Showbiz Sandbox 597: Audiobooks Are Changing Our Reading Habits

Audiobooks have slowly gained enough market share in the publishing industry that the medium now rivals print and ebooks in terms of sales and consumption. How audiobooks are changing the way we read is a question Karl Berglund of Uppsala University in Sweden set out to answer through a study analyzing a large amount of quantitative data from Swedish readers for his upcoming book “Reading Audio Readers: Book Consumption in the Streaming Age.” Berglund joins us to discuss his findings and what they could mean for the publishing industry.

Netflix has certainly changed viewing habits with all of its original programming streaming directly into homes. However, after striking a new deal with some of the world’s largest movie theater chains, the company will distribute the sequel to “Knives Out” for a single week in over 600 cinemas a full month before releasing the title on its own platform.

Of course we also cover the week’s top entertainment headlines including how titles from four different streaming platforms all hit more than a billion minutes of viewing in the same week, what productions to see in London’s West End and Pink Floyd’s back catalog is up for sale.

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Showbiz Sandbox 588: Keeping Track of Ever-Shifting Streaming Strategies

Though the entertainment industry may be infatuated infatuated with streaming, the legacy media companies behind all the new subscription services haven’t quite found the right way to profit from them. NBC/Universal earned nearly a billion dollars in committed ad revenue with Peacock this year, causing them to take a hard look at all of their low-rated cable channels. And HBO Max is thinking twice about producing original programming in countries like Turkey and Sweden.

Meanwhile, the “Minions: The Rise Of Gru” is the lates blockbuster release that is proving the box office is back for everyone, even families. The worldwide gross of “Top Gun: Maverick” continues to soar, but will Paramount leave it in theatres long enough to fully capitalize.

Of course we also cover the week’s top entertainment headlines including the Creative Artists Agency completes its acquisition of rival ICM, Disney renews CEO Bob Chapek and Alec Baldwin commiserates with Woody Allen.

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Showbiz Sandbox 561: After “Squid Game,” Korea Wants Netflix to Pay Up

Though Netflix’s expensive blockbuster “Red Notice” is getting little notice in movie theatres, the company’s signature streaming service is thriving. In fact, its series “Squid Game” is so popular around the world that in Korea Netflix is being barraged with questions about paying for the cost of the increased streaming traffic it continues to generate.

Meanwhile, a music festival in Houston headlined by Travis Scott left at least eight concertgoers dead and scores injured after they were crushed when the audience surged toward the stage. We’ll explore the poor choices made by Astroworld’s promoters that lead to the tragedy.

Of course we also cover the week’s top entertainment headlines including why the BBC may lose funding, Netflix launches its mobile games and the Justice Department wants to stop two of the world’s largest book publishers from merging.

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Showbiz Sandbox 559: Dune Survives The Streaming Desert

Despite being available to stream day-and-date with its theatrical release, Denis Villeneuve’s epic film adaptation of Frank Herbert’s science fiction novel “Dune” opened to strong box office around the world. While we don’t know, and may never know, how many people viewed the movie on HBO Max, it’s availability on the service has surely cut into its box office potential.

Speaking of numbers, Apple TV+ has begun working with Nielsen to get its streaming numbers reported on the company’s charts. And Netflix finally suggests it too will start embracing the “total minutes watched” metric that Nielsen has been using. Maybe Nielsen isn’t dead after all, as so many media pundits have espoused.

Of course we also cover the week’s top entertainment headlines including the latest on the new IATSE contract and the dreadful firearms accident involving actor Alec Baldwin on the set of the film “Rust” that left the cinematographer of the movie dead and the director seriously injured.

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Showbiz Sandbox 392: Awards Season Begins To Take Shape

You know you’re in the thick of the awards season when you have to complain about who was snubbed and overlooked when the Golden Globe nominations were announced. “The Shape of Water” and “Big Little Lies” led this year’s nominees, as women filmmakers were shut out. Then there is the nomination for “Get Out,” a horror film, in the music and drama category, which makes even less sense.

One filmmaker who probably won’t be attending the Golden Globes this year is Bryan Singer. The filmmaker behind the X-Men franchise was fired from his latest film “Bohemian Rhapsody” after disappearing from the set. Singer cried foul and said he was caring for an ill parent, though it turns out a civil case was filed against him over a 2003 sexually assault of a 17-year-old boy.

Speaking of sexual misconduct, Time magazine named all the women who have come forward to tell their own stories of sexual harassment and assault, especially in Hollywood, as their person of the year. Accusations continue to surface about those in front of and behind the camera with the number of incident showing no sign of abating anytime soon.

Of course we also cover the week’s top entertainment news including J.K. Rowling defends casting Johnny Depp in the “Fantastic Beasts” movie, why the release of John Travolta’s mobster biopic “Gotti” was delayed and Alec Baldwin preps a talk show.

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Showbiz Sandbox 381: Telluride and Toronto Continue To Shape Awards Season

Each year the Venice, Telluride and Toronto film festivals are held so closely together their programming often overlaps as each vies to land titles that will be in the running for major awards (read: Oscars). Anne Thompson, Indiewire’s editor at large, has just returned from Telluride and Toronto and she fills us in on all the festival season favorites.

While Thompson was in Toronto enjoying movies like “The Shape of Water” from director Guillermo del Toro, film buyers were struggling to find anything to pick up. There was a general sense that all the worthwhile titles had been cherry picked before the festival even began.

Meanwhile the Emmy Awards were held over the weekend honoring the best television from the past year. At this year’s ceremony a disruptive streaming video provider made a big splash, though not the one everyone expected. Hulu took home the Best Drama Emmy for “The Handmaid’s Tale”, despite Netflix having three shows nominated in the category.

Of course we also cover the week’s top entertainment news including the head of NBC admitting most of its primetime viewership is not watched live, George R. R. Martin’s new TV series and MoviePass surpsasses 400,000 subscribers in under a month.

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Showbiz Sandbox 215: How Many Music Streaming Services Does It Take To Make A Profit?

Just when you thought the online music streaming space couldn’t get any more crowded or competitive, along comes Deezer. The French company already boasts 5 million paying subscribers in 80 countries and now plans to launch in the United States, where Spotify and Pandora are the market leaders. However, none of these companies are actually profitable, which may be why services like Rdio went through a round of layoffs in November and Turtable.fm is shuttering.

Profitability seems to be an issue for Sony Pictures too. The movie studio lost $181 million last quarter leading to the announcement of significant cost cutting measures in the wake of some summer box office duds.

Disappointing earnings and a declining subscriber base are also a problem at Time Warner Cable. As telcos and satellite providers continue to erode their market share, rumors have begun swirling that the second largest cable operator in North America might be acquired by one or more of its competitors, including Comcast.

Of course, we also cover the week’s top entertainment news stories including the Thanksgiving weekend’s record breaking box office, “Spider-Man: Turn Off The Dark” lowers the curtains on its Broadway run and the mediocre sales figures of Lady Gaga’s latest album.

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Showbiz Sandbox 123: DVR Data Can Save TV Shows From Cancellation

It turns out your DVR can be helpful beyond just recording your favorite television shows. Examining which commercials you skip past might be able to help predict box office flops and monitoring which shows you watch can save a borderline series from being canceled. We’ll debate whether television networks and movie studios can benefit from the data being collected from your DVR.

Apple however may be trying to make your DVR obsolete. The long standing rumors that Apple might be working on a next generation television set have heated up once again. Would you welcome Apple into your living room?

Dozens of entries make up this year’s Best Foreign Language Oscar list, though all of them will ultimately be nominated. We’ll explain how the list ultimately gets whittled down to just five movies.

We also cover the week’s top entertainment headlines including why Hulu is no longer for sale, why Jonny Depp’s “Lone Ranger” is back in production and how Amazon plans to make publishers unnecessary.

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Showbiz Sandbox 96: Why Facebook Is Becoming Your Friendly Neighborhood Video Store

In their never ending quest to replace declining DVD revenue movie studios have begun renting movies on Facebook. Such partnerships are focused on more than just sales, or finding a Netflix competitor, they are also about marketing. As Facebook users rent and purchase movies they’ll be transformed into a social marketing army.

Mel Gibson made headlines again last week accepting a plea deal in his spousal battery case. Whether moviegoers will forgive Gibson for recent ethnic slurs and racist comments will be tested when his next film, “The Beaver”, premieres at the South by Southwest festival in Austin, Texas. Meanwhile, Carlie Sheen, in between streaming his wacky behavior on the Internet, was also headed to court to file a $100 million lawsuit against Warner Bros. and sitcom producer Chuck Lorre.

Julie Taymor joined Sheen on the unemployment line. After spending nine years bringing the Broadway musical “Spider-Man Turn Off The Dark”, Taymor was replaced as the director of the expensive, beleaguered musical.

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Showbiz Sandbox 28: Why Spider-Man Is Hard Up For $52 Million

We don’t always talk about theater on the podcast, but Los Angeles Times staff writer John Horn wrote a story too good to resist. The Broadway debut of “Spider-Man: Turn off the Dark” has found its greatest enemy is the budget. Horn joins us to talk about the story behind one of the most troubled productions in Broadway history and how he got the scoop (not to mention the musical’s script, soundtrack and a video promo reel).

But first, Michael Giltz eats another serving of crow this week, as the Michael Jackson rehearsal documentary “This Is It” held up respectably and indie-darling “Precious” grossed a stunning $1,800,000 on just 18 theaters over the weekend. “Precious” will no doubt be nominated for a few Oscars come awards season. Speaking of the Academy Awards, Steve Martin and Alec Baldwin are teaming up to host next year’s Oscar telecast. Karen Woodward though the decision to go with Martin and Baldwin was dated and hopes they don’t hijack the show. On the other hand, Michael and J. Sperling Reich thought it was a good choice.

In more frivolous news, Nicolas Cage is suing his former money manager, Samuel J. Levin, for $20 million in Los Angeles Superior Court, claiming he enriched himself while “sending Cage down a path toward financial ruin.” Read more

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