Showbiz Sandbox 85: How To Save The Movie Business
December 27, 2010
In an age of video on demand and mobile computing, the traditional method for releasing films doesn’t seem to be working. As ticket prices rise, moviegoing and ticket sales are declining. Even worse, the fastest declining segment of moviegoers is young adults who can’t find movies that speak to their generation. Independent producer Cotty Chubb has proposed a potential solution to the problem, but it requires the participation of reluctant theater operators.
In a open letter to Relativity Media topper Ryan Kavanaugh published on IndieWire, Chubb suggests that riskier movies be released “day-and-date” at lower prices not only in theaters but on multiple platforms such as DVD and iTunes. He joins us for an in-depth discussion about his plan and how to bring audiences back to the movies.
As 2010 comes to a close we take a look at some of the year’s highest grossing and most pirated films. We also say goodbye to our co-host Karen Woodward whose career as a social media consultant has truly taken off.
Of course, we cover the week’s top entertainment headlines during Big Deal or Big Whoop, including the latest news from the Broadway version of “Spider-Man”, a delay in the next “DaVinci Code” movie and Steven Soderbergh’s rumored retirement. Our Inside Baseball topic focuses on SoundExchange and the music industry’s rising digital fortunes.
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Showbiz Sandbox 62: The Secret Behind Hollywood’s Accounting Practices
July 12, 2010
How is it the last Harry Potter film can gross $938 million but still lose $130 million? Journalist and author Edward Jay Epstein joins us to unravel some of Hollywood’s quirky accounting practices. He’s written two books on the subject; The Hollywood Economist: The Hidden Financial Reality Behind the Movies
“Despicable Me” topped the box office though the amount it took in from 3D screens was rather low. Could audiences be tiring of paying exorbitant 3D ticket prices? Meanwhile, Miramax finally seems to have found a buyer and Lions Gate is trying to make piece with activist investor Carl Icahn.
The Emmy nominations were announced last week and we’ll fill you in on whose up for the television’s big awards. Over in the world of music Pollstar announced that concert ticket sales are down 15% for the first half of the year.
During our Big Deal or Big Whoop segment we race through a number of top entertainment headlines, including Roman Polanski’s release, Lindsay Lohan’s jail time and Mel Gibson getting dumped by his agency. Maybe Gibson can find some work on YouTube, which plans to offer $5 million in grants to select content partners.
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Showbiz Sandbox 51: Ridley Scott Believes 3D Is An “Alien” Concept
April 26, 2010
Hollywood just won’t stop talking about 3D movies, so unfortunately we can’t either. It’s hard to argue against 3D when films like “How To Train Your Dragon” keep coming in first at the box office, even after five weeks in theaters. With the announcement that “The Green Hornet” and “The Last Airbender” will be converted to 3D the debate has turned to whether it’s better to shoot natively in 3D, or add it in post-production.
Filmmaker Ridley Scott won’t have to find out when he makes not one, but two prequels to his blockbuster “Alien” since he’ll be shooting them in 3D. Disney’s head honcho, Rich Ross, also announced a couple of upcoming releases when he finally met the press last week. We’ll be getting a sequel to “Monsters, Inc.” and a “Winnie the Pooh” movie, along with a few other family friendly flicks.
If 3D films don’t excite you, then the upcoming television season may not either. We review a number of pilots that are in the works, most of which seem derivative. In fact, some of them, like “Rockford Files” and “Hawaii 5-0” are simply rehashes of previous hit shows. Read more
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Showbiz Sandbox 46: Hollywood’s Latest Meme Is 3D
March 22, 2010
A “Wimpy Kid” couldn’t beat “Alice In Wonderland” at the box office this weekend. The higher price for 3D tickets has turned “Alice” into Tim Burton’s most successful film. And Hollywood studios have definitely noticed how well audiences are responding to 3D. The new format is so hot that, much to the annoyance of James Cameron, they have gone back to convert some upcoming releases to 3D, such as “Clash of the Titans”.
With thirty three 3D films presently slated for release in 2010 this has managed to create a bottle neck at movie theaters where there is usually only enough room to show one 3D film at a time. It’s gotten so competitive that Paramount has told theater owners that if they don’t play “How to Train Your Dragon” on their 3D enabled screen, they won’t send them a 2D print. But that means “Alice’s” engagement will be cut short. Beginning to see the problem?
While movie theaters don’t have enough 3D screens and too much content, the exact opposite is true in the home. Television manufacturers are selling 3D enabled televisions but there is nothing to watch. Have no fear though, Major League Baseball, NCAA basketball and the PGA Masters all have plans for 3D broadcasts. Read more
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Showbiz Sandbox 45: Changing Faces At Variety
March 15, 2010
Tim Burton’s “Alice in Wonderland” took the top spot at the box office again this week, which might be why 3D is causing quite a stir at ShoWest this year in Las Vegas. J. Sperling Reich fills us in on what theatre owners are talking about at the annual convention.
This week Hollywood suffered another untimely death, this time it was actor Corey Haim at age 38.
In happier news (for some), Jay Leno seems to be doing quite well back in his old time slot. The late night funnyman went back to “The Tonight Show” and ratings soared. What does this mean for Conan O’Brien and his chances for launching a competing late night talk show?
In music news, Billboard published a list of the Top 40 Moneymakers of 2009. Its well worth checking out as you might be surprised who makes the list. (Although it’s no surprise that U2 tops the list.)
Finally, we are joined by indieWIRE’s Anne Thompson during our Inside Baseball segment to talk about why Variety, the industry’s top trade paper is laying off staff members, including Todd McCarthy, their top film critic. Is this a sign of impending doom for the daily? Read more
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Showbiz Sandbox 44: And The (Six) Oscars Go To… “Hurt Locker”
March 8, 2010
The ballots have been counted, the envelopes have been opened and the nominees have undoubtedly returned their ball gowns and tuxes. Finally, after all the news coverage and public speculation about who would this year’s Oscars, the Academy of Motion Picture Arts and Sciences put us out of our misery on Sunday during their annual awards ceremony. The proceedings lasted more than three hours as usual and provided very few surprises.
Katheryn Bigelow made history by being the first woman to win the Best Director Oscar for “The Hurt Locker”, which won six awards in total including Best Screenplay and Best Picture. Jim Cameron’s “Avatar” won three technical awards for art direction, cinematography and visual effects. One of the night’s biggest surprises was when Geoffrey Fletcher walked off with the Best Adapted Screenplay Oscar for “Precious”, upsetting Jason Reitman’s “Up In The Air”.
As we predicted on last week’s episode, Jeff Bridges won Best Actor for “Crazy Heart”, Sandra Bullock won Best Actress for “The Blind Side”, Mo’Nique won Best Supporting Actress for “Precious” and Christolph Waltz won Best Supporting Actor for “Inglorious Basterds”. Damien Bona, co-author of the book Inside Oscar
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Showbiz Sandbox 42: Tom Cruise Takes A Pay Cut, And Other Indignities
February 15, 2010
We only talk about “Avatar” for a couple of seconds in this week’s podcast, thank goodness. Instead, we focus on actors campaigning for their Oscars (and a few who aren’t). We also discuss what we call “the 3D movie brouhaha” which has made Jeffrey Katzenberg irate.
In TV news, co-hosts Karen Woodward and Michael Giltz are passionate about the Olympics and the absurdity of “Lost” (even recaps are confusing!) And, after 28 years, MTV is changing its logo to reflect that the channel is no longer just about “music television”. They may be about 10 years too late.
Co-host J. Sperling Reich jumps into one of his favorite topics – new media – and reminds us that this guy named Steve Jobs sits on the board of Disney and is one of the top shareholders. No wonder Disney CEO Robert Igor called the underwhelming iPad “a really compelling device” that could be a game changer. We’ll hold off our thoughts on the new Apple product until we see if it really will change the way entertainment is distributed. Read more
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Showbiz Sandbox 41: Live Nation Becomes The Master Of Tickets
February 8, 2010
We swear we’re trying not to talk so much about Avatar, and although this seemed like a good week to skip the Ava-chat (congrats “Dear John!”), alas, the news cycle had other ideas.
But wait! There was also some important television news! Namely, the Super Bowl, which drew an average of 106.5 million people, just edging out “MASH’s” 106 million people in 1983. And football fans didn’t just watch the Saints win; they also watched the ads (which are sometimes the best part of the Super Bowl). This year’s favorite seems to be the Leno-Oprah-Letterman ad, but you be the judge. Where was Conan? Probably negotiating with Fox? It certainly seems like Rupert Murdoch plans on playing hardball with Team Coco (whenever he’s not unofficially greenlighting “Avatar 2”).
A company that doesn’t appear to be negotiating is Hulu, or is it NBC? During a Congressional hearing last week to investigate Comcast’s proposed acquisition of NBC, a representative asked NBC Universal CEO Jeff Zucker, “What about Boxee?” Read more
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Showbiz Sandbox Special Episode: And The Oscar Nominations Go To….
February 3, 2010
Early Tuesday morning the Academy of Motion Picture Arts and Sciences handed out their nominations for the 82nd Academy Awards. This is the first year since 1943 (when Casablanca won) that the Academy is expanding the list of Best Picture nominees to 10, up from the traditional five. The Academy’s original goal in increasing the field of nominees was that more popular films would be nominated, rather than a handful of independent films few are familiar with. It’s safe to say, they got their wish.
Not only were predictable entries nominated, such as “Avatar” and “The Hurt Locker”, but so were a few surprises that included crowd favorites such as “The Blind Side” and “District 9”. Even Pixar’s “Up” was nominated, making it the second film to ever be nominated for an Oscar. Of course, this year even if the list of Best Picture nominees hadn’t expanded, “Avatar”, the biggest box office winner of all time, was a lock for one of the slots. Read more
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Showbiz Sandbox 40: Taylor Ain’t Swift At The Grammys
February 1, 2010
The highlights of this week’s entertainment news were the Grammys and Sundance. First though, there was “Avatar”, “Avatar”, and more “Avatar”. The 3D wunderkind was number one at the box office again and has sold roughly 56 million tickets in North America so far. “Titanic” sold roughly 128 million admissions in North America, so if “Avatar” did that, it would gross about $1.2 billion in the U.S alone.
But there is more going on in the entertainment world besides “Avatar”. The music world gathered for the Grammys on Sunday, January 31. Geoff Boucher from the Los Angeles Times and David Wild, one of the writers on the Grammy telecast, join us to discuss the hits (Pink’s performance), the misses (Taylor Swift and Stevie Nicks) and what was going on backstage (Alice Cooper hangs with Smokey Robinson).
The Grammys weren’t the only prizes handed out over the weekend. Sundance announced its festival winners and Alison Willmore, a senior editor at IFC.com, stops by to talk about her favorite festival films and a few she recommends skipping. Read more
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