Showbiz Sandbox 512: Pandemic Drives New York Film Festival to Push Boundaries
September 30, 2020
Over the last twenty years the annual fall film festival circuit has become the unofficial launching pad for movies looking to be seriously considered during awards season. Nobody was certain, however, how such festivals could be held amidst a global pandemic. Especially those whose jobs it is to produce and program such major events.
As the director of the New York Film Festival Eugene Hernandez had to not only watch movies and convince filmmakers to show them, he also had to research digital platforms for a virtual festival and prove to everyone from Disney to Apple that they could trust a new digital platform to do virtual screenings for critics and audiences, all while figuring out a safe way to show movies – at drive ins – and ultimately decide whether the festival should actually happen.
Of course we also cover some of the week’s top entertainment headlines including the Hollywood Reporter and Variety now share owners, which new musical is planning to open on the shuttered West End in London and why CBS is licensing certain shows to Netflix.
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Showbiz Sandbox 510: Studios Play Hide and Seek With Box Office Data
September 15, 2020
Now that new movies are once again playing in reopened cinemas, studios are reluctant to report their pandemic crippled grosses lest their films be deemed publicly as financial flops. At least two studios are delaying box office reports of their latest releases in what many industry insiders fear is a new trend. Is it appropriate for distributors to break with a decades old tradition of reporting weekend grosses in the midst of COVID-19 or do they have the right to keep box office on their titles confidential?
Meanwhile, the Academy of Motion Picture Arts and Sciences announced a new diversity initiative for the Oscars. Now for a film to be eligible for the Best Picture category it has to meet at least two of four diversity requirements. It’s a thoughtful move, even if almost every film made in the last ten years can easily meet the new requirements
Of course we also cover some of the week’s top entertainment headlines including why Disney’s “Mulan” is stirring up unwanted controversy, a major talent agency finally agrees to the Writers Guild code of conduct and sales of vinyl records surpass compact discs for the first time in over 30 years.
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Showbiz Sandbox 503: An Actor’s Life During A Pandemic
July 21, 2020
Like so many other working actors in New York John Keating saw his world turned upside down by the COVID-19 pandemic. Suddenly, his side gig narrating audio books became a lifeline like never before. We talk to Keating about the impact of the coronavirus shutdown, what it’s like to record an audiobook at home and a new online production of the ghostly tale “The Weir” put together by The Irish Repertory Theatre.
Meanwhile, screenwriters have been locked in a year-long battle with their agents who the scribes claim have placed their own interests ahead of the writers they supposedly represent. Now the peace agreement between the Writers Guild of America has come to an agreement with United Talent Agency which would end packaging deals. Is it just a matter of time before the other big talent agencies follow suit?
Of course we also cover some of the week’s top entertainment headlines including a big promotion for Netflix’s content chief, Ted Sarandos, China begins reopening movie theatres and “Dancing With The Stars” ditches its longtime hosts.
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Showbiz Sandbox 499: The Problems Facing Movie Theaters After They Reopen
June 23, 2020
Though the COVID-19 pandemic is far from over, cinemas around the world are making plans to reopen having to take health and hygiene into consideration. In laying out their new safety protocols some theater chains are stumbling in how they make moviegoers feel comfortable with the idea of returning to the cinema. Yet, the real challenges facing exhibitors will come after they reopen.
Then there is the uncertainty of what new movie releases will be available once theaters do turn on their lights, Titles such as Christopher Nolan’s “Tenet” keep getting delayed as large markets such as China are showing no signs of reopening cinemas.
Of course we also cover some of the week’s top entertainment headlines including how BTS made millions performing a concert despite nobody showing up in person, DC Comics gets into podcasting and a popular video game sets a new standard for making the medium accessible to disabled people.
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Showbiz Sandbox 483: China Presents Hollywood With A Trillion Dollar Dilemma
March 2, 2020
Between intellectual property theft, forced joint ventures and strict government regulation, the entertainment industry has come to learn that doing business in China is difficult at best, complicated at worst. Chris Fenton, the CEO of Media Capital Technologies, knows a thing or two about doing film industry business in China, having worked in the Middle Kingdom on various project for decades. He joins us to explain the dilemma facing Hollywood in China as well as his upcoming memoir “Feeding the Dragon.”
China is, in fact, where the coronavirus originated before it spread to other countries throughout the world. Now, movie theaters in Italy and South Korea are joining their Chinese counterparts in shutting down, hoping to prevent further spread of the virus, and leading to what could be billions in box office losses.
Meanwhile, the CEO of Disney, Bob Iger, decided to suddenly step down last week and instead take on the role of Chairman. Disney theme park head Bob Chapek will be the company’s new CEO. We cover all the reasons for the executive shuffle.
Of course we also cover the week’s top entertainment headlines including the winners of this year’s Berlin Film Festival, Placido Domingo apologizes for past behavior (sort of) and why YouTube can’t censor content.
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Showbiz Sandbox 425: Ticketmaster Gets Caught Abusing Its Market Domination
September 24, 2018
When Live Nation and Ticketmaster merged eight years ago it was openly feared that the combined companies would run roughshod over the industry and consumers alike. While there has been speculation about some of the shenanigans Ticketmaster has been up to since then, we now have conclusive proof that the ticketing juggernaut is manipulating the market and working with resellers in the secondary market in order to collect additional fees. They’ve even developed a software tool for just such a purpose.
The United States Senate, meanwhile, passed the Music Modernization Act. It creates a blanket mechanical license which allows for songwriters and artists receive royalties for streaming. It also fixes the problem of receiving royalties for works created before 1972 and includes producers in the new scheme. We’ll take a look a the new bill and explain what it all means.
Speaking of music, a new report indicates that industry revenue in North America is up slightly during the first half of 2018, just as Spotify makes it even easier for independent artists to post their music directly to the streaming service. Does that make Spotify a record label?
Of course we also cover the week’s top entertainment headlines including Kelly Clarkson gets a new daytime talk show, Comcast beats Disney in an auction for Sky in the United Kingdom and singer Sam Smith loses his voice just before going on stage.
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Showbiz Sandbox 408: CinemaCon Shrugs Off Unwanted Disruptions
April 30, 2018
Movie theater owners from around the world descended upon Las Vegas for CinemaCon last week. Studios wooed exhibitors with clips from upcoming film releases while industry manufacturers lured attendees with the latest technology, including high-resolution LED screens as a method of showing movies to the masses. Much like the subscription service MoviePass, the screens left cinema operators wondering if they were just one more “innovation” nobody had asked for.
Meanwhile “Avengers: Infinity War” broke box office records both in North America and globally when it opened over the weekend. The latest Marvel superhero movie earned over $640 million in just three days, putting it on track to pass the billion dollar mark.
Speaking of “war,” one is brewing between the Writers Guild of America and talent agencies. The WGA wants to cancel their current agency agreements and rewrite them to prevent franchised agents from profiting off of packaging deals with television networks. Such arrangements currently allow agents to double dip and at times earn more than their clients for a project.
Of course we also cover the week’s top entertainment news including Steven Spielberg signing on to direct the movie adaptation of DC Comic’s “Blackhawk,” the next “Star Trek” film lands a female director and Bill Cosby is found guilty of sexual assault.
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Showbiz Sandbox 384: NBC Has A Big Megyn Kelly Problem
October 16, 2017
NBC forked over millions of dollars to steal Megyn Kelly away from Fox News and then realized they had nowhere to put her. First the network gave Kelly a primetime news show opposite the ratings powerhouse 60 Minutes. When that move prove disastrous NBC shoehorned Kelly into the third hour of their hit morning program, “Today,” only to see the shows ratings plummet.
Marc Berman, the editor-in-chief of Programming Insider, joins us to analyze what went wrong with bringing Kelly to NBC, why putting a former political news anchor into a morning show was a bad fit, and what the network can do to save the “Today” show before Kelly brings down ratings any further. Berman believes if NBC doesn’t act soon, they could get lapped by the likes of CBS.
Speaking of public implosion swof media fixtures, the Harvey Weinstein scandal has moved beyond the movie mogul himself to encompass a culture of sexual harassment that pervades Hollywood. We’ll discuss a plausible idea that Hollywood could take toward ending such behavior.
Of course we also cover the week’s top entertainment news including how Spanish language network Telemundo is gaining ground on its rival Univision, why the ratings of a CW show were significantly boosted by binge viewing on Netflix and YouTube views may soon be included in determining Billboard’s weekly music charts.
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Showbiz Sandbox 330: Rio Olympics Faces Competition for TV Viewers
August 8, 2016
The 2016 Summer Olympics are underway in Rio de Janeiro, Brazil and there are more ways to watch the games than ever before. In the United States, NBC is broadcasting 6,800 hours of coverage from Rio across 11 television channels and 41 live online streams. We look at the declining TV ratings and whether all the action is happening in primetime or online. And does that even matter?
What didn’t seem to matter at all were the dozens of negative reviews movie critics skewered threw at the latest DC Comics adaptation, “Suicide Squad”. After being universally panned, the film went on to break global and North American box office records when it opened over the weekend.
The Television Critics Association summer press tour has proven to be a hotbed of video streaming news. For instance, Time Warner bought a 10% stake in Hulu and NBC let slip they will be announcing their own streaming plans soon. Meanwhile, rumors are circulating that Apple wants to build a TV guide to let everyone know how and where there favorite shows can be found.
Of course we also cover the week’s top entertainment news including Oprah’s latest book club pick, the albums nominated for this year’s Mercury Prize and George R. R. Martin books another TV series.
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