Showbiz Sandbox 520: Writing Hollywood’s Obituary… Again
December 8, 2020
The film industry is facing an existential crisis due to the COVID pandemic; film productions are struggling to continue, cinema chains have become burdened with debt and studios are sending their blockbuster releases directly to streaming services. In fact, last week Warner Bros. announced that its entire 2021 slate of movies would be released both in theatres and on their streaming service HBO Max, at least in the United States.
Brooks Barnes, a reporter for the New York Times, recently wrote a feature story detailing the death of Hollywood…again. Literally the headline used the word obituary. Barnes joins us to discuss the unprecedented challenges and disruption the industry is facing and helps us understand their overall ramifications.
Of course we also cover some of the week’s top entertainment headlines including why Disney is putting the Fox film library back in its vault, Bob Dylan sells the publishing rights to all of his songs and an all-Spanish album tops the Billboard charts for the first time in its 64 year history.
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Showbiz Sandbox 350: Hollywood Has Faith in Religious Marketing
January 9, 2017
Organized religion and the film industry have traditionally not played nicely with one another. Recently however, movie studios have been courting Christian filmgoers, in hopes of increasing audiences for certain titles. Brooks Barnes, a staff reporter for the New York Times, joins us to discuss one of Hollywood’s latest marketing trends.
The Writers Guild and the National Society Of Film Critics have both weighed in with end of the year honors. But will any of their choices matter come Oscar time?
The same question could be asked about the Golden Globes which were held last weekend. “La La Land” and “Moonlight” walked away with the top prizes as they continue to march through awards season as this year’s front runners for a Best Picture Academy Award.
Of course we also cover the week’s top entertainment news including why Kodak is bringing back celluloid (sort of), how talk show host Conan O’Brien is going viral and Norway ditches FM radio.
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Showbiz Sandbox 252: Crouching Netflix, Hidden IMAX and the Myth of Broken Release Windows
October 6, 2014
The Weinstein Co. stunned the entertainment industry last week by announcing they would distribute the sequel to “Crouching Tiger, Hidden Dragon” simultaneously on Netflix and IMAX. As Brooks Barnes of the New York Times explains, the plan only has one problem; movie theaters refuse to show any film that opens day-and-date on home video or video-on-demand. This begs the question, if a movie never opens theatrically, was it’s release window really broken?
Netflix continued to make additional headlines later in the week by signing a deal with actor Adam Sandler to make four original movies for the streaming service. We discuss whether Netflix is changing the Hollywood paradigm or simply becoming one more buyer of premium content.
While Netflix is leaning into the future, director Christopher Nolan is taking a more old fashioned approach by releasing his upcoming movie on actual film. Select theaters showing “Interstellar” on analogue celluloid will get the film two days early. But will theater owners, who recently converted to digital cinema, still know how to thread a 35mm projector?
Of course, we also cover the week’s top entertainment news stories including the death of Saturday morning cartoons, why U2 released their latest album on vinyl and how Facebook is helping “Twilight” live on through a series of short films.
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Showbiz Sandbox 97: What The Failure Of “Mars Needs Moms” Means For Hollywood
March 22, 2011
When Disney’s animated film “Mars Needs Moms” flopped at the box office, film industry insiders struggled to pinpoint a possible cause. Was it the motion-capture animation style? The lackluster storyline? Are multiplexes saturated with too animated family films? Have higher 3D ticket prices caused moviegoers to become more picky? We are joined by New York Times media reporter Brooks Barnes who faults a long list of culprits for the movies failure.
Meanwhile, music industry big shots trekked to Austin, Texas last week hoping to find undiscovered artists at the South by Southwest music conference. However, 13-year-old Rebbecca Black didn’t have to attend SxSW to attract attention. She became the world’s latest pop-star in under a week when her much maligned song and music video turned into a viral Internet sensation.
Streaming video continues to change the television landscape. Video streaming service Netflix made the jump into original programming by picking up a television series. Such a move was aimed at keeping Netflix ahead of an endless assortment of competitors entering the market.
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