Showbiz Sandbox 252: Crouching Netflix, Hidden IMAX and the Myth of Broken Release Windows

October 6, 2014

The Weinstein Co. stunned the entertainment industry last week by announcing they would distribute the sequel to “Crouching Tiger, Hidden Dragon” simultaneously on Netflix and IMAX. As Brooks Barnes of the New York Times explains, the plan only has one problem; movie theaters refuse to show any film that opens day-and-date on home video or video-on-demand. This begs the question, if a movie never opens theatrically, was it’s release window really broken?

Netflix continued to make additional headlines later in the week by signing a deal with actor Adam Sandler to make four original movies for the streaming service. We discuss whether Netflix is changing the Hollywood paradigm or simply becoming one more buyer of premium content.

While Netflix is leaning into the future, director Christopher Nolan is taking a more old fashioned approach by releasing his upcoming movie on actual film. Select theaters showing “Interstellar” on analogue celluloid will get the film two days early. But will theater owners, who recently converted to digital cinema, still know how to thread a 35mm projector?

Of course, we also cover the week’s top entertainment news stories including the death of Saturday morning cartoons, why U2 released their latest album on vinyl and how Facebook is helping “Twilight” live on through a series of short films.

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Showbiz Sandbox 97: What The Failure Of “Mars Needs Moms” Means For Hollywood

March 22, 2011

When Disney’s animated film “Mars Needs Moms” flopped at the box office, film industry insiders struggled to pinpoint a possible cause.  Was it the motion-capture animation style?  The lackluster storyline?  Are multiplexes saturated with too animated family films?  Have higher 3D ticket prices caused moviegoers to become more picky?  We are joined by New York Times media reporter Brooks Barnes who faults a long list of culprits for the movies failure.

Meanwhile, music industry big shots trekked to Austin, Texas last week hoping to find undiscovered artists at the South by Southwest music conference.  However, 13-year-old Rebbecca Black didn’t have to attend SxSW to attract attention.  She became the world’s latest pop-star in under a week when her much maligned song and music video turned into a viral Internet sensation.

Streaming video continues to change the television landscape.  Video streaming service Netflix made the jump into original programming by picking up a television series.  Such a move was aimed at keeping Netflix ahead of an endless assortment of competitors entering the market.

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