Showbiz Sandbox 134: Video-On-Demand Rides To The Rescue At Sundance
January 30, 2012
This year’s Sundance Film Festival came to a close last weekend awarding top prizes to a wide range of movies. Independent film industry veteran Michael Tuckman sizes up this year’s festival and highlights some of its most noteworthy movies. Tuckman explains how video-on-demand has become a big part of the distribution strategy for such films, providing them with a wider audience than traditional art houses.
IFPI also showed up with some good news last week reporting that global digital music sales were up eight percent in 2011. Subscription services such as Pandora and Spotify are helping increase revenue, though they are also eating into the advertising dollars usually reserved for local radio stations.
Meanwhile, Broadway is gearing up for its spring season with a glut of hot new productions, making it difficult to pick a front-runner for Best Musical (the most valuable – if not the only valuable – Tony Award). Best Play is also up for grabs and none of the newcomers are slam dunks.
We also cover the week’s top entertainment news stories including, Simon Cowell retooling the “X-Factor” with new hosts and judges, an upbeat earnings report from Netflix and how Ticketmaster bungled the sale of tickets to Bruce Springsteen’s latest tour… again.
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Showbiz Sandbox 130: It’s The Data, Stupid (or Why Live Nation Bought BigChampagne)
December 19, 2011
As 2011 comes to an end mainstream media companies continue to struggle with how to distribute their content through the Internet. That was never more apparent than this week as concert promoter Live Nation acquired BigChampagne, a media tracking and technology company. Joe Fleischer, Big Champgne’s chief marketing officer, explains why a live-event company is interested in staying on top of the latest music industry data and how the acquisition will help Live Nation better understand their customers.
Meanwhile, as SOPA and PIPA make their way through Congress, Universal Music Group caused a stir when they tried to squash news reports of their copyright infringement lawsuit against MegaUpload. Then there was comedian Louis C.K. who used digital convergence to his benefit by selling a video of his most recent stand-up show directly to fans, making a huge profit in the process.
Matt Damon was also muddying the waters last week by revealing the in-fighting going on behind the scenes of the”Bourne” franchise. Of course, we also cover the top entertainment news stories of the week including the Golden Globe and SAG award nominations, Howard Stern’s new television gig on “America’s Got Talent” and Madonna’s new record contract.
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Showbiz Sandbox 124: UltraViolet Is A Solution In Search Of A Problem
October 31, 2011
More than 75 companies have teamed up to form UltraViolet, a new service that promises to give consumers the freedom to watch movies and television shows wherever and whenever they want. However, early adopters have discovered that untethering content from physical media such as DVDs can be a tedious and confusing process. As the entertainment industry experiments with rapidly evolving technologies, viewers seem hard pressed to find any benefits in moving to the cloud.
When it comes to music though, fans have already migrated to online services such as Pandora, iTunes and Amazon. Now Google is preparing to launch its own music offering which is rumored to allow users to share music with their friends and family.
And if you thought digital technology was a tough racket, so is trying to copy the success of the hit television series “Mad Men”. NBC failed with it’s 1960s drama “The Playboy Club” and ABC isn’t fairing much better with “Pan Am”, a similar knock-off. They could have picked up Charlie Sheen’s new sitcom, “Anger Management” as a replacement, but FX scooped it up before anyone had a chance.
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Showbiz Sandbox 116: Will Hollywood Miss Steve Jobs?
August 30, 2011
Last week’s news that Steve Jobs was stepping down as the CEO of Apple caused headline writers all over the world to work overtime. Sure Jobs became a household name by helping revolutionize personal computing, but he also helped shape the modern entertainment industry with products such as iTunes, the iPod and the iPad. And we shouldn’t forget his role in founding a little animation company called Pixar. We discuss what Jobs departure from Apple means to Hollywood and why some entertainment execs may be secretly relieved to see him exit the stage.
On the other hand, news that filmmaker Ridley Scott was working on a sequel to his sci-fi masterpiece “Blade Runner” didn’t seem to please anyone. Some showbiz pundits went so far as to call the idea “catastrophically bad”. We’ll explain why.
Over in the world of television, one of the husbands on “The Real Housewives of Beverly Hills” committed suicide causing Bravo to re-edit episodes for the upcoming season. Will the death of Russell Armstrong cause networks to rethink how they handle reality television?
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Showbiz Sandbox 114: Hollywood Overflows With Streaming Content Deals
August 1, 2011
Digital distribution of television shows, movies and music has become quite trendy in Hollywood. Not a week goes by that companies such as Netflix, Spotify, Hulu and others aren’t in the news cutting some sort of deal with a big studio, television network or record label. This past week retail giant Amazon and online video portal YouTube made big additions to their streaming content libraries while Fox decided to limit those who could view their shows online. We provide a rundown of all the recent announcements and what they might mean for you, the consumer.
We are also joined by Roger Goff, an entertainment attorney with Wolf, Rifkin, Shapiro, Schulman & Rabkin. He helps us understand a few recent lawsuits filed by television producers, especially one in which the producer of “American Idol” is suing Fox over not being made an executive producer on the upcoming reality series “X-Factor”.
Speaking of legal issues, it turns out the NBCUniversal Comcast merger wasn’t as much of a done deal as everyone thought. A federal judge is threatening to hold up approving the union claiming it may not be in the “public interest”.
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Showbiz Sandbox 104: ‘Pirates’ Proves The Importance Of A Global Box Office
May 23, 2011
Despite earning more than $90 million in North America during its debut weekend, the opening of “Pirates of the Caribbean: On Stranger Tides” did not live up to many industry insiders lofty expectations for the movie. However, considering the film made an additional $260 million in more than 100 international territories, its impossible to consider the latest installment of the Jack Sparrow franchise anything other than a success.
Even so, some analysts believe any muted box office returns for “Pirates” in North America are due to the public’s rejection of 3D movies. Have audiences grown tired of viewing films in 3D? Is the once flashy new technology now passé or is the surcharge for 3D and Imax causing moviegoers to opt-out?
The Cannes Film Festival came to an end this past week with Terrence Malick’s “Tree of Life” taking home the Palm d’Or. Will winning the festival’s top prize help the film’s financial prospects? If history is any guide, probably not.
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Showbiz Sandbox 99: How To Fix Hollywood’s Obsolete Residual Payments System
April 11, 2011
Labor and contract negotiations are a constant concern in Hollywood. Entertainment attorney Jonathan Handel is a contributor to The Hollywood Reporter and has written a book about the industry’s labor disputes, “Hollywood on Strike!: An Industry at War in the Internet Age
Blockbuster, the beleaguered video chain which filed for bankruptcy protection last year, was auctioned off to Dish Networks. How the acquisition will benefit the satellite television provider remains to be seen.
The Grammy Awards are getting trimmed down as they cut more than 30 categories and combine a number of others. Music industry professionals are split over whether the changes will help the awards show.
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Showbiz Sandbox 94: Charlie Sheen Is More Entertaining Than The Oscars
March 1, 2011
The 83rd Annual Academy Awards are finally over and, as expected, “The King’s Speech” took home most of the top prizes, including Best Picture. IndieWire’s Anne Thompson gives us her take on all the winners and losers, not to mention the poorly received Oscar telecast. One day before the Oscars Anne was at the Independent Spirit Awards and she reveals what the attendees were up to during the commercial breaks.
Remarkably actor Charlie Sheen just about managed to upstage the Oscars, and he wasn’t even there. Though that may be the only place Sheen could not be found. He continued his oddball antics by calling into radio shows, texting gossip websites and appearing on news programs causing CBS to ceased production of “Two And A Half Men”. The question on everyone’s mind now is just how much money does the network stand to lose by dumping the hit show.
Speaking of money, we discuss the music industry’s top earners in 2010 and how some of them made the list without releasing an album. We review all the week’s entertainment news including Broadway’s new number one show, plans to take “American Idol” voting online and the sale of troubled home video giant Blockbuster.
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Showbiz Sandbox 88: How Many Producers Does A Movie Need?
January 17, 2011
Other than some pointed barbs from comedian Ricky Gervais this year’s Golden Globe Awards were truly predictable. Nicole Sperling of the Los Angeles Times attended the ceremony and tells us all about it. She also explains why the Academy Awards only allow three producers to be nominated for each Best Film nominee. Relativity’s Ryan Kavanaugh is one of six producers on “The Fighter”, but not when it comes to the Oscars.
We are also joined by Aaron Rich, the gentleman blogger behind All The Movies I Watch and They’ll Love It In Pomona. While many media outlets are cutting back on movie critics, Aaron is part of a wave “amateur” critics who are making use of the Internet to share their passion for cinema.
Taylor Swift continues to make news with her new album. “Speak Now” topped the Billboard 200 chart again, but did so by selling the fewest units ever for a number one album. And the record industry isn’t alone in suffering from decreased sells. Video game revenue dropped 6% in 2010.
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Showbiz Sandbox 83: The Social Network Tops Critics Year-End Picks
December 13, 2010
Even the latest “Chronicles of Narnia” film can’t steal the spotlight from “The Social Network”. David Fincher’s little Facebook movie is the toast of critics groups throughout the country with most selecting it as the year’s best film. “Blue Valentine” may be getting overlooked when it comes to top awards, but the MPAA decided to downgrade the film’s NC-17 rating to a more marketable R.
Spotify, Europe’s leading online music service, still hasn’t launched in the United States thanks to licensing disputes with the record labels. We’ll just have to be satisfied with watching music videos on YouTube where artists like Rhianna, Eminem and Justin Bieber rake in millions from advertising.
Disney and ABC aren’t relying on YouTube to make money online with their television shows. Instead, they struck a lucrative licensing deal with Netflix who will stream the shows to to paying subscribers.
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