finally get the credit he has long deserved (though maybe not the money) and Denzel Washington will produce ten August Wilson plays for HBO.

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