December 17, 2013
The entertainment industry is marking the end of 2013 with a flurry of lawsuits all having to do, one way or another, with profit participation. Moguls Harvey and Bob Weinstein have filed suit against Warner Bros. over profits from sequels to “The Hobbit”, a property they originally owned. Then there’s the fired creator of “The Walking Dead” who is suing AMC claiming the network owes him tens of millions of dollars for the hit television series.
Filmmaker James Cameron is no stranger to legal battles since he is constantly having to fend off plagiarism lawsuits. Last week the director said he struck a tax deal with New Zealand to film not one, but three “Avatar” sequels in the country.
Golden Globe nominations were announced last week helping solidify awards season frontrunners such as “12 Years A Slave”, “American Hustle” and “Gravity” among others. Keep in mind, only about 90 international entertainment journalists get to nominate and vote for the Globes.
Of course, we also cover the week’s top entertainment news stories including the new additions to the National Film Registry, the new members of the Rock and Roll Hall of Fame, and how Beyoncé surprised fans with a new album.
August 15, 2011
When the United States copyright law was revised in the mid-1970’s a little-known provision was included that lets musicians and songwriters reclaim ownership of their recordings after 35 years. Artists such as Bryan Adams, Bob Dylan, Loretta Lynn, Tom Petty and Tom Waits are set to regain control of their recordings starting in 2013 thanks to these “termination rights”. Rather than lose control of works worth millions of dollars, New York Times culture reporter Larry Rohter discusses how record labels plan to fight the provision in court.
Also picking a fight is Disney, which halted production of “The Lone Ranger” which was to star Johnny Depp and be directed by Gore Verbinski. Does pulling the plug on Jerry Bruckheimer’s latest blockbuster mean that Depp will refuse participate in another “Pirates of the Caribbean” sequel?
AMC has had its fair share of scuffles lately. After numerous disputes with the creators of their hit shows, AMC has become not only one of the most acclaimed cable networks in recent memory, but also one of the most troubled.
February 8, 2011
More than 111 million people watched this year’s Super Bowl telecast; more viewers than any broadcast in U.S. television history. That’s great news for companies that spent big money to run ads during the game. Unfortunately, most of the usually entertaining commercials were downright dreadful. Whether praiseworthy or offensive, we give you the low down on all the adverts.
Documentary filmmaker Michael Moore is taking the Weinstein Brothers to court, suing them for the $2.7 million in “Fahrenheit 9/11” proceeds Moore claims he’s owed. Is it safe to say the Weinstein Company won’t be releasing Moore’s next film?
Turns out nobody will be releasing the White Stripes next album. Jack and Meg White have decided to call it quits. Meanwhile theater critics were so eager to see the new “Spider-Man” musical they couldn’t wait until it opened. Based on their scathing reviews, it’s probably best if it never makes it out of previews.
May 25, 2010
It’s official. Google is getting into the television business with help from Sony and Logitech. Will making television searchable cause viewership to rise? On the other hand, movies have apparently found a way to shrink their audience – raise movie ticket prices. While “Shrek Forever After” may have topped the North American box office, it’s $71 million debut was seen as a bit of a disappointment. Industry pundits are pointing to the rising cost of 3D movie tickets as part of the cause.
And if you think movie tickets are getting too expensive just wait until cable companies start offering “home theater on demand”. Movie studios are being pitched by cable operators on distributing their movies via video-on-demand just 30 days after they are released in theaters. However, the $20 to $30 price tag may turn potential customers away.
We wrap up our coverage of the Cannes Film Festival, where an obscure “auteur” film from Thailand took the top prize. Michael Giltz and J. Sperling Reich tell us about all the films they liked (and hated) at this year’s festival.
The series finale of “Lost” aired over the weekend, though it received mixed reviews and mediocre ratings. Read more